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Artist of the Month
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March 2015
Blood Sound
"Nightclub
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Blood Sound’s post-punk tracks are informed by an audible nostalgia for the dance floors and goth clubs of the latter ‘80s. Their latest LP Nightclub is a hybrid of dark wave and dream pop. Marrying synth-drenched harmonies with emotively vibrant lyricism, the subtle romantics of the band’s debut full-length fit seamlessly with the buzzing percussive backbeats of earlier cuts by Cold Cave (circa Love Comes Close) or The Cure’s “Primary” stripped bare to its core.
 
“TV Synth 1” sets the tone for Nightclub’s narrative with a brief yet textured prelude to “I Don’t Want.” Relatable like an antithesis of The Smiths’ “There Is A Light That Never Goes Out,” Blood Sound’s “I Don’t Want” personifies the complexities of yearning, desire, and loneliness. As frontman Chris Jordan croons “I don’t want the city’s lights to go down/I don’t want to find home,” guitar riffs magnify the weight of his words without casting them melodramatic. The track is a fitting anthem for the passing of youth, failed love, and transition.
 
The buzzing start of “L.A. Punk” explores that thin line between authenticity and commoditization, the song’s instrumentation paying homage in its own way to the early underground and its subsequent subcultures. As if channeling a sedated rendition of Peter Murphy’s tone and diction, “L.A. Punk” is as memorable as it is brooding. “Acid Summer” gives an inward glimpse at the intimate nature of grief, mortality, and memory. When Jordan sings, “The 1980s died that day,” the listener feels it in their gut. It’s undeniable. The connection between what is experienced and how that experience is remembered is amplified by the track’s thumping tempo.
 
“Empty” plays out like the perfect soundtrack to an inevitable breakup, coupling affection with exhaustion, with the synth framing the heart-wrenching truth of lines like “I was too in love to say/that your story was a bore/Now I gave up on bad dreams and endings/beginnings and beginnings.” It offers a viable catharsis for jilted lovers with a penchant for fuzzed-out refrains.
 
“TV Synth 2” precedes the lyrically minimal yet heavy “Embrace” which serves as Nightclub’s melodic memento mori. “Almost” is subdued yet gripping, slowing the momentum of the record in advanced of “TV Synth 3,” which unfolds like a VHS fever dream. “Fake Blood” is evocative, with reverb and a pulsating backbeat that swells as the song progresses. Arguably the darkest track on the album, Jordan’s diction is hypnotic, “Kill your dreams and wait for/the fake blood to pour out.”
 
Ending with the well-placed “Catacombs,” Nightclub’s final track encapsulates the thrill of beginnings and the way one remembers them. Set to a beat reminiscent of Joy Division’s quintessential single “Love Will Tear Us Apart,” “Catacombs,” much like the songs that precede it, is reason alone to return to Nightclub. - Dianca London Potts

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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scene blog

Asaad

New Track: "Blue Note Entendre" - Asaad

It feels like it has certainly been a minute since we revisited music from Asaad. That's not to say that we weren't feelin' him. It just seemed like the madness of the music industry had finally gotten to the boisterous emcee who is prone to controversy, and he decided to take down most of his recordings. Well, he's been back for a bit now, and on his latest single, "Blue Note Entendre," the jazz instrumentals hint at an artist possibly coming closer to some inner peace (as well as being influenced by the iconic record label); however, you can still feel the flames from Asaad's diction. There is the sound of a young man maturing on this one.

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Asaad Album Release Show at Silk City March 26

Asaad (born Saayid Asaad) has been one of the most prolific and controversial artists in the local hip-hop scene. Since dropping his debut mixtape Flowers in 2009, the North Philly emcee/producer has released seven other albums and nearly a hundred tracks. He first caught our attention with 2011's #DIRTYMIDDLECLASS, which helped to get him nominated for The Deli's annual year-end Best Emerging Artists Poll, where he won Philly's Readers'/Fans' segment of the competition. 2012 proved to be his most productive year to date with the release of New Black History Month, #WHITE, and #TROY, as major music media outlets began to take notice, but the venomous tongue of the brash, young talent and an album cover that depicted Tupac having sex with Notorious B.I.G. seemed to alienate him from the rest of the hip-hop world. An artist, who once thrived on the controversy, began to show signs of wear in 2013. Asaad surprisingly changed his stage name to Saudi Money, attaching it to a handful of releases, and then, after showing great dissatisfaction with the music industry (there were rumors of him being "blackballed" by the hip-hop community), he attempted to delete the existence of himself and his music from the internet. Well, it seems that the time out of the public's crosshairs has helped to rejuvenate the Philly-bred talent. He'll be returning this evening at Silk City under the name Asaad, once again, with a new record, Flowers II, in tow. Come out tonight and experience his rebirth! Silk City Diner, 435 Spring Garden St., 9pm, $10, 21+ (Photo by Snaps NY) - Q.D. Tran

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New Track: "Horror Film" (Feat. Saudi Money) - Reap Howard

Ha...in preparation for last night's Halloween festivities, we admittedly took it pretty easy yesterday as we donned our costumes and make-up with alcoholic beverage in hand, so we're playing a bit of catch up with releases in honor of the beloved holiday. After needing a break from the hustle and social media, Saudi Money, a.k.a. Asaad, provided us with a few bars on Reap Howard's track "Horror Film," reminding us that the controversial emcee is still alive and angry.

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Free Download: Black History Month II - Asaad

While Asaad continues to tease the release of his upcoming EP 006, the prolific North Philly emcee dropped a new mixtape Black History Month II to keep us entertained. You can pass the time today until your weekend starts with his latest below, which is also available for free download HERE.

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Free Download: "AK47" (Feat. Grande Marshall & Wyo) - Asaad

Below is a new track from Asaad called "AK47" that is available to be downloaded for free. It features verses from fellow local natives Grande Marshall and Wyo and production work from Nascent and QB. The nearly ten-minute single is the first offering from his upcoming release, 006, and premiered earlier today via Complex Magazine.

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