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October 2014
Mumblr
"Full Of Snakes
"
mp3

The major takeaway for Mumblr’s new album Full Of Snakes (Fleeting Youth Records) is that it really takes balls to write songs that truly say nothing. As counter intuitive as it may sound, there really is something admirable in using music to not really express all that much. Any jerk with a voice and a few chords can say a whole lot about how their ex is horrible; what really matters is how much of that content is actually worth hearing. And brother, Mumblr has found a way to make saying nothing profound.

On the surface, the album initially sounds like some sort of early 2000’s generic pop-punk; the first song “Got It” opens with that familiar sense of vague, safe anger. It’s very “high school” reminiscent, right off the bat, with lines like “I got it if you want it” and “I’ll invite you to my room.” But as the song closes and we drift into “Sober,” the tone very gradually starts to feel off. It starts to feel a bit weirder, with this sense of reckless abandon that you only hear in a Violent Femmes song. And it’s not that one is true, and the others is not; this album is walking a razor’s edge between the most self-aware of indie post-punk and the obliviousness of adolescent guilty pleasures.

And while that may sound like a chaotic mess, the seventeen-track full-length really is the having-and-eating of one's cake. We get the indulgence of grandiose guitar riffs and over the top shrieks, but with just enough originality in the composition to give it a sense of being slick and even avant-garde. Don’t let the outward sense of crazy abandon fool you - this thing is airtight. And a lot of that can be chalked up to Nick Morrison’s vocals; he brings a real sense of cleverness to the whole thing, in no small part to the fact that he can turn his voice on a dime.

One endlessly fascinating reoccurring theme is the use of repetition in their lyrics, with phrases like the aforementioned “I got it” and “someone’s been sitting in my chair” echoed over and over again, beyond the point of simple parody. It’s that old artistic trope of repeating something until it becomes meaninglessly applied to lyrics, and it’s interesting to hear expressions of youthful angst to become so alien and meaningless.

They take these universal touchstones of adolescences, including the use of “shock” lyrics such as “if God is a woman I’m going to hell” and gleefully drive them into the ground while enjoying the ride. It’s fun, it’s cool, and will leave you thinking more than any other post-punk album in months. And it does so while still being a genuinely fun throwback to a sort of music that you don’t really hear in earnest these days. - Daniel Ludwig

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The Deli’s July Album of the Month: Punishment Cookie - Hair Rocket

The Deli’s July Album of the Month: Punishment Cookie - Hair Rocket

The band from the Philly ‘burbs Hair Rocket has taken a Cheap Trick-gone-to-etiquette-school route in their newly released debut LP Punishment Cookie. Out on collective indie label Mountebank Records, the follow-up to 2009’s Novelty EP is an energized collection of greaser punk glam rock power pop. The threesome, whose band is named after the act of launching locks of hair into the sky for a “subversive enlightenment through cathartic art,” has created an album far easier to grasp than their thought-provoking alias. The 11-track recording is downright catchy without compromising the band’s significant sense of distinctiveness. Hair Rocket tactfully lets loose keyed-up rock inspired by the ghosts of 60s mod (as in clap-ridden, Strokes-inspired, pop-hook laden lead single “OK Alright”), 70s punk, 80s pop and 90s cheese…without rubbing your face in it.
 
Opening track “Eyes” takes classically riffed bluesy rock hitting it with heavy low-end blows and gives it a pinch of reggae punk optimism. “Motorcycle” reminisces combat boot punk with a Tokyo Police Club poppiness where harsh, growling vocals and a shrill, distorted electric guitar make for a satisfying hit-worthy track. Yes, Punishment Cookie rocks, but it is also not void of emotion. The song that started Berklee dropout and mastermind Chris Blassucci down this path of enlightenment, “Hair Rocket,” receives a revamping for the album, but still stabs sharply with its hard-earned life lesson from his real life bizarre love triangle (though I admittedly will always favor the original demo version and its strangely sadistic video). “Home” and the early Beatles-esque “Imagining,” which made their debuts on Novelty, also linger with the emotional remnants from that painful but musically productive time period. With Punishment Cookie, Hair Rocket neatly colors outside the lines of indie pop with an eagerly creative but well thought out approach to rocking your socks off. You can purchase the full-length album HERE.
 
You can download the track “Motorcycle” below and come out to their Philly Release Party next Friday, July 8 at Bookspace with Mammal of Paradise, An American Chinese, Meddlesome Bells and Bambara which The Deli will be presenting. - Jules Friedland
 

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