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Artist of the Month
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March 2015
Blood Sound
"Nightclub
"
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Blood Sound’s post-punk tracks are informed by an audible nostalgia for the dance floors and goth clubs of the latter ‘80s. Their latest LP Nightclub is a hybrid of dark wave and dream pop. Marrying synth-drenched harmonies with emotively vibrant lyricism, the subtle romantics of the band’s debut full-length fit seamlessly with the buzzing percussive backbeats of earlier cuts by Cold Cave (circa Love Comes Close) or The Cure’s “Primary” stripped bare to its core.
 
“TV Synth 1” sets the tone for Nightclub’s narrative with a brief yet textured prelude to “I Don’t Want.” Relatable like an antithesis of The Smiths’ “There Is A Light That Never Goes Out,” Blood Sound’s “I Don’t Want” personifies the complexities of yearning, desire, and loneliness. As frontman Chris Jordan croons “I don’t want the city’s lights to go down/I don’t want to find home,” guitar riffs magnify the weight of his words without casting them melodramatic. The track is a fitting anthem for the passing of youth, failed love, and transition.
 
The buzzing start of “L.A. Punk” explores that thin line between authenticity and commoditization, the song’s instrumentation paying homage in its own way to the early underground and its subsequent subcultures. As if channeling a sedated rendition of Peter Murphy’s tone and diction, “L.A. Punk” is as memorable as it is brooding. “Acid Summer” gives an inward glimpse at the intimate nature of grief, mortality, and memory. When Jordan sings, “The 1980s died that day,” the listener feels it in their gut. It’s undeniable. The connection between what is experienced and how that experience is remembered is amplified by the track’s thumping tempo.
 
“Empty” plays out like the perfect soundtrack to an inevitable breakup, coupling affection with exhaustion, with the synth framing the heart-wrenching truth of lines like “I was too in love to say/that your story was a bore/Now I gave up on bad dreams and endings/beginnings and beginnings.” It offers a viable catharsis for jilted lovers with a penchant for fuzzed-out refrains.
 
“TV Synth 2” precedes the lyrically minimal yet heavy “Embrace” which serves as Nightclub’s melodic memento mori. “Almost” is subdued yet gripping, slowing the momentum of the record in advanced of “TV Synth 3,” which unfolds like a VHS fever dream. “Fake Blood” is evocative, with reverb and a pulsating backbeat that swells as the song progresses. Arguably the darkest track on the album, Jordan’s diction is hypnotic, “Kill your dreams and wait for/the fake blood to pour out.”
 
Ending with the well-placed “Catacombs,” Nightclub’s final track encapsulates the thrill of beginnings and the way one remembers them. Set to a beat reminiscent of Joy Division’s quintessential single “Love Will Tear Us Apart,” “Catacombs,” much like the songs that precede it, is reason alone to return to Nightclub. - Dianca London Potts

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scene blog

Where Is My Mind?: Nightlands

Where Is My Mind?: Nightlands

Nightlands’ Dave Hartley seems to be one seriously busy dude. He just released his new record Oak Island earlier this week via Secretly Canadian. And while for some artists accomplishing that feat may be just enough and sometimes too much to handle, you’ll also find him lending his musical talents to other rad projects and artists like recently backing the legendary founding member of The Velvet Underground, John Cale, on Late Night with Jimmy Fallon, touring with Sondre Lerche, recording with Sharon Van Etten, and (of course) traveling the world and being best known as the bassist for much-beloved rock outfit The War on Drugs just to name a few. Oh yeah - we don’t want to forget that the basketball fanatic also occasionally writes his own sports columns for Impose Magazine (“Death Dunk”) and WXPN’s The Key (“Top of the Key”), and for the past month, he’s been furiously championing a petition to get San Antonio Spurs three-point specialist Matt Bonner invited to NBA All-Star Weekend’s Foot Locker Three Point Shootout, which has garnered support from celebrities like Eva Longoria and Arcade Fire. (BTW: He is growing a protest beard for the cause as well - #LetBonnerShoot!) Hartley will be celebrating the release of Oak Island this Saturday at Kung Fu Necktie before heading out on tour in February opening for Efterklang. However, before all that goes down, we had a chance to pass a few questions his way, which you can check out HERE

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Which of these local acts should be The Deli Philly's featured artist(s)?

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