x
Artist of the Month
the_deli_magazine

 
deli cover

 

 

April 2016
The Original Crooks and Nannies
"Ugly Laugh
"
mp3
The Original Crooks and Nannies follow-up to 2015’s Soup For My Girlfriend begins with the sputtering staccato of “Call It Good.” The track’s rhythmic pulse collides flawlessly with Madeline Rafter’s vocals and buzzing synth, supported by a backbeat tailor-made for the dance floor. The album’s opener prepares its listener with ease for the pulsating energy of “Carry Me,” a heartfelt melody that brings to mind the romantics of Matt and Kim or the twee-drenched lyricism of Mates of State. The track’s sentiments are earnest, amplified simultaneously by urgent diction and humming chords. “Carry Me” is a living testament to The Original Crooks and Nannies’ ability to craft love songs so cathartic that it hurts.
 
Similarly, the unabashed desperation of “Throw Out” followed by the electro-hum of “Television” suitably precedes the tangibly raw frustration of “Dates.” For Rafter and her bandmate, Sam Huntington, drinking poison and having smashed teeth proves to be a more desirable fate than going on a date. Even in its state of exaggeration, the track is a potential artifact of our contemporary moment, depicting romance in the age of Tinder and the banality of #netflixandchill. It’s a critique with a memorable hook.
 
“Ghost” is suitably haunting with lines like “I can make you feel/I can make you feel much better” and crashing riffs and cymbals. The narrative of the song, like its namesake, will linger in your mind long after its heartfelt and nearly ethereal end. The intimacy of “Ghost” is transformed into a cinematic nostalgia in “Shake Hands.” Breathing to life an account of suburban antics and shared memories, Rafter and Huntington’s duet-esque ballad is irresistibly sweet, even for the most jaded listener, preparing its audience for the forthright emotives equally fervent in “Crying at the Dog Park.”
 
The woozy start of “Central Heating” and the narrative blends effortlessly into Ugly Laugh’s final track “Holy Wreck.” The album’s closer is an intimate confession paying homage to failures, flaws, and limitations. It’s a veneration of vulnerability and the beauty that can be found between fractures. “Holy Wreck,” much like the songs that precede it, is introspective, a melodic mirror reflecting the complexities of emotion and the adjacent irony of love, making Ugly Laugh the quintessential album that you didn’t know you were waiting for. It begs to be replayed again and again. - Dianca London

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


Go to the old Top 300 charts

Cancel

scene blog

Leather

New Leather Album Available for Streaming & Purchase

Good morning! Did today's snow and chill snap you out of your springtime daydream? Well, throw your middle fingers to the air, and bash the hell outta something to the soundtrack of Leather's lupine new record Easy! The band quietly dropped the nine-track album last week, and the release once again loudly demonstrates why the hardcore four-piece is the real deal from Philly with no need (or desire) for hype. (And Noisey's Dan Ozzi definitely slept on these guys for his half-assed piece about the Philly punk scene.)

|

Leather & Residuels Opening for The Oblivians & The Strapping Fieldhands at Underground Arts Oct. 4

Hardcore outfit Leather understands the power of ferocity playing with a raw undeterred one speed-fits all determination that will shake the pillars of Underground Arts tonight and smack you in the face. The unfiltered garage reverb loaded alliance of Moon Women frontman Justin Pittney and Creepoid drummer Pat Troxell known as Residuels will also be on display creating a carnal retro feeling sound filled with raunchy guitar licks a steady-driving backbeat and guttural vocals. They will be setting the stage for the re-formed garage-punk trio The Oblivians and the forefathers of Philly indie rock The Strapping Fieldhands. Underground Arts, 1200 Callowhill St., 8pm, $15, 21+ - Michael Colavita
 

Leather Debuting New Material at KFN Jan. 25

Leather is currently working on a new full-length record that will feature artwork from Philly photographer Matthew Gallagher, whose work you may have come across through releases from the band Nothing. The hardcore four-piece will be debuting material from their forthcoming album tonight at Kung Fu Necktie, and they’ll also be hosting rising Cali rapper and former Leather bandmate Antwon. Opening the evening will be Heathen Reign, which is fronted by Creepoid’s Pat Troxell. Kung Fu Necktie, 1250 N. Front St., 10pm, $10, 21+ - Alexis V.

|

Leather Opening for Double Negative at Vox Populi Aug. 31

Leather may only have a handful of punishing-yet-complex recordings to their name, but there's absolutely nothing ephemeral about them and the reputation they've crafted. This Philly band's muscle-bound, crazed-circle-pit-inducing hardcore has been hailed as the heir to the throne left vacant by the Cro-Mags, and they've kept themselves uppermost in the minds of hardcore enthusiasts by staying aloof: tantalizingly doling out as few solid hints about their upcoming album as possible without their more frantic fans beating a path to their door. They're showing up tonight to the sweaty lair in the summertime that is Vox Populi with Raleigh tour-mates Double Negative, who bring with them an unparalleled pedigree (members have played in Erectus Monotone and Polvo), and Long Island's Brain Slug. With a forecast of high temperatures, savage loudness and apeshit windmilling, this show is going to be painful in all the right ways. Vox Populi, 319 N. 11th St. - 3rd Floor, 8pm, $6 - $8, All Ages - Alyssa Greenberg

|

|
|

aom

New Poll Coming Soon!

[sponsored by]


aps
stompbox exhibit


- news for musician and music pros -