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October 2014
Mumblr
"Full Of Snakes
"
mp3

The major takeaway for Mumblr’s new album Full Of Snakes (Fleeting Youth Records) is that it really takes balls to write songs that truly say nothing. As counter intuitive as it may sound, there really is something admirable in using music to not really express all that much. Any jerk with a voice and a few chords can say a whole lot about how their ex is horrible; what really matters is how much of that content is actually worth hearing. And brother, Mumblr has found a way to make saying nothing profound.

On the surface, the album initially sounds like some sort of early 2000’s generic pop-punk; the first song “Got It” opens with that familiar sense of vague, safe anger. It’s very “high school” reminiscent, right off the bat, with lines like “I got it if you want it” and “I’ll invite you to my room.” But as the song closes and we drift into “Sober,” the tone very gradually starts to feel off. It starts to feel a bit weirder, with this sense of reckless abandon that you only hear in a Violent Femmes song. And it’s not that one is true, and the others is not; this album is walking a razor’s edge between the most self-aware of indie post-punk and the obliviousness of adolescent guilty pleasures.

And while that may sound like a chaotic mess, the seventeen-track full-length really is the having-and-eating of one's cake. We get the indulgence of grandiose guitar riffs and over the top shrieks, but with just enough originality in the composition to give it a sense of being slick and even avant-garde. Don’t let the outward sense of crazy abandon fool you - this thing is airtight. And a lot of that can be chalked up to Nick Morrison’s vocals; he brings a real sense of cleverness to the whole thing, in no small part to the fact that he can turn his voice on a dime.

One endlessly fascinating reoccurring theme is the use of repetition in their lyrics, with phrases like the aforementioned “I got it” and “someone’s been sitting in my chair” echoed over and over again, beyond the point of simple parody. It’s that old artistic trope of repeating something until it becomes meaninglessly applied to lyrics, and it’s interesting to hear expressions of youthful angst to become so alien and meaningless.

They take these universal touchstones of adolescences, including the use of “shock” lyrics such as “if God is a woman I’m going to hell” and gleefully drive them into the ground while enjoying the ride. It’s fun, it’s cool, and will leave you thinking more than any other post-punk album in months. And it does so while still being a genuinely fun throwback to a sort of music that you don’t really hear in earnest these days. - Daniel Ludwig


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Leather

New Leather Album Available for Streaming & Purchase

Good morning! Did today's snow and chill snap you out of your springtime daydream? Well, throw your middle fingers to the air, and bash the hell outta something to the soundtrack of Leather's lupine new record Easy! The band quietly dropped the nine-track album last week, and the release once again loudly demonstrates why the hardcore four-piece is the real deal from Philly with no need (or desire) for hype. (And Noisey's Dan Ozzi definitely slept on these guys for his half-assed piece about the Philly punk scene.)

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Leather & Residuels Opening for The Oblivians & The Strapping Fieldhands at Underground Arts Oct. 4

Hardcore outfit Leather understands the power of ferocity playing with a raw undeterred one speed-fits all determination that will shake the pillars of Underground Arts tonight and smack you in the face. The unfiltered garage reverb loaded alliance of Moon Women frontman Justin Pittney and Creepoid drummer Pat Troxell known as Residuels will also be on display creating a carnal retro feeling sound filled with raunchy guitar licks a steady-driving backbeat and guttural vocals. They will be setting the stage for the re-formed garage-punk trio The Oblivians and the forefathers of Philly indie rock The Strapping Fieldhands. Underground Arts, 1200 Callowhill St., 8pm, $15, 21+ - Michael Colavita
 

Leather Debuting New Material at KFN Jan. 25

Leather is currently working on a new full-length record that will feature artwork from Philly photographer Matthew Gallagher, whose work you may have come across through releases from the band Nothing. The hardcore four-piece will be debuting material from their forthcoming album tonight at Kung Fu Necktie, and they’ll also be hosting rising Cali rapper and former Leather bandmate Antwon. Opening the evening will be Heathen Reign, which is fronted by Creepoid’s Pat Troxell. Kung Fu Necktie, 1250 N. Front St., 10pm, $10, 21+ - Alexis V.

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Leather Opening for Double Negative at Vox Populi Aug. 31

Leather may only have a handful of punishing-yet-complex recordings to their name, but there's absolutely nothing ephemeral about them and the reputation they've crafted. This Philly band's muscle-bound, crazed-circle-pit-inducing hardcore has been hailed as the heir to the throne left vacant by the Cro-Mags, and they've kept themselves uppermost in the minds of hardcore enthusiasts by staying aloof: tantalizingly doling out as few solid hints about their upcoming album as possible without their more frantic fans beating a path to their door. They're showing up tonight to the sweaty lair in the summertime that is Vox Populi with Raleigh tour-mates Double Negative, who bring with them an unparalleled pedigree (members have played in Erectus Monotone and Polvo), and Long Island's Brain Slug. With a forecast of high temperatures, savage loudness and apeshit windmilling, this show is going to be painful in all the right ways. Vox Populi, 319 N. 11th St. - 3rd Floor, 8pm, $6 - $8, All Ages - Alyssa Greenberg

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