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August 2014
A Sunny Day in Glasgow
"Sea When Absent
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Sea When Absent (Lefse Records) opens like a shoegaze-y car crash. The latest album from A Sunny Day in Glasgow doesn’t bother gradually layering melodic elements; they get right to business from millisecond one, hitting you with reverberating electronic tones, orchestral violins, and the crooning vocals of Jen Goma and Annie Fredrickson. It’s a weirdly aggressive move for such an intensely soulful LP, but it’s pretty emblematic of how the record works as a whole. For an album as focused at creating moments of subtle beauty, Sea When Absent doesn’t have the time to let you gradually pick up on it on your own. A Sunny Day in Glasgow is the rare type of band that takes beauty and emotional resonances and waves it around like a chair in a bar fight.
 
In the strictest possible sense, this is a shoegaze-psychedelic-electronica album with a particular emphasis on vocals. But the more you listen; the more you start to discover what a diverse series of musical influences are rattling around in there. Mixing the electronica stylings of Flying Lotus and Saltillo with the indie-pop elements of bands like Death Cab and Phantogram, the basis is a percussion of grungy electronic tones, topped with a combination of guitar and synth, adding just the right balance, while being mixed in with a cavalcade of classical instruments and outlandish effects.
 
But the crown jewel of the album is Goma and Fredrickson’s understatedly gorgeous vocals. They play off, sometimes bizarre, instrumentations perfectly, complimenting them while also adding a fulcrum of relative normalcy to Sunny Day’s outside-the-box compositions. This is what really gives the album its sense of slick melancholy, creating an ambience of stylish vulnerability in tracks like “Byebye Big Ocean (The End),” where there is a sense of crooning sorrow, while “Oh I’m A Wrecker” sees them go much farther into the indie-pop paradigm.
 
While this record maintains the complexity and delightful weirdness of past A Sunny Day in Glasgow albums, it also comes with a newfound sense of clarity, in great part due to the outside production of Jeff Zeigler (of The War on Drugs and Kurt Vile fame). Zeigler is able to successfully piece together the moving parts of this bi-continental band, with mastermind Ben Daniels orchestrating things from the other side of the world in Australia, making the album’s abrupt left turns from spacey psychedelics to grounded punk-pop a little easier to digest. The wealth of ideas rarely feels busy or forced. Sea When Absent is ultimately proof that weird doesn’t necessarily have to mean messy. 

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Hot Guts Opening for Quintron & Miss Pussycat at KFN April 30

Hot Guts Opening for Quintron & Miss Pussycat at KFN April 30

Hot Guts recently celebrated the release of their debut LP Edges (Blind Prophet Records) at Wierd Records in NYC. (You can stream its dark wave title track completely HERE as well as other sample clips from the record.) Founded in 2007 by frontman Wes Russell and drummer Greg Frantz, the duo is accompanied by Michael Reaser (FNU Ronnies) and Adam Cooper (Tickley Feather, Akasha Blade, the Chimeras) on the album, which also features contributions from Miss Shari Vari (a.k.a. Void Vision) and Philly-based experimental musician Charles Cohen (on the Buchla Music Box). Hopefully Hot Guts will be joined on stage by special guests tonight at Kung Fu Necktie when they open for Quintron (who ingeniously invented an analog “drone synth” called The Singing House that you can learn more about HERE) & Miss Pussycat and S.T.A.R.W.O.O.D. Kung Fu Necktie, 1250 N. Front St., 8pm, $10, 21+ (Photo by Kevin Riley) - Alexis V.

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