the_deli_magazine
  • local channel
  • local charts
  • studios
  • submit
  • submit

 
deli cover


April 2014
Creepoid
"Creepoid
"
mp3
The perfect solace for winter’s passing, Creepoid’s second full-length self-titled LP combines the zeitgeist of 90's grunge with pristine dissonance and somber lyricism. Released earlier this month by No Idea Records, Creepoid is eerie, melodic and stirring from beginning to end. 

The record’s introductory track “Nauda” opens with a singular note that swells into a melody, aligning itself with the listener in a way that feels confessional yet synonymous. A well-wrought continuation of the earnest diction reminiscent of Horse Heaven, “Nauda” is as bittersweet as its vocals, informed by the paradox of loneliness and longing. Expanding into a cinematically moody soundscape, guitars wail like sirens, beckoning chords to crash and settle into a fading ricochet - a premonition of “Sunday.” Coupled with acoustic strums and crisp vocal croons, a solemn request, “take my light and pull it out,” is beautifully melodic with perfectly placed tambourine that brings to mind the memorable mood concentrated. Exploring the affect and consequence of relational presence and its subsequent absence, the orchestration of “Sunday” renders a relatable narrative evocatively raw and sincere. 

“Yellow Wallpaper” ignites with driving bass and swirling riffs. As if resurrecting the perfection of Jeremy Enigk (ex-Sunny Day Real Estate), a la “Killed By An Angel” meets “Pillars,” the song evokes an eerie all consuming sense of the sublime that centers the track’s duration. Like an extension of Horse Heaven’s “Hollow Doubt,” the contextual weight of “Yellow Wallpaper” is harmonically haunting and intentionally poignant. “Baptism” washes over its listener in waves of riffs and echoed vocals that occupy an emotive territory similar to lesser-known tracks by Sonic Youth, subverted and painted darker by the brooding buzz reminiscent of shoegaze greats like My Bloody Valentine. 

In its decline, “Baptism” casts a feeling of transcendent submersion, befitting its namesake. With a crystallized aggression, “Gout” does the same - urgent and arresting with visceral shouts and screams. “Stay Inside” is considerably more subdued than the album’s preceding tracks but equally mesmerizing, unfolding “Tired Eyes,” a hypnotic chant of a fatigued psychedelic. “Golden String” feels slightly optimistic, while “Acrimony” blossoms then retracts into a reserved yet deliberate ballad that demands its audience’s attention like a gloomy lullaby with teeth. “Vulgar,” warm and sunlit, is lush and arresting, setting the stage for the album’s closer “Old Tree,” a jubilant ending to yet another epic compilation of clairvoyant anthems evoked by Creepoid. - Dianca Potts 

Rate the Artist:


Please visit The Deli's full web charts organized by genre and region.


Go to Charts

Cancel

scene blog

Q.D. Tran’s 40 Favorite Philly Releases of 2012

Q.D. Tran’s 40 Favorite Philly Releases of 2012

Every year I never have the intention of making a year-end list, but then I start seeing others rolling out, and think to myself - why not? There are plenty of Philly releases that deserve to be mentioned each year. I might as well give into the fact that another one will be coming next year. 2012 is/was a great year for local releases. I started off wanting to keep my list to 20, and obviously things didn’t go as I had planned. I just kept coming across more albums that I felt should be included. I finally decided to cap it off at 40 (though I still could’ve added more - my apologies to those who weren’t mentioned) or else I would’ve never gotten around to getting it up. Well, here is my final post of 2012. I look forward to seeing you on the other side. Happy New Year, and cheers!!! - Q.D. Tran

 

1. Spacin’Deep Thuds (Richie)

 

2. LushlifePlateau Vision (Western Vinyl)

 

3. Ghost LightAwful Feelings (Single Girl Married Girl)

 
4. Cousin BrianFirst (Mallrat)

 
5. TJ Kong and the Atomic BombManufacturing Joy (Self-released)

 
6. Dr. DogBe the Void (ANTI-)
7. Hop AlongGet Disowned (Hot Green)
8. AsaadWhite (Self-released)
9. Daniel BachmanSeven Pines (Tompkins Square)  
10. Work DrugsDrift (Bobby Cahn/State Capital)
11. StreetwalkersCassette One (Self-released)
12. Cold FrontsPretty American (Self-released)
13. Grande Marshall800 (Self-released)
14. VacationerGone (Downtown)
15. Ape SchoolJunior Violence (Hometapes)
16. GracieTreehouse (Small Plates)
17. Radiator HospitalSome Distant Moon (Forward)
18. PO PODope Boy Magick (Mad Decent)
19. Swearin’Swearin’ (Salinas)
20. Meek Mill Dreamchaser 2 (Self-released)
21. Family Band Grace & Lies (No Quarter)
22. Sun Airway Soft Fall (Dead Oceans)
23. White BirdsWhen Women Played Drums (Grizzly)
24. Wrecking CrewWu Tang Pulp (Self-released)
25. Arc in RoundArc in Round (La Société Expéditionnaire)
26. NothingDownward Years to Come (A389)
27. Far-Out FangtoothThe Thorns (HoZac)
28. Residuels – Residuels (Self-released)
29. Rich MysticsLOVERDOSE (Self-released)
30. Orbit to LeslieWhitemarsh Woods (Self-released)
31. Power AnimalExorcism (Human Kindness Overflowing)
32. LanternDream Mine (Bathetic)
33. Buried BedsSmall Stories (Self-released)
34. Brendan CodeyCasco (Treetop Sorbet)
35. Laser BackgroundLaser Background (Stroll On)
36. Ghost ShipGolden Girls (Self-released)
37. Cheers ElephantLike Wind Blows Fire (Self-released)
38. Strand of OaksDark Shores (Self-released)
39. Chris ForsythKenzo Deluxe (Northern Spy)
40. Night SinsNew Grave (Avant!)
 
|
|

aom

New Poll Coming Soon!

[sponsored by]


aps

- news for musician and music industry peeps -