Here’s a new music video for the lead single, “Pink Ruff,” off Bleeding Rainbow’s forthcoming album Yeah Right. It premiered earlier today via Stereogum. It was directed by Herbie Shellenberger and Michael Thomas Vassallo. Below is what they had to say about its production.
Bleeding Rainbow approached us about shooting a video for the firstsingle (“Pink Ruff”) from their new album. One of the references they mentioned was the “Stargate” sequence from 2001: A Space Odyssey. Thinking about this scene, we were reminded of similar abstract portraits (Warhol’s “Chelsea Girls” as well as films by Kenneth Anger and Shuji Terayama) and the colorfield films of Paul Sharits.
We shot on 16mm color reversal (Ektachrome 7285) in Rob and Sarah’s basement with each of the four band members sitting and posing in a bust shot. We had intense lights with color gels moving around the band members, video and overhead projectors, a fog machine and a sequence with plastic wrap in front of the lens.
When we got the film back from the lab, we discovered that much of it was misregistered in the camera and out of frame. The footage was even more abstract than was planned, but luckily it fit with the theme. Michael Tom edited the footage with lots of fast cuts, chopping it up to match the intensity of the song. We are very proud to work with Bleeding Rainbow and thank them for their support in helping us shoot on 16mm!
For those who decide whether to come or go based on the first forty seconds of an album, Restorations’ LP2 is practically tailor-made for snap judgments. After a chiming, anthemic guitar opening, the band already known for fist-raising jams lets all hell break loose with “D,” their most unrestrained opener yet. The drum kit-mauling, earth-shaking bass lines and ascendant guitar riffs can only be described as complete sensory overload, and make it clear that the following eleven songs are going to be fueled by pure viscera. If your preferences run towards structure over huge sound, this release may leave you cold; LP2’s predominant means of exploring the band’s wealth of ideas are stadium-sized instrumentation and endless waves of atmospherics, as well as a dose of ennui.
This is a murkier, more inward-looking Restorations than we’re used to. Everything that was there before, musically, is blown sky-high this time around. They’ve managed to pack ideas into every iota of the song list, aided by Jon Low’s miles-deep production; the density of the music itself is offset by an album-long meditation on place, belonging, and the ramifications of leaving the familiar behind, which makes the outsized sound that much more of an interesting direction. Juxtaposing the existential discomfort with more sophisticated, complex forays into Restorations’ sonic wheelhouse.
The spiraling guitars, one of the album’s specially prominent features, are everywhere, serving various purposes in each song. “Kind of Comfort”’s jittery glam rock aspirations accompany lyrics of searching and wanderlust. Even the more downbeat cuts (“In Perpetuity Through The Universe,” “New Old”) are propelled beyond their subject matter by the songs’ barely-concealed restless energy. At its more pensive moments, like the folk-inflected “Civil Inattention,” there is a restless undercurrent of texture and volatility that never quite lets up.
Album closer “Adventure Tortoise” is all monster buildup laced with extraterrestrial effects, kicking off into a sort of requiem for the band’s neighborhood. “I’d really like to stay to help this place,” growls Jon Loudon through his teeth, but the allure of letting it all go is too strong to resist. The longing for a place “where nobody knows your name” isn’t quite all-consuming enough to inspire real action, but it is definitely the new paradigm Loudon means.
It takes guts to pull off a release that feels ten minutes long but contains more emotional and musical texture than most records. Restorations cover a whole lot of ground on LP2, and for the most part, pull off their ambitions. A bit too sanguine for shoegaze, and maybe too heady for punk, Restorations’ second full-length album brings an intriguing palette of aspirations to their open road-ready sound, prepared to try anything and everything. - Alyssa Greenberg
