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Artist of the Month
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July 2015
Ecstatic Vision
"Sonic Praise
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Heavy-psych three-piece Ecstatic Vision conjures cosmic soundscapes with their debut LP Sonic Praise (Relapse Records). Self-ordained as “primal,” the group’s orchestration is undeniably gripping and visceral, altering the embodied state of its listener at an instant. Pressing past the tropes of genre, Sonic Praise is a hypnotic example of the outfit’s versatility. The release of Ecstatic Vision’s tripped-out LP is hopefully the first of many.
 
Beginning with the well-titled “Journey,” Sonic Praise’s opening track unfolds like a swirling chant that gradually builds to bawdy, passionate dirge filled with buzzing riffs and drums. The song’s lyricism is straightforward yet amplified by the unrelenting progression of its instrumentation. The declaration of “Journey” is unapologetic. It’s not a conversation; it’s an invitation. At its climax, the resonance of the recording brings to mind similarly transcendent tracks like Moon Duo’s “Free The Skull” or Ty Segall’s “I Wear Black.”
 
“Astral Plane” is a tentative tip of the hat to the iconic Sun Ra’s masterpiece Space Is the Place, unfolding with driving riffs and drumbeats that elicit the sensation of being transported into the ether. By the two-minute mark, “Astral Plane” is in full swing, impressive guitar work resounding as the track’s earlier established foundation persists. Each component of the song’s structure expands as frontman Doug Sabolick’s vocals urge listeners to “Look in the mirror and tell yourself/this is the place to be.” Undoubtedly indicative of the cosmos (metaphorically or literally), “Astral Plane” is trancelike, with its instrumentation possessing the power to cast a psychedelic spell that lingers well past the song’s end. Nearly thirty seconds shy of thirteen minutes of length, the temporal duration of the recording is as well warranted as it is executed. “Don’t Kill The Vibe” is equally shamanistic, with riffage that feels psychotropic. The LP’s title track, “Sonic Praise,” begins with primeval distortion comprised of oscillating tempos and forlorn chants. The effect of its prelude is mesmerizing, dark, and strangely beautiful. Thematically cult like, “Sonic Praise” is satisfyingly otherworldly, seducing its listener to give in to Ecstatic Vision’s melodic ethos without hesitation. 
 
Sonic Praise’s final anthem “Cross the Divide” extends the mysticism of the album’s narrative, ending Ecstatic Vision’s debut on a plane similar to where it began - one of enlightenment and pure rock 'n' roll. - Dianca London Potts

 

 

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Classic Juke-joint Appeal w/Toy Soldiers at KFN Feb. 15

Classic Juke-joint Appeal w/Toy Soldiers at KFN Feb. 15

Blues may be the tie that binds all three acts on the slate tonight at Kung Fu Necktie. Headlined by Toy Soldiers, while we await the spring release of their sophomore record The Maybe Boys, which is produced by Bill Moriarty, the group is guaranteed to bring their patented combination of steady-rolling, train-churning, funky blues and soul. Whether it’s Ron Gallo’s “no holding back vocals,” the unrelenting boogie-down groove perpetuated by the threefold marriage of bass, keys and percussion, the simple thick country-blues guitar riffs, or the sweet moans of the blues harp, this group has that classic juke-joint appeal. Their sound will celebrate the joy of the oncoming weekend of freedom. Toy Soldiers will be joined by North Carolina duo Goodnight, Texas, who also dabbles in the folk/blues milieu. August John Lutz II from Levee Drivers will be making a solo appearance playing gritty, hard-driving blues to round out The Swollen Fox-presented bill. Kung Fu Necktie, 1250 N. Front St., $12, 7:30, 21+ - Michael Colavita

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