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April 2014
Creepoid
"Creepoid
"
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The perfect solace for winter’s passing, Creepoid’s second full-length self-titled LP combines the zeitgeist of 90's grunge with pristine dissonance and somber lyricism. Released earlier this month by No Idea Records, Creepoid is eerie, melodic and stirring from beginning to end. 

The record’s introductory track “Nauda” opens with a singular note that swells into a melody, aligning itself with the listener in a way that feels confessional yet synonymous. A well-wrought continuation of the earnest diction reminiscent of Horse Heaven, “Nauda” is as bittersweet as its vocals, informed by the paradox of loneliness and longing. Expanding into a cinematically moody soundscape, guitars wail like sirens, beckoning chords to crash and settle into a fading ricochet - a premonition of “Sunday.” Coupled with acoustic strums and crisp vocal croons, a solemn request, “take my light and pull it out,” is beautifully melodic with perfectly placed tambourine that brings to mind the memorable mood concentrated. Exploring the affect and consequence of relational presence and its subsequent absence, the orchestration of “Sunday” renders a relatable narrative evocatively raw and sincere. 

“Yellow Wallpaper” ignites with driving bass and swirling riffs. As if resurrecting the perfection of Jeremy Enigk (ex-Sunny Day Real Estate), a la “Killed By An Angel” meets “Pillars,” the song evokes an eerie all consuming sense of the sublime that centers the track’s duration. Like an extension of Horse Heaven’s “Hollow Doubt,” the contextual weight of “Yellow Wallpaper” is harmonically haunting and intentionally poignant. “Baptism” washes over its listener in waves of riffs and echoed vocals that occupy an emotive territory similar to lesser-known tracks by Sonic Youth, subverted and painted darker by the brooding buzz reminiscent of shoegaze greats like My Bloody Valentine. 

In its decline, “Baptism” casts a feeling of transcendent submersion, befitting its namesake. With a crystallized aggression, “Gout” does the same - urgent and arresting with visceral shouts and screams. “Stay Inside” is considerably more subdued than the album’s preceding tracks but equally mesmerizing, unfolding “Tired Eyes,” a hypnotic chant of a fatigued psychedelic. “Golden String” feels slightly optimistic, while “Acrimony” blossoms then retracts into a reserved yet deliberate ballad that demands its audience’s attention like a gloomy lullaby with teeth. “Vulgar,” warm and sunlit, is lush and arresting, setting the stage for the album’s closer “Old Tree,” a jubilant ending to yet another epic compilation of clairvoyant anthems evoked by Creepoid. - Dianca Potts 

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Where Is My Mind?: Nightlands

Where Is My Mind?: Nightlands

Nightlands’ Dave Hartley seems to be one seriously busy dude. He just released his new record Oak Island earlier this week via Secretly Canadian. And while for some artists accomplishing that feat may be just enough and sometimes too much to handle, you’ll also find him lending his musical talents to other rad projects and artists like recently backing the legendary founding member of The Velvet Underground, John Cale, on Late Night with Jimmy Fallon, touring with Sondre Lerche, recording with Sharon Van Etten, and (of course) traveling the world and being best known as the bassist for much-beloved rock outfit The War on Drugs just to name a few. Oh yeah - we don’t want to forget that the basketball fanatic also occasionally writes his own sports columns for Impose Magazine (“Death Dunk”) and WXPN’s The Key (“Top of the Key”), and for the past month, he’s been furiously championing a petition to get San Antonio Spurs three-point specialist Matt Bonner invited to NBA All-Star Weekend’s Foot Locker Three Point Shootout, which has garnered support from celebrities like Eva Longoria and Arcade Fire. (BTW: He is growing a protest beard for the cause as well - #LetBonnerShoot!) Hartley will be celebrating the release of Oak Island this Saturday at Kung Fu Necktie before heading out on tour in February opening for Efterklang. However, before all that goes down, we had a chance to pass a few questions his way, which you can check out HERE

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