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Artist of the Month
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September 2016
Them Jones
"A Mountain of Nonsense
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Philly rockers Them Jones craft far-out riffs and psych-drenched anthems, reviving and reinventing soundscapes reminiscent of the Age of Aquarius on their new LP A Mountain of Nonsense.

 

Beginning with the steady buzz of “Mended All Made Clean,” the five-piece's efforts make one take notice, as reverbed screams and gritty cymbals collide with satisfying repetition and impassioned diction. As if filling the narrative chasm between Mikal Cronin’s “Gone” and Ty Segall’s “Inside Your Heart,” Them Jones’ album opener sinks deep into the hearts of listeners without pretense or apology. “Hollow Man” captivates in a similar fashion by teaching its audience patience as atmospheric dissonance gives way to melodic guitar and harmonized vocals that paint a glaringly relatable portrait of a man with “wounds to mend.” A deliciously contemplative downer, the track is as haunting as its namesake suggests. Soon after its end, the infectious tempo and throbbing beat of “Outburst” fills the silence, switching the mood of the album from the musings of a contemplative loner to the pulsating heart of an unabashed romantic.

 

The bluesy growl of “One of These Days” casts a spell on its own terms, making the most of initially sparse but precise instrumentation, before blooming into an audible homage to the genre’s predecessors as well as its current greats. Furthered by “Acute Mountain Sickness Blues” and the addictive hook of “Honeytrap,” Them Jones prove that their metaphors are as memorable as their ability to shred. As the album progresses, the dreamy melody of “My Heroine Pretends” suitably precedes the delectable swagger of “Well Enough Alone,” which serves as the perfect prelude for the introspective depth of “Jennifer, My Plastic Girl” and “The Shrinking Violet Light,” which resurrects the candidness of Jay Reatard and the poetic genius of The White Stripes pre-De Stijil.

 

Ending with the delectably menacing “Now I Become Death” and trippy glory of “These Canyons,” A Mountain of Nonsense should be considered quintessential for any music lover. Them Jones’ official debut LP is well-deserving of heavy rotation and adoration. - Dianca London

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Philly Year End Poll 2012 - Open Submission Results!

Philly Year End Poll 2012 - Open Submission Results!

We’ve tallied the results for the Open Submissions stage of our Philly Year End Poll. All of the submissions were ranked by Deli Editors from other cities, and the list of acts that have advanced to our Readers’/Fans’ Poll phase are below. We will also be releasing the list of nominees chosen by our local jurors very soon. 

Thanks to all the rad folks who submitted their hearts and souls to us. Our open submissions pool was truly a celebration of Philly’s talent and diversity. 

Total submissions from Philly: 88

 
Qualified to the final phase of the Philly Year End Poll:
 
1. Turning Violet Violet - 8.33 (out of 10)
2. Ghost Light - 8.16
2. The Districts - 8.16
6. Nothing - 7.83
6. Modern Inventors - 7.83
8. Heyward Howkins - 7.66
8. Ton-Taun - 7.66
8. Willow Talk - 7.66
8. Eskimeaux - 7.66
 
Honorable Mentions (score above 7)
 
FLOTE (Electronic), Railroad Fever (Americana), Thee, Idea Men (Alt Rock), Vintage Kicks (Post Punk), June Divided (Alt Rock), The Chairman Dances (Indie Pop), The Stammer (Indie Rock), W.C. Lindsay (Electro Pop), Ruby the Hatchet (Alt Rock), Sudan (Hip Hop), AVRA (Indie Rock), Goodnight Lights (Indie Rock), Hectic Zeniths (Electronic), Toy Cannons (New Wave), True Gold (Psych Rock), Bleeding Fractals (Post Punk), Favor the Brave (Prog Metal), Ghost in the Valley (Post Punk), Psychic Teens (Post Punk), The THANGS (Electro Hop), The Tweeds (Psych Rock)
 
Jurors: Benjamin Toledo (Deli Portland), Lucy Sherman (Deli NYC), Paolo De Gregorio (Deli NYC)
 
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Which of these local acts should be The Deli Philly's featured artist(s)?

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