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October 2014
Mumblr
"Full Of Snakes
"
mp3

The major takeaway for Mumblr’s new album Full Of Snakes (Fleeting Youth Records) is that it really takes balls to write songs that truly say nothing. As counter intuitive as it may sound, there really is something admirable in using music to not really express all that much. Any jerk with a voice and a few chords can say a whole lot about how their ex is horrible; what really matters is how much of that content is actually worth hearing. And brother, Mumblr has found a way to make saying nothing profound.

On the surface, the album initially sounds like some sort of early 2000’s generic pop-punk; the first song “Got It” opens with that familiar sense of vague, safe anger. It’s very “high school” reminiscent, right off the bat, with lines like “I got it if you want it” and “I’ll invite you to my room.” But as the song closes and we drift into “Sober,” the tone very gradually starts to feel off. It starts to feel a bit weirder, with this sense of reckless abandon that you only hear in a Violent Femmes song. And it’s not that one is true, and the others is not; this album is walking a razor’s edge between the most self-aware of indie post-punk and the obliviousness of adolescent guilty pleasures.

And while that may sound like a chaotic mess, the seventeen-track full-length really is the having-and-eating of one's cake. We get the indulgence of grandiose guitar riffs and over the top shrieks, but with just enough originality in the composition to give it a sense of being slick and even avant-garde. Don’t let the outward sense of crazy abandon fool you - this thing is airtight. And a lot of that can be chalked up to Nick Morrison’s vocals; he brings a real sense of cleverness to the whole thing, in no small part to the fact that he can turn his voice on a dime.

One endlessly fascinating reoccurring theme is the use of repetition in their lyrics, with phrases like the aforementioned “I got it” and “someone’s been sitting in my chair” echoed over and over again, beyond the point of simple parody. It’s that old artistic trope of repeating something until it becomes meaninglessly applied to lyrics, and it’s interesting to hear expressions of youthful angst to become so alien and meaningless.

They take these universal touchstones of adolescences, including the use of “shock” lyrics such as “if God is a woman I’m going to hell” and gleefully drive them into the ground while enjoying the ride. It’s fun, it’s cool, and will leave you thinking more than any other post-punk album in months. And it does so while still being a genuinely fun throwback to a sort of music that you don’t really hear in earnest these days. - Daniel Ludwig


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Norwegian Arms

Spaceship Aloha & Norwegian Arms Opening for Oumar Konate at JB’s May 27

Multi-faceted worldly musician from Mali, Oumar Konate, makes his Philly live performance debut tonight. And he’ll also be joined by a lineup of multi-faceted worldly locals to complement this occasion. When he’s not banging away at the drums for Man Man, Christopher Sean “Pow Pow” Powell is the savvy producer behind Spaceship Aloha. The artist manages to construct a lush blend of vibrant electronic melodies amid a space-age Hawaiian musical landscape. And the end result may have you dancing in a fervor. Whether it’s the ukulele-fueled minimalist approach of Trimming of Hides or the whimsical, melodic use of electronics to round out the sounds on Wolf Like A Stray Dog, Norwegian Arms consistently proves to be an effervescent chameleon of a band. And the fact that they’ll be performing 100% all new material this evening is all the more reason to attend. Johnny Brenda’s, 1201 Frankford Ave., 9pm, $10, 21+ - Bill McThrill


Dream Safari Opening for Norwegian Arms & Snowmine at JB’s Feb. 7

Philly’s own Dream Safari plays an expansive sound that seems to reach to the corners of the earth. The stage name of Chris Coulton, the project specializes in a danceable electro world beat that pulls inspiration from multiple genres. In the past few months, Coulton has called upon various deejays in the area to release a remixed version of his EP, Night Howl, helping to demonstrate the flexibility in his sound. It doesn’t feel calculated, but rather the various disco, jungle-pop layers flow easily into one another, making for a versatility that allowed the “remixes” album to hold up against the original. They’ll be opening for Philly/Brooklyn trio Norwegian Arms, who will be headlining this evening at Johnny Brenda’s. The weirdo-folk outfit allows its surroundings to seep into the music, taking their listeners on a journey with them, from the woods of Siberia to the streets of New York City. Also performing on the bill is Brooklyn-based Snowmine. The group toes the line between dance-worthy and extremely chill ambiance, depending on the listener’s mood. The night promises to be full of spacious and layered sounds, ones that invoke music from various world corners, and will be sure to expand to every corner of the venue. Johnny Brenda’s, 1201 N. Frankford Ave., 9pm, $10, 21+ - Shaylin O’Connell

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Photo Recap: Pattern is Movement 12" Release Show w/The Spinto Band, Norwegian Arms, Worshyper & WYLDSTYLE DJs at Union Transfer

This past Thursday, Pattern is Movement celebrated the release of their 12" "Suckling" b/w "Untitled (How Does It Feel)" at Union Transfer, while continuing to pique our interest in regards to their long-awaited LP that is scheduled to drop in January 2014 via Hometapes. Stacking the bill with talented pals The Spinto Band, Norwegian Arms, Worshyper and the WYLDSTYLE DJs (who brought the 90's dance-pop jams), all were encouraged to shake what their mamas gave them. (BTW: Keep your eyes and ears on Worshyper - sexy, cerebral R&B grooves from the Great Northeast. We sure will.) Check out our photos from the evening HERE! (Photo by Brandi Lukas)


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Photo Recap: Pattern is Movement 12" Release Show w/The Spinto Band, Norwegian Arms, Worshyper & WYLDSTYLE DJs at Union Transfer

- by Brandi Lukas 


Pattern is Movement

 

The Spinto Band

 

Norwegian Arms

 

Worshyper

 

WYLDSTYLE DJs

 

 

 

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Pattern is Movement & Friends at Union Transfer Oct. 24

The truly dynamic duo of Andrew Thiboldeaux and Chris Ward, a.k.a. Pattern is Movement, headline an exceptional evening of Philly-centric musicians tonight at Union Transfer. The 12’’physical release of their new single “Suckling” b/w “Untitled (How Does It Feel) will also be on-hand at UT. With the release of PiM’s yet-to-be-titled new LP scheduled for January 2014, via Hometapes, the group is all but assured to unleash some new material that they’ve been practicing for a live setting. The pair produces multilayered songs that harness the textured interplay of an array of instruments, primarily keys/synth/percussion and vocals, creating an elaborate way to get into the mood for some lovin’. Delaware natives, The Spinto Band, will help to warm things up, bringing their sleek combination of crisp vocal harmonies and airy arrangements, while another intriguing outfit Norwegian Arms cooks up their custom recipe of high-energy weirdo folk. The stacked-vocal, experimental R&B trio of Worshyper round outs this diversely cutting-edge bill. Union Transfer, 1026 Spring Garden St., 8pm, $13, All Ages - Michael Colavita


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