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Artist of the Month
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February 2015
Suburban Living
"Suburban Living
"
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Suburban Living’s self-titled debut LP (PaperCup Music) is a memorable showcase of moody dream pop and lush emotives. The anticipated follow-up to the well-received Cooper’s Dream EP and 2013’s “Always Eyes” 7” single, Suburban Living enhances a sound familiar to fans of Beach Fossils, while channeling the percussive pulse and melancholy of post-punk legends like Joy Division. 

Opening with “Faded Lover,” the album’s first track unfolds with guttural riffs and an unrelenting backbeat that perfectly frames frontman Wesley Bunch’s emotionally wrought yet controlled vocals. The song falls somewhere between the driving tempo of Echo & The Bunnymen’s “Stars Are Stars” and The Cure’s “Primary,” making it a suitable metaphor for willing romantics. A crystallization of everything quintessential about the dissonance of post-punk and the catchy melodics of shoegaze, “Faded Lover” lingers like a ghost with its listener, dissipating into a silence that begs for subsequent returns.
 
“New Strings” impresses with cinematic reverb and percussion that gradually swells into a melodic narrative that proves to be just as upbeat as it is brooding. Bunch’s knack for crafting duality and juxtaposition keeps tracks like it from becoming merely sentimental. The sincerity of Bunch’s diction is one equally fostered by disenchantment and passion alike. As if tapping into the emotional core of what made fellow shoegazers The Pains Of Being Pure At Heart so relatable, Suburban Living’s “New Strings” manages to tug at the heartstrings without playing puppeteer. 
 
“Wasted” kick-starts with beach-y chords and mellow diction that intensifies midway through the song’s duration via shouts that seem to beckon a sense of urgency in Bunch’s audience. With ease, it signals a shift in the album’s tone preparing listeners for the more subdued yet earnest “Dazed,” whose instrumentation embodies the state evoked by its namesake. As if it were a millennial epilogue to the sentiments of Psychocandy, the song proves to be just as pensive in its own rite. With jangly hooks and introspective vocals, it feels synonymous with early cuts by Real Estate or a kindred spirit with the unabashed sincerity of the Stone Roses. Here, Bunch is anything but withholding.
 
The dance-y synth and cadence of “No Fall” perfectly compliments the track’s energy. Suburban Living’s sixth track is a probable favorite for fans. “Hotel Unizo” serves as an instrumental prelude to the album’s closer, “Different Coast,” which is similarly orchestrated in the sense that it captivates. Fashioned by straightforward feelings that confess of vulnerability and modes of coping, “Different Coast” is deliberately constructed to mesmerize its listener towards catharsis. 
 
In the end, it is clear that Suburban Living’s latest release is the beginning of something monumental. - Dianca Potts

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Leather

New Leather Album Available for Streaming & Purchase

Good morning! Did today's snow and chill snap you out of your springtime daydream? Well, throw your middle fingers to the air, and bash the hell outta something to the soundtrack of Leather's lupine new record Easy! The band quietly dropped the nine-track album last week, and the release once again loudly demonstrates why the hardcore four-piece is the real deal from Philly with no need (or desire) for hype. (And Noisey's Dan Ozzi definitely slept on these guys for his half-assed piece about the Philly punk scene.)

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Leather & Residuels Opening for The Oblivians & The Strapping Fieldhands at Underground Arts Oct. 4

Hardcore outfit Leather understands the power of ferocity playing with a raw undeterred one speed-fits all determination that will shake the pillars of Underground Arts tonight and smack you in the face. The unfiltered garage reverb loaded alliance of Moon Women frontman Justin Pittney and Creepoid drummer Pat Troxell known as Residuels will also be on display creating a carnal retro feeling sound filled with raunchy guitar licks a steady-driving backbeat and guttural vocals. They will be setting the stage for the re-formed garage-punk trio The Oblivians and the forefathers of Philly indie rock The Strapping Fieldhands. Underground Arts, 1200 Callowhill St., 8pm, $15, 21+ - Michael Colavita
 

Leather Debuting New Material at KFN Jan. 25

Leather is currently working on a new full-length record that will feature artwork from Philly photographer Matthew Gallagher, whose work you may have come across through releases from the band Nothing. The hardcore four-piece will be debuting material from their forthcoming album tonight at Kung Fu Necktie, and they’ll also be hosting rising Cali rapper and former Leather bandmate Antwon. Opening the evening will be Heathen Reign, which is fronted by Creepoid’s Pat Troxell. Kung Fu Necktie, 1250 N. Front St., 10pm, $10, 21+ - Alexis V.

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Leather Opening for Double Negative at Vox Populi Aug. 31

Leather may only have a handful of punishing-yet-complex recordings to their name, but there's absolutely nothing ephemeral about them and the reputation they've crafted. This Philly band's muscle-bound, crazed-circle-pit-inducing hardcore has been hailed as the heir to the throne left vacant by the Cro-Mags, and they've kept themselves uppermost in the minds of hardcore enthusiasts by staying aloof: tantalizingly doling out as few solid hints about their upcoming album as possible without their more frantic fans beating a path to their door. They're showing up tonight to the sweaty lair in the summertime that is Vox Populi with Raleigh tour-mates Double Negative, who bring with them an unparalleled pedigree (members have played in Erectus Monotone and Polvo), and Long Island's Brain Slug. With a forecast of high temperatures, savage loudness and apeshit windmilling, this show is going to be painful in all the right ways. Vox Populi, 319 N. 11th St. - 3rd Floor, 8pm, $6 - $8, All Ages - Alyssa Greenberg

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