x
Artist of the Month
the_deli_magazine

 
deli cover

March 2015
Blood Sound
"Nightclub
"
mp3
Blood Sound’s post-punk tracks are informed by an audible nostalgia for the dance floors and goth clubs of the latter ‘80s. Their latest LP Nightclub is a hybrid of dark wave and dream pop. Marrying synth-drenched harmonies with emotively vibrant lyricism, the subtle romantics of the band’s debut full-length fit seamlessly with the buzzing percussive backbeats of earlier cuts by Cold Cave (circa Love Comes Close) or The Cure’s “Primary” stripped bare to its core.
 
“TV Synth 1” sets the tone for Nightclub’s narrative with a brief yet textured prelude to “I Don’t Want.” Relatable like an antithesis of The Smiths’ “There Is A Light That Never Goes Out,” Blood Sound’s “I Don’t Want” personifies the complexities of yearning, desire, and loneliness. As frontman Chris Jordan croons “I don’t want the city’s lights to go down/I don’t want to find home,” guitar riffs magnify the weight of his words without casting them melodramatic. The track is a fitting anthem for the passing of youth, failed love, and transition.
 
The buzzing start of “L.A. Punk” explores that thin line between authenticity and commoditization, the song’s instrumentation paying homage in its own way to the early underground and its subsequent subcultures. As if channeling a sedated rendition of Peter Murphy’s tone and diction, “L.A. Punk” is as memorable as it is brooding. “Acid Summer” gives an inward glimpse at the intimate nature of grief, mortality, and memory. When Jordan sings, “The 1980s died that day,” the listener feels it in their gut. It’s undeniable. The connection between what is experienced and how that experience is remembered is amplified by the track’s thumping tempo.
 
“Empty” plays out like the perfect soundtrack to an inevitable breakup, coupling affection with exhaustion, with the synth framing the heart-wrenching truth of lines like “I was too in love to say/that your story was a bore/Now I gave up on bad dreams and endings/beginnings and beginnings.” It offers a viable catharsis for jilted lovers with a penchant for fuzzed-out refrains.
 
“TV Synth 2” precedes the lyrically minimal yet heavy “Embrace” which serves as Nightclub’s melodic memento mori. “Almost” is subdued yet gripping, slowing the momentum of the record in advanced of “TV Synth 3,” which unfolds like a VHS fever dream. “Fake Blood” is evocative, with reverb and a pulsating backbeat that swells as the song progresses. Arguably the darkest track on the album, Jordan’s diction is hypnotic, “Kill your dreams and wait for/the fake blood to pour out.”
 
Ending with the well-placed “Catacombs,” Nightclub’s final track encapsulates the thrill of beginnings and the way one remembers them. Set to a beat reminiscent of Joy Division’s quintessential single “Love Will Tear Us Apart,” “Catacombs,” much like the songs that precede it, is reason alone to return to Nightclub. - Dianca London Potts

Rate the Artist:


Please visit The Deli's full web charts organized by genre and region.


Go to Charts

Cancel

scene blog

Philly Year End Poll 2012 - Open Submission Results!

Philly Year End Poll 2012 - Open Submission Results!

We’ve tallied the results for the Open Submissions stage of our Philly Year End Poll. All of the submissions were ranked by Deli Editors from other cities, and the list of acts that have advanced to our Readers’/Fans’ Poll phase are below. We will also be releasing the list of nominees chosen by our local jurors very soon. 

Thanks to all the rad folks who submitted their hearts and souls to us. Our open submissions pool was truly a celebration of Philly’s talent and diversity. 

Total submissions from Philly: 88

 
Qualified to the final phase of the Philly Year End Poll:
 
1. Turning Violet Violet - 8.33 (out of 10)
2. Ghost Light - 8.16
2. The Districts - 8.16
6. Nothing - 7.83
6. Modern Inventors - 7.83
8. Heyward Howkins - 7.66
8. Ton-Taun - 7.66
8. Willow Talk - 7.66
8. Eskimeaux - 7.66
 
Honorable Mentions (score above 7)
 
FLOTE (Electronic), Railroad Fever (Americana), Thee, Idea Men (Alt Rock), Vintage Kicks (Post Punk), June Divided (Alt Rock), The Chairman Dances (Indie Pop), The Stammer (Indie Rock), W.C. Lindsay (Electro Pop), Ruby the Hatchet (Alt Rock), Sudan (Hip Hop), AVRA (Indie Rock), Goodnight Lights (Indie Rock), Hectic Zeniths (Electronic), Toy Cannons (New Wave), True Gold (Psych Rock), Bleeding Fractals (Post Punk), Favor the Brave (Prog Metal), Ghost in the Valley (Post Punk), Psychic Teens (Post Punk), The THANGS (Electro Hop), The Tweeds (Psych Rock)
 
Jurors: Benjamin Toledo (Deli Portland), Lucy Sherman (Deli NYC), Paolo De Gregorio (Deli NYC)
 
|
|

aom
Which of these local acts should be The Deli Philly's featured artist(s)?

[sponsored by]


aps
stompbox exhibit


- news for musician and music industry peeps -