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Artist of the Month
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April 2016
The Original Crooks and Nannies
"Ugly Laugh
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The Original Crooks and Nannies follow-up to 2015’s Soup For My Girlfriend begins with the sputtering staccato of “Call It Good.” The track’s rhythmic pulse collides flawlessly with Madeline Rafter’s vocals and buzzing synth, supported by a backbeat tailor-made for the dance floor. The album’s opener prepares its listener with ease for the pulsating energy of “Carry Me,” a heartfelt melody that brings to mind the romantics of Matt and Kim or the twee-drenched lyricism of Mates of State. The track’s sentiments are earnest, amplified simultaneously by urgent diction and humming chords. “Carry Me” is a living testament to The Original Crooks and Nannies’ ability to craft love songs so cathartic that it hurts.
 
Similarly, the unabashed desperation of “Throw Out” followed by the electro-hum of “Television” suitably precedes the tangibly raw frustration of “Dates.” For Rafter and her bandmate, Sam Huntington, drinking poison and having smashed teeth proves to be a more desirable fate than going on a date. Even in its state of exaggeration, the track is a potential artifact of our contemporary moment, depicting romance in the age of Tinder and the banality of #netflixandchill. It’s a critique with a memorable hook.
 
“Ghost” is suitably haunting with lines like “I can make you feel/I can make you feel much better” and crashing riffs and cymbals. The narrative of the song, like its namesake, will linger in your mind long after its heartfelt and nearly ethereal end. The intimacy of “Ghost” is transformed into a cinematic nostalgia in “Shake Hands.” Breathing to life an account of suburban antics and shared memories, Rafter and Huntington’s duet-esque ballad is irresistibly sweet, even for the most jaded listener, preparing its audience for the forthright emotives equally fervent in “Crying at the Dog Park.”
 
The woozy start of “Central Heating” and the narrative blends effortlessly into Ugly Laugh’s final track “Holy Wreck.” The album’s closer is an intimate confession paying homage to failures, flaws, and limitations. It’s a veneration of vulnerability and the beauty that can be found between fractures. “Holy Wreck,” much like the songs that precede it, is introspective, a melodic mirror reflecting the complexities of emotion and the adjacent irony of love, making Ugly Laugh the quintessential album that you didn’t know you were waiting for. It begs to be replayed again and again. - Dianca London

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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scene blog

Asaad

New Track: "Horoscopes" - Asaad

Philly spitter Asaad seems to have his creative mojo back. The profilic emcee has had a steady flow of tracks popping up at his Soundcloud. Averaging about a song a day for the last dozen days, you can sense that the follow-up to 2015's Young 27 might be right around the corner. Here's his latest stoner-friendly single, "Horoscopes," which was produced by Plu2o Nash.

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New Asaad Album Available for Streaming & Purchase

Controversial Philly rapper and former Deli Philly Year-end Fans'/Readers' Poll WinnerAsaad, recently dropped his long-awaited new album Young 27. It features contributions from Sunny Norway, Oogie Mane, QB, P On the Boards, Problem, and more. You can stream the record in its entirety and purchase it below.

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New Track: "Blue Note Entendre" - Asaad

It feels like it has certainly been a minute since we revisited music from Asaad. That's not to say that we weren't feelin' him. It just seemed like the madness of the music industry had finally gotten to the boisterous emcee who is prone to controversy, and he decided to take down most of his recordings. Well, he's been back for a bit now, and on his latest single, "Blue Note Entendre," the jazz instrumentals hint at an artist possibly coming closer to some inner peace (as well as being influenced by the iconic record label); however, you can still feel the flames from Asaad's diction. There is the sound of a young man maturing on this one.

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Asaad Album Release Show at Silk City March 26

Asaad (born Saayid Asaad) has been one of the most prolific and controversial artists in the local hip-hop scene. Since dropping his debut mixtape Flowers in 2009, the North Philly emcee/producer has released seven other albums and nearly a hundred tracks. He first caught our attention with 2011's #DIRTYMIDDLECLASS, which helped to get him nominated for The Deli's annual year-end Best Emerging Artists Poll, where he won Philly's Readers'/Fans' segment of the competition. 2012 proved to be his most productive year to date with the release of New Black History Month, #WHITE, and #TROY, as major music media outlets began to take notice, but the venomous tongue of the brash, young talent and an album cover that depicted Tupac having sex with Notorious B.I.G. seemed to alienate him from the rest of the hip-hop world. An artist, who once thrived on the controversy, began to show signs of wear in 2013. Asaad surprisingly changed his stage name to Saudi Money, attaching it to a handful of releases, and then, after showing great dissatisfaction with the music industry (there were rumors of him being "blackballed" by the hip-hop community), he attempted to delete the existence of himself and his music from the internet. Well, it seems that the time out of the public's crosshairs has helped to rejuvenate the Philly-bred talent. He'll be returning this evening at Silk City under the name Asaad, once again, with a new record, Flowers II, in tow. Come out tonight and experience his rebirth! Silk City Diner, 435 Spring Garden St., 9pm, $10, 21+ (Photo by Snaps NY) - Q.D. Tran

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New Track: "Horror Film" (Feat. Saudi Money) - Reap Howard

Ha...in preparation for last night's Halloween festivities, we admittedly took it pretty easy yesterday as we donned our costumes and make-up with alcoholic beverage in hand, so we're playing a bit of catch up with releases in honor of the beloved holiday. After needing a break from the hustle and social media, Saudi Money, a.k.a. Asaad, provided us with a few bars on Reap Howard's track "Horror Film," reminding us that the controversial emcee is still alive and angry.

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