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Artist of the Month
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July 2015
Ecstatic Vision
"Sonic Praise
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Heavy-psych three-piece Ecstatic Vision conjures cosmic soundscapes with their debut LP Sonic Praise (Relapse Records). Self-ordained as “primal,” the group’s orchestration is undeniably gripping and visceral, altering the embodied state of its listener at an instant. Pressing past the tropes of genre, Sonic Praise is a hypnotic example of the outfit’s versatility. The release of Ecstatic Vision’s tripped-out LP is hopefully the first of many.
 
Beginning with the well-titled “Journey,” Sonic Praise’s opening track unfolds like a swirling chant that gradually builds to bawdy, passionate dirge filled with buzzing riffs and drums. The song’s lyricism is straightforward yet amplified by the unrelenting progression of its instrumentation. The declaration of “Journey” is unapologetic. It’s not a conversation; it’s an invitation. At its climax, the resonance of the recording brings to mind similarly transcendent tracks like Moon Duo’s “Free The Skull” or Ty Segall’s “I Wear Black.”
 
“Astral Plane” is a tentative tip of the hat to the iconic Sun Ra’s masterpiece Space Is the Place, unfolding with driving riffs and drumbeats that elicit the sensation of being transported into the ether. By the two-minute mark, “Astral Plane” is in full swing, impressive guitar work resounding as the track’s earlier established foundation persists. Each component of the song’s structure expands as frontman Doug Sabolick’s vocals urge listeners to “Look in the mirror and tell yourself/this is the place to be.” Undoubtedly indicative of the cosmos (metaphorically or literally), “Astral Plane” is trancelike, with its instrumentation possessing the power to cast a psychedelic spell that lingers well past the song’s end. Nearly thirty seconds shy of thirteen minutes of length, the temporal duration of the recording is as well warranted as it is executed. “Don’t Kill The Vibe” is equally shamanistic, with riffage that feels psychotropic. The LP’s title track, “Sonic Praise,” begins with primeval distortion comprised of oscillating tempos and forlorn chants. The effect of its prelude is mesmerizing, dark, and strangely beautiful. Thematically cult like, “Sonic Praise” is satisfyingly otherworldly, seducing its listener to give in to Ecstatic Vision’s melodic ethos without hesitation. 
 
Sonic Praise’s final anthem “Cross the Divide” extends the mysticism of the album’s narrative, ending Ecstatic Vision’s debut on a plane similar to where it began - one of enlightenment and pure rock 'n' roll. - Dianca London Potts

 

 

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Hot Guts Opening for Quintron & Miss Pussycat at KFN April 30

Hot Guts Opening for Quintron & Miss Pussycat at KFN April 30

Hot Guts recently celebrated the release of their debut LP Edges (Blind Prophet Records) at Wierd Records in NYC. (You can stream its dark wave title track completely HERE as well as other sample clips from the record.) Founded in 2007 by frontman Wes Russell and drummer Greg Frantz, the duo is accompanied by Michael Reaser (FNU Ronnies) and Adam Cooper (Tickley Feather, Akasha Blade, the Chimeras) on the album, which also features contributions from Miss Shari Vari (a.k.a. Void Vision) and Philly-based experimental musician Charles Cohen (on the Buchla Music Box). Hopefully Hot Guts will be joined on stage by special guests tonight at Kung Fu Necktie when they open for Quintron (who ingeniously invented an analog “drone synth” called The Singing House that you can learn more about HERE) & Miss Pussycat and S.T.A.R.W.O.O.D. Kung Fu Necktie, 1250 N. Front St., 8pm, $10, 21+ (Photo by Kevin Riley) - Alexis V.

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