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Artist of the Month
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March 2015
Blood Sound
"Nightclub
"
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Blood Sound’s post-punk tracks are informed by an audible nostalgia for the dance floors and goth clubs of the latter ‘80s. Their latest LP Nightclub is a hybrid of dark wave and dream pop. Marrying synth-drenched harmonies with emotively vibrant lyricism, the subtle romantics of the band’s debut full-length fit seamlessly with the buzzing percussive backbeats of earlier cuts by Cold Cave (circa Love Comes Close) or The Cure’s “Primary” stripped bare to its core.
 
“TV Synth 1” sets the tone for Nightclub’s narrative with a brief yet textured prelude to “I Don’t Want.” Relatable like an antithesis of The Smiths’ “There Is A Light That Never Goes Out,” Blood Sound’s “I Don’t Want” personifies the complexities of yearning, desire, and loneliness. As frontman Chris Jordan croons “I don’t want the city’s lights to go down/I don’t want to find home,” guitar riffs magnify the weight of his words without casting them melodramatic. The track is a fitting anthem for the passing of youth, failed love, and transition.
 
The buzzing start of “L.A. Punk” explores that thin line between authenticity and commoditization, the song’s instrumentation paying homage in its own way to the early underground and its subsequent subcultures. As if channeling a sedated rendition of Peter Murphy’s tone and diction, “L.A. Punk” is as memorable as it is brooding. “Acid Summer” gives an inward glimpse at the intimate nature of grief, mortality, and memory. When Jordan sings, “The 1980s died that day,” the listener feels it in their gut. It’s undeniable. The connection between what is experienced and how that experience is remembered is amplified by the track’s thumping tempo.
 
“Empty” plays out like the perfect soundtrack to an inevitable breakup, coupling affection with exhaustion, with the synth framing the heart-wrenching truth of lines like “I was too in love to say/that your story was a bore/Now I gave up on bad dreams and endings/beginnings and beginnings.” It offers a viable catharsis for jilted lovers with a penchant for fuzzed-out refrains.
 
“TV Synth 2” precedes the lyrically minimal yet heavy “Embrace” which serves as Nightclub’s melodic memento mori. “Almost” is subdued yet gripping, slowing the momentum of the record in advanced of “TV Synth 3,” which unfolds like a VHS fever dream. “Fake Blood” is evocative, with reverb and a pulsating backbeat that swells as the song progresses. Arguably the darkest track on the album, Jordan’s diction is hypnotic, “Kill your dreams and wait for/the fake blood to pour out.”
 
Ending with the well-placed “Catacombs,” Nightclub’s final track encapsulates the thrill of beginnings and the way one remembers them. Set to a beat reminiscent of Joy Division’s quintessential single “Love Will Tear Us Apart,” “Catacombs,” much like the songs that precede it, is reason alone to return to Nightclub. - Dianca London Potts

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scene blog

Nightlands

New Music Video: "So Far So Long" - Nightlands

Below is a new music video from Nightlands, a.k.a. Dave Hartley, for the track "So Far So Long," off his latest album Oak Island (Secretly Canadian). It premiered yesterday over at Noisey, and was directed by David S. Kessler, who filmed the footage in northern Iceland as part of the international exhibit, "Due North," opening January 2014.

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Nightlands Supported by Ape School & Our Griffins at JB’s May 31

This upcoming Nightlands show should require a pillow to enter. The multi-talented Dave Hartley transports listeners to the place just between dreams and sleep with free-flowing choral effects with ambient noise. In fact, that’s where he came up with most of the ideas for Nightlands’ tracks: recording inspiration that came to him in REM cycle. However, his most recent release Oak Island finds him wandering a poppier side of music, but it still feels like poppy fields are scattered throughout the landscape. (BTW: I heard that there might be some live choral arrangements this evening.) Opening for Nightlands is Ape School, a solo(ish)-project from Michael Johnson. The band gives an oft tongue-in-cheek experiment in lyricism, resulting in a truly fun musical experience. Also taking the stage is Our Griffins, fronted by Dennis Joseph “DJ” Brown, who provides a gentle and soft-spoken sound that packs an emotional punch.  Johnny Brenda’s, 1201 N. Frankford Ave., $12, 8pm, 21+ - Shaylin O’Connell


New Music Video: "Born to Love" - Nightlands

Below is a new music video from Nightlands, a.k.a. Dave Hartley, for the track "Born to Love" off his latest release Oak Island. It was directed by She Policeman (who was inspired by Andy Warhol and the song, itself), using footage from another video filmed with an old VHS camcorder. Nightlands also just announced a string of headlining dates that will make a local stop on Friday, May 31 at Johnny Brenda's. BTW: Send out some good vibes to Hartley this weekend because he'll be competing at the Professional & Amateur Pinball Association's 2013 Match-Play Championship in Pittburgh, alongside four-time world champion Bowen Kirens and pinball champion/former '76 Todd MacCulloch, who both personally invited him.

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Congrats to Nightlands' Dave Hartley & Luke Bonner for Their Successful #LetBonnerShoot Campaign!

Congrats to Dave Hartley, a.k.a. Nightlands, and Luke Bonner on their successful #LetBonnerShoot campaign! The San Antonio Spurs announced yesterday that Matt Bonner will be competing in the Foot Locker Three-point Contest (which will be taking place on Saturday, February 16) at the 62nd NBA All-Star Game weekend. The guys ran a brilliant grassroots social media campaign that garnered support from high-profile folks like Arcade Fire and Eva Longoria. The people have spoken, and we were heard - cheers fellas!

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New Track: "Nico" - Nightlands

Nightlands, a.k.a. Dave Hartley, recently premiered the track "Nico" from his latest record Oak Island. You can listen to the album version below, and check out Hartley's interview with ARTINFO as well as the vocals only and instrumental version of the song HERE. He'll be heading on tour next month opening for Efterklang.

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