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April 2014
Creepoid
"Creepoid
"
mp3
The perfect solace for winter’s passing, Creepoid’s second full-length self-titled LP combines the zeitgeist of 90's grunge with pristine dissonance and somber lyricism. Released earlier this month by No Idea Records, Creepoid is eerie, melodic and stirring from beginning to end. 

The record’s introductory track “Nauda” opens with a singular note that swells into a melody, aligning itself with the listener in a way that feels confessional yet synonymous. A well-wrought continuation of the earnest diction reminiscent of Horse Heaven, “Nauda” is as bittersweet as its vocals, informed by the paradox of loneliness and longing. Expanding into a cinematically moody soundscape, guitars wail like sirens, beckoning chords to crash and settle into a fading ricochet - a premonition of “Sunday.” Coupled with acoustic strums and crisp vocal croons, a solemn request, “take my light and pull it out,” is beautifully melodic with perfectly placed tambourine that brings to mind the memorable mood concentrated. Exploring the affect and consequence of relational presence and its subsequent absence, the orchestration of “Sunday” renders a relatable narrative evocatively raw and sincere. 

“Yellow Wallpaper” ignites with driving bass and swirling riffs. As if resurrecting the perfection of Jeremy Enigk (ex-Sunny Day Real Estate), a la “Killed By An Angel” meets “Pillars,” the song evokes an eerie all consuming sense of the sublime that centers the track’s duration. Like an extension of Horse Heaven’s “Hollow Doubt,” the contextual weight of “Yellow Wallpaper” is harmonically haunting and intentionally poignant. “Baptism” washes over its listener in waves of riffs and echoed vocals that occupy an emotive territory similar to lesser-known tracks by Sonic Youth, subverted and painted darker by the brooding buzz reminiscent of shoegaze greats like My Bloody Valentine. 

In its decline, “Baptism” casts a feeling of transcendent submersion, befitting its namesake. With a crystallized aggression, “Gout” does the same - urgent and arresting with visceral shouts and screams. “Stay Inside” is considerably more subdued than the album’s preceding tracks but equally mesmerizing, unfolding “Tired Eyes,” a hypnotic chant of a fatigued psychedelic. “Golden String” feels slightly optimistic, while “Acrimony” blossoms then retracts into a reserved yet deliberate ballad that demands its audience’s attention like a gloomy lullaby with teeth. “Vulgar,” warm and sunlit, is lush and arresting, setting the stage for the album’s closer “Old Tree,” a jubilant ending to yet another epic compilation of clairvoyant anthems evoked by Creepoid. - Dianca Potts 

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The Menzingers Were Robbed Last Night in Manchester

The Menzingers Were Robbed Last Night in Manchester

Oh man - this is happening way too often to bands these days. The Menzingers were robbed while on tour in Manchester, England. Here’s part of what Greg Barnett posted, and you can read the rest of his message at their Tumblr:

“The driver side window was smashed out and 3 personal bags were stolen. Unfortunately my bag was stolen with all of our tour money inside it. To top it off, we brought around $2000 in US cash with us in case of an emergency. So let’s see €5000 Euros, an iPad, 3 iPods, 3 passports, 2 pairs of raybans (I know, I know they’re super expensive but they make you look pretty cool), my personal tour journals from the last year and a half which included all of my “On the Impossible Past” lyrics and all of my god damn memories, a digital camera, prescriptions, blah blah blah. This sucks. It really fucking sucks…”

This is obviously a shitty situation. If you’d like to help the guys out, you can make a donation HERE or at their PayPal account (MenzingersSkrilla@gmail.com). We’re sure that they’d greatly appreciate it.

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