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Artist of the Month
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May 2015
The Weaks
"Bad Year
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On the heels of last year’s, debut EP The World Is A Terrible Place & I Hate Myself And Want To Die, The Weaks, led by a pair of former Dangerous Ponies Chris Baglivo and Evan Bernard, have released their full-length debut Bad Year via Lame-O Records.
 
The record wastes little time jumpstarting into the aptly titled “Kick It,” with its bass-thudding lines rolling into catchy, emotive power-pop mode, cleansed with a bit of synth before unleashing one of the album’s many blasts of guitar solos. “Nevermind” (an homage to Nirvana) reflectively takes the positive spin on a failed relationship, streamlining percolating instrumentation with stable yet aching vocals. The album’s title-track cracks through melancholy with a lyrical disposition harnessing polished twin guitar licks between trudging percussion-led transitions, destined for fiery flashes of solo prowess. With an aggressive, smashing instrumental storm, “Black Box” takes the ball and runs with its relatable crushing narrative, hooking you in as a silky synth slips in amid the treacherous landscape. 
 
“Dysania” is the cup of coffee that pushes the covers off. With its guitar-led jog, loosening into a bass-charging surge, it quickly reaches maximum speed. Tongue-in-cheek earnest yet humorous lyrical tones – “Too much blood for just two hands/and there’s so much shit we’re gonna need two vans” – set the mood whilst sprinkling in clean flares of guitar, maintaining that downhill thrust. The song contextually blends a pent up instrumental energy and memorable vocals to create a natural anthem feel. Turning a leaf, “I Don’t Wanna Be An Anarchist (Anymore)” melds percussion and synth, delivering a sincere yearning for change with that heart-throbbing, interwoven bass-drum combo, adding a real inside-looking-out perspective. 
 
Strumming acoustic guitar and a spacey synth serve as foils in “Welcome To Earth,” zooming in and then peering out in a battle of loneliness and self-exploration, once again enjoying a creative out there spin on a common searching topic. The closing track is another nod & wink to Nirvana and Hop Along frontwoman, “Francis Quinlan Will Have Her Revenge On Philadelphia,” embracing a snarky attitude with matching (rough around the edges) momentum-gathering guitar meets an avalanche of backend, delivering a mixed emotion-filled message “Who’s going to pull your weight if I leave you behind... Please stay with me. 
 
Bad Year embraces its Weezer power-pop influences, allowing listeners to join in on the emotionally personal ups and downs, while still coming away refreshed. It’s another great find for rising Philly indie label, Lame-O Records. - Michael Colavita

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The Deli’s July Album of the Month: Punishment Cookie - Hair Rocket

The Deli’s July Album of the Month: Punishment Cookie - Hair Rocket

The band from the Philly ‘burbs Hair Rocket has taken a Cheap Trick-gone-to-etiquette-school route in their newly released debut LP Punishment Cookie. Out on collective indie label Mountebank Records, the follow-up to 2009’s Novelty EP is an energized collection of greaser punk glam rock power pop. The threesome, whose band is named after the act of launching locks of hair into the sky for a “subversive enlightenment through cathartic art,” has created an album far easier to grasp than their thought-provoking alias. The 11-track recording is downright catchy without compromising the band’s significant sense of distinctiveness. Hair Rocket tactfully lets loose keyed-up rock inspired by the ghosts of 60s mod (as in clap-ridden, Strokes-inspired, pop-hook laden lead single “OK Alright”), 70s punk, 80s pop and 90s cheese…without rubbing your face in it.
 
Opening track “Eyes” takes classically riffed bluesy rock hitting it with heavy low-end blows and gives it a pinch of reggae punk optimism. “Motorcycle” reminisces combat boot punk with a Tokyo Police Club poppiness where harsh, growling vocals and a shrill, distorted electric guitar make for a satisfying hit-worthy track. Yes, Punishment Cookie rocks, but it is also not void of emotion. The song that started Berklee dropout and mastermind Chris Blassucci down this path of enlightenment, “Hair Rocket,” receives a revamping for the album, but still stabs sharply with its hard-earned life lesson from his real life bizarre love triangle (though I admittedly will always favor the original demo version and its strangely sadistic video). “Home” and the early Beatles-esque “Imagining,” which made their debuts on Novelty, also linger with the emotional remnants from that painful but musically productive time period. With Punishment Cookie, Hair Rocket neatly colors outside the lines of indie pop with an eagerly creative but well thought out approach to rocking your socks off. You can purchase the full-length album HERE.
 
You can download the track “Motorcycle” below and come out to their Philly Release Party next Friday, July 8 at Bookspace with Mammal of Paradise, An American Chinese, Meddlesome Bells and Bambara which The Deli will be presenting. - Jules Friedland
 

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