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April 2014
Creepoid
"Creepoid
"
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The perfect solace for winter’s passing, Creepoid’s second full-length self-titled LP combines the zeitgeist of 90's grunge with pristine dissonance and somber lyricism. Released earlier this month by No Idea Records, Creepoid is eerie, melodic and stirring from beginning to end. 

The record’s introductory track “Nauda” opens with a singular note that swells into a melody, aligning itself with the listener in a way that feels confessional yet synonymous. A well-wrought continuation of the earnest diction reminiscent of Horse Heaven, “Nauda” is as bittersweet as its vocals, informed by the paradox of loneliness and longing. Expanding into a cinematically moody soundscape, guitars wail like sirens, beckoning chords to crash and settle into a fading ricochet - a premonition of “Sunday.” Coupled with acoustic strums and crisp vocal croons, a solemn request, “take my light and pull it out,” is beautifully melodic with perfectly placed tambourine that brings to mind the memorable mood concentrated. Exploring the affect and consequence of relational presence and its subsequent absence, the orchestration of “Sunday” renders a relatable narrative evocatively raw and sincere. 

“Yellow Wallpaper” ignites with driving bass and swirling riffs. As if resurrecting the perfection of Jeremy Enigk (ex-Sunny Day Real Estate), a la “Killed By An Angel” meets “Pillars,” the song evokes an eerie all consuming sense of the sublime that centers the track’s duration. Like an extension of Horse Heaven’s “Hollow Doubt,” the contextual weight of “Yellow Wallpaper” is harmonically haunting and intentionally poignant. “Baptism” washes over its listener in waves of riffs and echoed vocals that occupy an emotive territory similar to lesser-known tracks by Sonic Youth, subverted and painted darker by the brooding buzz reminiscent of shoegaze greats like My Bloody Valentine. 

In its decline, “Baptism” casts a feeling of transcendent submersion, befitting its namesake. With a crystallized aggression, “Gout” does the same - urgent and arresting with visceral shouts and screams. “Stay Inside” is considerably more subdued than the album’s preceding tracks but equally mesmerizing, unfolding “Tired Eyes,” a hypnotic chant of a fatigued psychedelic. “Golden String” feels slightly optimistic, while “Acrimony” blossoms then retracts into a reserved yet deliberate ballad that demands its audience’s attention like a gloomy lullaby with teeth. “Vulgar,” warm and sunlit, is lush and arresting, setting the stage for the album’s closer “Old Tree,” a jubilant ending to yet another epic compilation of clairvoyant anthems evoked by Creepoid. - Dianca Potts 

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Philly Year End Poll 2012 - Open Submission Results!

Philly Year End Poll 2012 - Open Submission Results!

We’ve tallied the results for the Open Submissions stage of our Philly Year End Poll. All of the submissions were ranked by Deli Editors from other cities, and the list of acts that have advanced to our Readers’/Fans’ Poll phase are below. We will also be releasing the list of nominees chosen by our local jurors very soon. 

Thanks to all the rad folks who submitted their hearts and souls to us. Our open submissions pool was truly a celebration of Philly’s talent and diversity. 

Total submissions from Philly: 88

 
Qualified to the final phase of the Philly Year End Poll:
 
1. Turning Violet Violet - 8.33 (out of 10)
2. Ghost Light - 8.16
2. The Districts - 8.16
6. Nothing - 7.83
6. Modern Inventors - 7.83
8. Heyward Howkins - 7.66
8. Ton-Taun - 7.66
8. Willow Talk - 7.66
8. Eskimeaux - 7.66
 
Honorable Mentions (score above 7)
 
FLOTE (Electronic), Railroad Fever (Americana), Thee, Idea Men (Alt Rock), Vintage Kicks (Post Punk), June Divided (Alt Rock), The Chairman Dances (Indie Pop), The Stammer (Indie Rock), W.C. Lindsay (Electro Pop), Ruby the Hatchet (Alt Rock), Sudan (Hip Hop), AVRA (Indie Rock), Goodnight Lights (Indie Rock), Hectic Zeniths (Electronic), Toy Cannons (New Wave), True Gold (Psych Rock), Bleeding Fractals (Post Punk), Favor the Brave (Prog Metal), Ghost in the Valley (Post Punk), Psychic Teens (Post Punk), The THANGS (Electro Hop), The Tweeds (Psych Rock)
 
Jurors: Benjamin Toledo (Deli Portland), Lucy Sherman (Deli NYC), Paolo De Gregorio (Deli NYC)
 
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