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April 2014
Creepoid
"Creepoid
"
mp3
The perfect solace for winter’s passing, Creepoid’s second full-length self-titled LP combines the zeitgeist of 90's grunge with pristine dissonance and somber lyricism. Released earlier this month by No Idea Records, Creepoid is eerie, melodic and stirring from beginning to end. 

The record’s introductory track “Nauda” opens with a singular note that swells into a melody, aligning itself with the listener in a way that feels confessional yet synonymous. A well-wrought continuation of the earnest diction reminiscent of Horse Heaven, “Nauda” is as bittersweet as its vocals, informed by the paradox of loneliness and longing. Expanding into a cinematically moody soundscape, guitars wail like sirens, beckoning chords to crash and settle into a fading ricochet - a premonition of “Sunday.” Coupled with acoustic strums and crisp vocal croons, a solemn request, “take my light and pull it out,” is beautifully melodic with perfectly placed tambourine that brings to mind the memorable mood concentrated. Exploring the affect and consequence of relational presence and its subsequent absence, the orchestration of “Sunday” renders a relatable narrative evocatively raw and sincere. 

“Yellow Wallpaper” ignites with driving bass and swirling riffs. As if resurrecting the perfection of Jeremy Enigk (ex-Sunny Day Real Estate), a la “Killed By An Angel” meets “Pillars,” the song evokes an eerie all consuming sense of the sublime that centers the track’s duration. Like an extension of Horse Heaven’s “Hollow Doubt,” the contextual weight of “Yellow Wallpaper” is harmonically haunting and intentionally poignant. “Baptism” washes over its listener in waves of riffs and echoed vocals that occupy an emotive territory similar to lesser-known tracks by Sonic Youth, subverted and painted darker by the brooding buzz reminiscent of shoegaze greats like My Bloody Valentine. 

In its decline, “Baptism” casts a feeling of transcendent submersion, befitting its namesake. With a crystallized aggression, “Gout” does the same - urgent and arresting with visceral shouts and screams. “Stay Inside” is considerably more subdued than the album’s preceding tracks but equally mesmerizing, unfolding “Tired Eyes,” a hypnotic chant of a fatigued psychedelic. “Golden String” feels slightly optimistic, while “Acrimony” blossoms then retracts into a reserved yet deliberate ballad that demands its audience’s attention like a gloomy lullaby with teeth. “Vulgar,” warm and sunlit, is lush and arresting, setting the stage for the album’s closer “Old Tree,” a jubilant ending to yet another epic compilation of clairvoyant anthems evoked by Creepoid. - Dianca Potts 


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scene blog

Friend Roulette

Friend Roulette releases "Grow Younger" EP

Here at The Deli NYC we like bands that don't think "straight" - maybe because our scene has a tradition for rewarding acts with a unique vision. Friend Roulette definitely doesn't lack this feature, as testified once again by their new EP "Grown Younger," out today on Goodnight Records. The band plays a rather loud brand of orchestral/synth pop, where the aggressive wall of sound created by drums, horns, guitars and keys is only partially tamed by violinist's Julia Tepper's oblique vocal melodies. Check out preview single "I Guess" below, and stream the entire EP here.

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Friend Roulette unveils gorgeous new video for "Lie" + plays Mercury on 10.02

Friend Roulette, probably the most unusual chamber pop band in NYC, has just released with very cool video of their single "Lie" - enjoy on your monitor now, or live at Mercury Lounge on October 2.

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Friend Roulette, Xenia Rubinos, Blanche Blanche Blanche at Union Pool on 09.05

Union Pool on September 5th will host a perfect show to indulge your musical ADHD. With tribal sounding percussion, reminiscent of earlier Local Natives or Wild Beasts, Friend Roulette (pictured) mixes a plethora of genres, from pop to psych to folk, without ever sounding like a forced fusion. The band just released a new single entitled ViVa ZyPreXa (streaming below), belonging to the sparser and more experimental side of their repertoir. They’re playing with Xenia Rubinos, an eccentric and sultry vocalist who crafts jagged jumpy rhythms into danceable avant-pop tracks. Obscure post punk group Blanche Blanche Blanche will be joining the set as well, adding a dark flavor to this eclectic show. All bands are based in Brooklyn! - Paul Jordan Talbot


Friend Roulette announces release + plays Deli UN/OFF show in Austin on 03.15

Brooklyn's Friend Roulette sounds like an indie band formed by an established and constantly high Hollywood movie soundtrack composer. The band's instrumentation ranges from your regular electric guitars and drums to strings and other instruments quite foreign to the pop tradition like bass clarinet and EWI. Their music favors not exactly uplifting atmospheres ranging from the melancholic to the downright tense, but pop melodies lie in there, between the guitar and violin drones and the clarinet arabesques. Their sound is rather unique and their live shows very enjoyable, and that's why we decided to book them for our Deli UN/OFF party in Austin next week on March 15 at Rusty's (8pm). The band has recently released the first single "Earthrise" (streaming below) from the album "I'm Sorry You Hit Your Head," out in April on Goodnight Records.

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The Deli UN/OFF show in Austin: The Stone Foxes, Pearl & The Beards, Andre Obin, Avan Lava, Friend Roulette + more!

Music fans heading South,

The Deli will be in Austin on March 15 with a two stage night party hosted at Austin's legendary gay bar Rusty's. Great lineup of artists and even greater list of Special Guests who will be announced shortly. See here for more info + band links!

Mark your calendars!

The Deli's Staff


Deli CMJ Post-Chestral Stage at The Living Room with Cuddle Magic, Dangerous Ponies, Doe Paoro, You Bred Raptors? + more

DETAILS ABOUT THIS SHOW + STREAMING
COMPILATION OF ALL 14 BANDS HERE.

It took us a couple of weeks to come up with a title for this Deli official CMJ show. On Wednesday October 17 at The Living Room we'll have a fair amount of orchestral instruments on stage, from You Bred Raptors'? frantic cello to Cuddle Magic's gentle winds and xylophone, without forgetting the sparse piano lines of Doe Paoro and Starlight Girls' retro flute. But even though all these instruments are borrowed from the classical tradition, all the artists on this bill have a forward looking, at times even experimental attitude. This is why in the end we settled with the label "Post-Chestral", which is a term we are happy to notice nobody used before - at least not since Google was invented! This of course implies that we are either geniuses or terrible-new-word creators...

Early that evening we'll have the noir chamber pop of Friend Roulette , In One Wind's orchestrated experimentations, and DT Rotbot intricate post-rock. Later at night we'll be enterteined by the cinematic and atmospheric music of Industries of the Blind followed by cheerful Philadelphia based collective Dangerous Ponies(in the picture, Cuddle Magic and You Bred Raptors).


 
 


Weekly Feature: Friend Roulette plays Delinquency 9.14

There’s a perfectly hummable sentiment somewhere in Friend Roulette’s “Sailing Song” that keeps working its way back to the surface, but only after first progressing through all manner of uneven meter changes, brass fanfare and incidental thematic adventure. At times stepping boldly into a space usually exclusive to the imagination of score composers like Danny Elfman, the group essentially writes baroque pop pieces for an imagined Brechtian musical, casting its talented singers/songwriters Julia Tepper and Matthew Meade as the show’s unlikely protagonists. They will be performing at Bushwick's Delinquency next Friday (9.14). Meanwhile, read Mike Levine's interview with the band here.

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Get Carried Away with Friend Roulette

From the moment the ear buds dock and Friend Roulette’s ‘Sailing Song’ came up; I found I was already climbing mountains and working my way across unfamiliar canyons. There’s a perfectly hummable sentiment somewhere in this song that keeps working its way back to the surface, but only after first progressing through all manner of uneven meter changes, brass fanfare and incidental thematic adventure. At times stepping boldly into a space usually exclusive to the imagination of score composers like Danny Elfman, the group essentially writes Baroque pop pieces for an imagined Brechtian musical, casting its talented singer/songwriters Julia Tepper and Matthew Meade as the show’s unlikely protagonists.

After moving through so much landscape, you might think it reasonable that you’d eventually get a good idea about how this band operates. But the more I listen to Roulette, the less sure I am of where the genre’s fault lines are drawn. And it doesn’t help that the vocals are surrounded by generous portions of airy synth playing and legato violin bowing. So I’ve concluded one should only expect to approach the band’s after-hours sound while sifting through a thick haze of fog and mystery. Like an old Noir film, Friend Roulette never gives away the plot, but the distinct pleasure of discovering their dreamy Cabaret texture is enough to keep your ears duly occupied during the journey. - Mike Levine (@goldnuggets)

This band submitted their music for review digitally here.

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