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January 2015
The Goodbye Party
"Silver Blues
"
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The Goodbye Party, a.k.a. Michael Cantor (formerly of The Ambulars), has released a new record Silver Blues via Salinas Records. The album finds Cantor largely in control using a vast arsenal of instruments, while also enlisting Joey Doubek (of Pinkwash) for percussive duties on a series of tracks.
 
“Heavenly Blues” nudges the entrance open to the cathedral of sound. Cantor’s smooth trustworthy vocals deliver a suggestive message amid a chamber of sonic layers, “…you have halos, you have lights, you have ghosts that sing into the night.” There is a well-produced divide, between that enlightening tone fortified by a residual hum, the soft drops and tapping tambourine, and bowed guitar that provides a more ominous dimension.
 
“Crossed Out” shoves that door further open with its optimistic jangly guitar/rolling percussion and bass, illuminating the scenery - “holes in the windows, where the wind slips through…” There’s a balancing point between the coldness of the lyrics and the resounding warmth of Cantor’s delivery and instrumental accompaniment. Taking foreboding tones of thumping percussion and the stirring rings of guitar, “I’m Not Going to Your Heaven” silver-lines them as the ringing morphs into a pleasant cry while the song winds down with a scratchy conclusion.
 
In a flash of joy, “Personal Heavens” is jumpstarted with a groove yet despite this, the lyrics reveal a grey point of view - “Homesick for personal heavens and homes you’ll never see again.” Slipping you back into the cathedral in “27 Times,” the finessed layering of backing vocals wrapping around Cantor’s lead shields it from the cold.
           
“New Decay” has a jaded push behind it, as guitars twist into knots and drums smash a path for Cantor to admit, “I keep breaking what I’ve already fixed/I keep fixing what I’ve already fixed.” Silver Blues closes with the bone chilling solemn string-oriented “White on White” - “the world/burns in the dark/echoed songs, resonations, every night.”
 
The record sweeps through ones mind in what seems like a moment. However, its melding of darkness and light leaves poignant, beautiful moments that makes Silver Blues worth revisiting frequently. - Michael Colavita

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In the Indiestry: YVYNYL/Small Plates Records’ Mark Schoneveld

In the Indiestry: YVYNYL/Small Plates Records’ Mark Schoneveld

The music industry has always been dictated by a bevy of tastemakers - one way or another. Back in the day, the gatekeepers who decided if a performer would make it in the biz were usually music executives who managed to maneuver through and survive the shark-infested waters of the industry. However, as we have learned especially in more recent times, those in charge of making the big decisions probably had/have more business sense than actual taste and passion for music. Well, the music industry is at a very interesting crossroads now with the interweb evening out the once very slanted playing field. The suits with the big expense accounts aren’t the only people holding the keys to the gate for young artists to make it onto the big stage. Instead, you’ll find a bunch of them climbing the walls with a boost from a new generation of passionate music lovers who are using and evolving with modern day technological advances to change the archaic ways of a truly flawed system. One such self-professed “music nerd” is music blogger (YVYNYL) and indie record label co-owner (Small Plates Records) Philly’s own Mark Schoneveld. We recently had a chance to pick the brain of the tall, bearded art and social media loving all-around good dude about the past, present, and future of music as well as some personal stories from his life that helped to make him who he is today. You can read all about it in our interview with Schoneveld HERE.

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