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October 2014
Mumblr
"Full Of Snakes
"
mp3

The major takeaway for Mumblr’s new album Full Of Snakes (Fleeting Youth Records) is that it really takes balls to write songs that truly say nothing. As counter intuitive as it may sound, there really is something admirable in using music to not really express all that much. Any jerk with a voice and a few chords can say a whole lot about how their ex is horrible; what really matters is how much of that content is actually worth hearing. And brother, Mumblr has found a way to make saying nothing profound.

On the surface, the album initially sounds like some sort of early 2000’s generic pop-punk; the first song “Got It” opens with that familiar sense of vague, safe anger. It’s very “high school” reminiscent, right off the bat, with lines like “I got it if you want it” and “I’ll invite you to my room.” But as the song closes and we drift into “Sober,” the tone very gradually starts to feel off. It starts to feel a bit weirder, with this sense of reckless abandon that you only hear in a Violent Femmes song. And it’s not that one is true, and the others is not; this album is walking a razor’s edge between the most self-aware of indie post-punk and the obliviousness of adolescent guilty pleasures.

And while that may sound like a chaotic mess, the seventeen-track full-length really is the having-and-eating of one's cake. We get the indulgence of grandiose guitar riffs and over the top shrieks, but with just enough originality in the composition to give it a sense of being slick and even avant-garde. Don’t let the outward sense of crazy abandon fool you - this thing is airtight. And a lot of that can be chalked up to Nick Morrison’s vocals; he brings a real sense of cleverness to the whole thing, in no small part to the fact that he can turn his voice on a dime.

One endlessly fascinating reoccurring theme is the use of repetition in their lyrics, with phrases like the aforementioned “I got it” and “someone’s been sitting in my chair” echoed over and over again, beyond the point of simple parody. It’s that old artistic trope of repeating something until it becomes meaninglessly applied to lyrics, and it’s interesting to hear expressions of youthful angst to become so alien and meaningless.

They take these universal touchstones of adolescences, including the use of “shock” lyrics such as “if God is a woman I’m going to hell” and gleefully drive them into the ground while enjoying the ride. It’s fun, it’s cool, and will leave you thinking more than any other post-punk album in months. And it does so while still being a genuinely fun throwback to a sort of music that you don’t really hear in earnest these days. - Daniel Ludwig

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In the Indiestry: YVYNYL/Small Plates Records’ Mark Schoneveld

In the Indiestry: YVYNYL/Small Plates Records’ Mark Schoneveld

The music industry has always been dictated by a bevy of tastemakers - one way or another. Back in the day, the gatekeepers who decided if a performer would make it in the biz were usually music executives who managed to maneuver through and survive the shark-infested waters of the industry. However, as we have learned especially in more recent times, those in charge of making the big decisions probably had/have more business sense than actual taste and passion for music. Well, the music industry is at a very interesting crossroads now with the interweb evening out the once very slanted playing field. The suits with the big expense accounts aren’t the only people holding the keys to the gate for young artists to make it onto the big stage. Instead, you’ll find a bunch of them climbing the walls with a boost from a new generation of passionate music lovers who are using and evolving with modern day technological advances to change the archaic ways of a truly flawed system. One such self-professed “music nerd” is music blogger (YVYNYL) and indie record label co-owner (Small Plates Records) Philly’s own Mark Schoneveld. We recently had a chance to pick the brain of the tall, bearded art and social media loving all-around good dude about the past, present, and future of music as well as some personal stories from his life that helped to make him who he is today. You can read all about it in our interview with Schoneveld HERE.

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