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December 2014
The Spirit of the Beehive
"The Spirit of the Beehive
"
mp3
There is something rather dark and mysterious about a band that takes its name from a classic Spanish film that focuses on its protagonist, a young girl, who becomes fascinated by the 1931 horror movie, Frankenstein. And with an album cover that portrays a child in a bee costume positioned in front of a tombstone saying, “Here Lies Mom-n-Dad Now Their Gone Isn’t That Sad,” you can’t help but be intrigued, if not a bit disturbed. The Spirit of the Beehive is a local fledgling outfit who has popped up on my radar this past year, appearing on numerous bills, oftentimes at DIY spaces. The band has further grabbed my attention with its debut self-titled full-length album, which was recorded by The Weaks/ex-Dangerous Ponies, Evan Bernard and Chris Baglivo, and released via rising Philly indie label Ranch Records.  
 
The record’s opening track, “Roll Over,” begins with an eerie instrumentation before a languid female voice comes in with barely intelligible lines. “Cycles in and out of morphine hazes. Finding spaces between your floorboards. And I watch the dust move.” Thankfully the group provides us with lyrics on its Bandcamp page; otherwise, the beautifully poetic verses filled with drug-fueled imagery would be lost in the wash of power chords and feedback. “All lost in the black market. To wait in the fix aisle, I roll over.” You also get a sense of the band’s lo-fi, DIY aesthetic when you are abruptly taken out of the world, created by the album’s first, with studio chatter before moving on to the next track. With “Short Walk,” you can’t help but feel the influences of greats like Nirvana and more recently Creepoid with the hushed vocals and sonic bursts. These two tracks set the tone for the first half of the LP, where you travel in and out of the territories of dream pop and shoegaze when the female lead vocals grab a hold of you and then the grungier, harder-edged side takes over with the male lead. This juxtaposition provides quite an enjoyable balance that I actually wished went on longer throughout the record.
 
It’s not until “Ether,” where the two combine forces, changing the dynamic of their relationship. The title of the song suggests that you might be finding something more ethereal; however, the driving bass line provides a sense of urgency throughout the track. It also marks the point where the male lead begins to dominate the rest of the album, while taking on some of the characteristics of its counterpart. What remains a constant is a psychedelic, drug-filled angst full of guitar licks and distortion, giving off the vibe of a band that is here to rock, and they don’t care if you are ready for it or not.
 
The Spirit of the Beehive closes out their ambitious LP with the longest and cleanest sounding recording on the album, “Fever Dream,” demonstrating that they don’t need to hide behind studio effects, while making you wonder where their follow-up release will go next. It’s an eclectic and modern sounding record that also pulls from past genres I hold close to my chest. I highly recommend that you go download it ASAP. - Q.D. Tran

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Your Children is Beautiful, Synth Sircus, and More at Millcreek Tavern June 16

Your Children is Beautiful, Synth Sircus, and More at Millcreek Tavern June 16

It’s been pretty quiet in the Your Children is Beautiful camp. Maybe it’s because they are busy working on a 15+ song album entitled DIE COOL or it could just be that the scraggly crew’s chilled-out, gentle indie pop is generally not that loud in the first place. But that doesn’t mean you shouldn’t make some noise when they take the stage tonight at Millcreek Tavern armed with plenty of new tunes. And from improvisational progressions and sonic frequencies to talking computer and classic video game consoles, Synth Sircus is one of those collectives that you can’t exactly figure out until you experience them live. To a point, even they don’t know sometimes since their musical collage is often designed as they play along. Debuting in 2010, the analog sideshow has featured members of Agent Moosehead, Grimace Federation, Music For Headphones, Aunt Dracula, and a whole host of other performers so expect the surprises to continue. Also on the lineup are Cannons, who will be injecting some rock into the evening of chillness. They recently released their new EP Cuddled By Giants (which you can take a listen to and purchase HERE) so there should be plenty of new material circulating among the bands. Add in the one-man synth project of Time Ghost and New York’s You Bred Raptors?, and you now have a reason to swing by the Millcreek to grab a drink or ten. Millcreek Tavern, 4200 Chester Ave., 9pm, $5, 21+ - Bill McThrill
 

 

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