Artist of the Month

deli cover



December 2015
The City & I
Colins “Bear’” Regisford’s musical talents can be found dispersed throughout the Philly music community in bands such as Mannequin Pussy, Kids, Ghost Gum, and Albondigas. And with the help of local musically-inclined friends, which also included members of The Spirit of the Beehive and Gunk, what originally started as Bear’s acoustic solo project in 2004 traverses a diverse landscape of genres on his debut EP Downer, recorded under the moniker The City & I.   
Available on cassette via Infinity Cat Recordings, Downer is a record that never settles into one place for too long, jumping from moment to moment at the speed of life. “Bored People” gradually dials you in: “I’ve got no time for excuses, I’ll invest in an illusion…” It lays the groundwork, projecting an intriguing introduction of shadowy, blunted haze.
“Divine Lorraine” shifts the tempo upward into rebellious slacker rock. Pat Conaboy’s fresh kick of percussion propels the song ahead, tying in the slight etchings of distorted guitar to provide a gritty texture, which is reinforced by the lead vocal and polished by the tempering back vocals. It’s a welcomed mesh of the raw and the refined. “Geordie” is encompassed by a calm, shoegazing cloud; however, what first appears clear gathers a turbulent air, sweeping one through a momentary buzzing cyclone before disintegrating into feeble animal whimpers.
Sounds from the city encircle “Tall Girls,” while a guitar-led, emotionally torn and conflicted serenade rings out subtly in the forefront. “Untitled” is a thirty-second noise jam that builds to the title-track through a warping sonic hole. “Downer” is anything but. The instant fervor of grungy instrumentation smacks the song into action, giving the record a spirited, momentous jolt. But “Are You Up” closes by transporting the album to another unique site. This one couples Eastern-sounding keys with an industrial-hammering rhythm and a late-night, burnt-as-fuck-yet-confident emcee delivery. Amid a noisy, chaotic perimeter, it spirals into a joyous exclamatory applause. And we are left wishing and hoping for a secret track, but none ever comes. - Michael Colavita

Rate the Artist:

Please visit The Deli's full web charts organized by genre and region.

Go to Charts


scene blog

Faux Slang Headline at JB’s July 6

Faux Slang Headline at JB’s July 6

Ever since putting out their self-titled EP, Faux Slang have proven themselves to be a standout band with their sound that blends post punk with 60s pop amid a cacophony of heavy synth, dynamic guitar work, and infectious drum beats. Tonight they’ll be taking the well-deserved spotlight when they headline Johnny Brenda’s. Faux Slang will also be joined by the local three-piece Royal Shoals. The band features former members of Roper, Public Record, and Dr. Dog precursor Beard. Royal Shoal’s debut EP was put together with the help of Uniform Recording’s Jeff Zeigler (Kurt Vile, The War on Drugs, etc.). Their opening performance is sure to set the tone for the rest of the evening. Johnny Brenda’s, 1201 N. Frankford Ave., 9pm, $10, 21+ (Photo by John Vettese) - Bill McThrill



New Poll Coming Soon!

[sponsored by]

stompbox exhibit

- news for musician and music pros -