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Artist of the Month
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May 2015
The Weaks
"Bad Year
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On the heels of last year’s, debut EP The World Is A Terrible Place & I Hate Myself And Want To Die, The Weaks, led by a pair of former Dangerous Ponies Chris Baglivo and Evan Bernard, have released their full-length debut Bad Year via Lame-O Records.
 
The record wastes little time jumpstarting into the aptly titled “Kick It,” with its bass-thudding lines rolling into catchy, emotive power-pop mode, cleansed with a bit of synth before unleashing one of the album’s many blasts of guitar solos. “Nevermind” (an homage to Nirvana) reflectively takes the positive spin on a failed relationship, streamlining percolating instrumentation with stable yet aching vocals. The album’s title-track cracks through melancholy with a lyrical disposition harnessing polished twin guitar licks between trudging percussion-led transitions, destined for fiery flashes of solo prowess. With an aggressive, smashing instrumental storm, “Black Box” takes the ball and runs with its relatable crushing narrative, hooking you in as a silky synth slips in amid the treacherous landscape. 
 
“Dysania” is the cup of coffee that pushes the covers off. With its guitar-led jog, loosening into a bass-charging surge, it quickly reaches maximum speed. Tongue-in-cheek earnest yet humorous lyrical tones – “Too much blood for just two hands/and there’s so much shit we’re gonna need two vans” – set the mood whilst sprinkling in clean flares of guitar, maintaining that downhill thrust. The song contextually blends a pent up instrumental energy and memorable vocals to create a natural anthem feel. Turning a leaf, “I Don’t Wanna Be An Anarchist (Anymore)” melds percussion and synth, delivering a sincere yearning for change with that heart-throbbing, interwoven bass-drum combo, adding a real inside-looking-out perspective. 
 
Strumming acoustic guitar and a spacey synth serve as foils in “Welcome To Earth,” zooming in and then peering out in a battle of loneliness and self-exploration, once again enjoying a creative out there spin on a common searching topic. The closing track is another nod & wink to Nirvana and Hop Along frontwoman, “Francis Quinlan Will Have Her Revenge On Philadelphia,” embracing a snarky attitude with matching (rough around the edges) momentum-gathering guitar meets an avalanche of backend, delivering a mixed emotion-filled message “Who’s going to pull your weight if I leave you behind... Please stay with me. 
 
Bad Year embraces its Weezer power-pop influences, allowing listeners to join in on the emotionally personal ups and downs, while still coming away refreshed. It’s another great find for rising Philly indie label, Lame-O Records. - Michael Colavita

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Montreal vs. Philly w/Streetwalkers and More at House Show April 27

Montreal vs. Philly w/Streetwalkers and More at House Show April 27

Some bands attempt to play up their sound by adding pieces that just don’t fit, in a word overproducing. Philly’s Streetwalkers don’t over dress for the occasion. It’s simply jeans and t-shirt indie rock. The guitar riffs are simple and slightly raw, but that rawness is a technique meant to demonstrate the band’s style. Streetwalkers are comfortable in their own skin and the slightly worn appearance. The straightforward “we are what we are” approach gives an air of natural authenticity. The bass guitar thumps along in a slightly irritated manner that matches the six-string while the drums come along for the trip.  When the guitar decides to step to the front, the sound is heavy yet controlled pushing up to the edge, but not over it. They’re a band that can play the clean-cut rock ‘n’ roll. But they prefer to be themselves rather than dressing the part - frayed edges and worn boots take it or leave it. Tonight Streetwalkers will be performing in South Philly at a DIY house show as part of a Montreal vs. Philly showcase with Satellite Hearts, Alpha Wavez, Crabe and Leamers. House Show, (Please contact one of the acts for more details.), 7pm, $6, All Ages - Michael Colavita

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