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Artist of the Month
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March 2015
Blood Sound
"Nightclub
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mp3
Blood Sound’s post-punk tracks are informed by an audible nostalgia for the dance floors and goth clubs of the latter ‘80s. Their latest LP Nightclub is a hybrid of dark wave and dream pop. Marrying synth-drenched harmonies with emotively vibrant lyricism, the subtle romantics of the band’s debut full-length fit seamlessly with the buzzing percussive backbeats of earlier cuts by Cold Cave (circa Love Comes Close) or The Cure’s “Primary” stripped bare to its core.
 
“TV Synth 1” sets the tone for Nightclub’s narrative with a brief yet textured prelude to “I Don’t Want.” Relatable like an antithesis of The Smiths’ “There Is A Light That Never Goes Out,” Blood Sound’s “I Don’t Want” personifies the complexities of yearning, desire, and loneliness. As frontman Chris Jordan croons “I don’t want the city’s lights to go down/I don’t want to find home,” guitar riffs magnify the weight of his words without casting them melodramatic. The track is a fitting anthem for the passing of youth, failed love, and transition.
 
The buzzing start of “L.A. Punk” explores that thin line between authenticity and commoditization, the song’s instrumentation paying homage in its own way to the early underground and its subsequent subcultures. As if channeling a sedated rendition of Peter Murphy’s tone and diction, “L.A. Punk” is as memorable as it is brooding. “Acid Summer” gives an inward glimpse at the intimate nature of grief, mortality, and memory. When Jordan sings, “The 1980s died that day,” the listener feels it in their gut. It’s undeniable. The connection between what is experienced and how that experience is remembered is amplified by the track’s thumping tempo.
 
“Empty” plays out like the perfect soundtrack to an inevitable breakup, coupling affection with exhaustion, with the synth framing the heart-wrenching truth of lines like “I was too in love to say/that your story was a bore/Now I gave up on bad dreams and endings/beginnings and beginnings.” It offers a viable catharsis for jilted lovers with a penchant for fuzzed-out refrains.
 
“TV Synth 2” precedes the lyrically minimal yet heavy “Embrace” which serves as Nightclub’s melodic memento mori. “Almost” is subdued yet gripping, slowing the momentum of the record in advanced of “TV Synth 3,” which unfolds like a VHS fever dream. “Fake Blood” is evocative, with reverb and a pulsating backbeat that swells as the song progresses. Arguably the darkest track on the album, Jordan’s diction is hypnotic, “Kill your dreams and wait for/the fake blood to pour out.”
 
Ending with the well-placed “Catacombs,” Nightclub’s final track encapsulates the thrill of beginnings and the way one remembers them. Set to a beat reminiscent of Joy Division’s quintessential single “Love Will Tear Us Apart,” “Catacombs,” much like the songs that precede it, is reason alone to return to Nightclub. - Dianca London Potts

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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André Obin

New England Open Submission Results for The Deli's Year End Poll 2014 for emerging artists

Thanks to all the artists who submitted their music to be considered for The Deli's Best of New England Year End Poll for Emerging Artists.

After tallying our editors' ratings for the Open Submissions stage, it’s time to release the results. Please note that to avoid conflicts no local editor was allowed to vote for bands in their own scene.

Total submissions from New England: 43

Jurors: Jurors: Juan (The Deli LA), Maylis (The Deli NYC), Paolo De Gregorio (The Deli NYC).

Acts advancing to our Readers/Fans Poll:

1. As the Sparrow (Rootsy Pop) - 8

1. Jake McKelvie & the Countertops (Indie Pop) - 8


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3. Andre Obin (Electro) - 7.83


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4. Miss Geo (Electro-Pop) - 7.66

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5. Marina Evans (Songwriter) - 7.5


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5. Doug Tuttle (Psych Rock) - 7.5


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7. No Evil Star (Avant-Indie) - 7.33


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8. Radclyffe Hall (Electro-Pop) - 7.16


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9. Jet Black Sunrise (Alt Rock) - 7

9. Sarah Blacker (Folk Pop) - 7


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Honorable Mentions (ranked above 6.5):

Streight AngularLittle UglyEd balloonThe SymptomsPonybird.

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WHAT’S NEXT: These results end the first phase of the poll. We will soon unveil the artists nominated by our local jurors, and then let our readers and our writers influence the poll with their vote.

Keep creating, keep supporting, and stay tuned for your chance to vote!  

—The Deli New England Staff

 

 


The Deli UN/OFF show in Austin: The Stone Foxes, Pearl & The Beards, Andre Obin, Avan Lava, Friend Roulette + more!

Music fans heading South,

The Deli will be in Austin on March 15 with a two stage night party hosted at Austin's legendary gay bar Rusty's. Great lineup of artists and even greater list of Special Guests who will be announced shortly. See here for more info + band links!

Mark your calendars!

The Deli's Staff


Boston at SXSW: André Obin to release new electro-pop album this spring

Boston’s own André Obin is poised to be the synth-pop artist to watch at SXSW this year. Obin is releasing his debut full-length in March with NYC’s Sky Council Recordings. 'The Arsonist' will follow EPs released under European labels Trouw, Mina, and Klopfgeist. In mid-November, Boston label Vanya Records and other friends of Obin came together when he was the victim of an electrical fire that destroyed possessions and equipment at his Somerville, MA apartment. The compilation Friends of Andre was released on bandcamp for a $10 donation with 18 tracks from Boston artists including M|O|O|N and the New Highway Hymnal. Clearly, he is loved at home and overseas for his unique take on electronic music – his sounds could come from speakers at a euro-dance club or a laptop at your own private dance party. Queue up his soundcloud and listen to the many remixes that have been spawned from his music and you’ll start to understand why this artist and DJ is hyped to breakout this spring. - Hillary Anderson

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