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The Deli KC Presents at Grain Valley Fair 2015

This Friday, we’re taking a fantastic lineup of performers out to Grain Valley for their annual Grain Valley Fair. Tickets are only $5! The stage will be located by the Grain Valley Chamber of Commerce at 711 Main St., Grain Valley, MO 64029. Preview the bands, bring your lawn chairs and blankets and come say hi to us! Midwest Music Foundation will also have a table near the stage. Facebook event page.
 
11:15 – Not A Planet
 
 
Not A Planet
 
 
 
The Philistines
 
 
 
Katy Guillen & the Girls
 
 

  
Kangaroo Knife Fight
 
 





Best of 2014 for Emerging KC Bands: FINAL RESULTS! BUMMER, The Philistines, Katy Guillen & the Girls

Deli Nation,

Our Year-End Poll for Emerging Kansas City artists is now complete! Kudos to grungy punk trio BUMMER (photo above by Crystal Faye Photography) for winning the poll!
 
 
 
And congrats to our runners up, the enigmatic psychedelic six-piece The Philistines and the compelling roots rock trio Katy Guillen and the Girls (who took second place in 2013)!
 
The Philistines
 
 
 
Katy Guillen & the Girls
 
  

-----

Here is how it all went down: first, we let the local bands submit their music (for free), and got our Deli editors to pick the nominees. Then we polled a list of 15+ KC scene experts (our jury) and asked them to nominate 3 more bands of their choice each. Then we polled our writers, then we polled our readers. We tried to keep things open for each single genre, from Indie Rock to Roots Music to Hip Hop.

If you are a geek interested in all the subtelties related to how this poll works, you can read its rules here (happy reading!). But if all you care about is the awesome new music KC produced in 2014, this list is all you need. Enjoy!

BEST OF 2013 POLL FOR EMERGING NYC ARTISTS
****** FINAL RESULTS ******
 
ARTIST
J
OS
W
R
TOT
 
1
Bummer
15
 
 
0.01
15.01
2
The Philistines
12
 
1
0.008
13.008
icon
3
Katy Guillen and the Girls
8
 
1
0.023
9.023
icon
4
the sluts
6
 
2
0.006
8.006
icon
5
The Conquerors
6
 
 
0.007
6.007
icon
6
Your Friend
6
 
 
0.006
6.006
icon
7
Yore
4
 
 
1.5
5.5
icon
8
AY MusiK
5
 
 
0.057
5.057
icon
9
The Thunderclaps
5
 
 
0.015
5.015
icon
10
Yes You Are
4
 
1
0.012
5.012
icon
11
Hembree
5
 
 
0.004
5.004
12
Scruffy & The Janitors
3
1
 
0.034
4.034
icon
13
Jorge Arana Trio
4
 
 
0.021
4.021
icon
14
Westerners
3
1
 
0.013
4.013
icon
15
Kangaroo Knife Fight
1
 
1
2
4
icon
 
ATLAS
 
3
 
1
4
icon
17
The Gorlons
2
 
1
0.017
3.017
18
Nicholas St. James
3
 
 
0.014
3.014
icon
19
Monta At Odds
3
 
 
0.009
3.009
icon
20
Folkicide
3
 
 
0.006
3.006
icon
21
Stiff Middle Fingers
3
 
 
0
3
icon
 
The Sexy Accident
3
 
 
0
3
23
Miry Wild
2
 
 
0.5
2.5
icon
24
Admiral of the Red
2
 
 
0.164
2.164
icon
25
Riddles
2
 
 
0.018
2.018
icon
26
Madisen Ward and The Mama Bear
 
 
2
0.013
2.013
icon
27
Sharp Weapons
2
 
 
0.01
2.01
icon
 
Storm Circus
 
2
 
0.01
2.01
icon
29
Wet Ones
2
 
 
0.007
2.007
icon
30
La Guerre
2
 
 
0.002
2.002
icon
31
The Blackbird Revue
 
1
 
1
2
icon
 
Morningglories
2
 
 
0
2
icon
 
Chris Meck & the Guilty Birds
2
 
 
0
2
icon
 
Wick & the Tricks
2
 
 
0
2
icon
35
White Girl
 
1.5
 
0.001
1.501
icon
36
El Rey-Tones
1
 
 
0.42
1.42
icon
37
The Souveneers
1
 
 
0.084
1.084
icon
38
Many Moods of Dad
1
 
 
0.012
1.012
icon
39
Shy Boys
1
 
 
0.002
1.002
icon
40
Forrester
1
 
 
0.001
1.001
icon
 
             
  Scott Hrabko & the Rabbits
1
 
 
0
1
icon
  Janet the Planet
1
 
 
0
1
icon
  The Uncouth
1
 
 
0
1
icon
  Dolls on Fire
1
 
 
0
1
icon
Legend: J = Jurors, W = Deli Writers,
R = Deli Readers, OS = Open Submissions

Jurors List: Barry Lee, Bill Brownlee, Brenton Cook, Britt Adair, Canyon McClung, Chad Freeman, Chris Haghirian, Clint Hoffmeier, Dedric Moore, Hank Wiedel, Joel Nanos, John Todd, Judy Mills, Justin Mantooth, Mark Manning, Michael Byars, Michelle Wyssmann, Nathan Reusch, Neill Smith, Scott Easterday, Sondra Freeman, Steve Tulipana, Tim Finn.

You can browse these artists in lists organized by genre here:
ALT
 ROCK/REVIVAL ROCK - ELECTRONIC - HIP HOP/OTHER - INDIE POP - INDIE ROCK/PSYCH - NOISE ROCK/POST PUNK - ROOTSY

Hope you'll find some awesome new artists you weren't aware of!

The Deli's Staff





KCPT features editor Michelle Bacon

We want to express our gratitude to KCPT and videographer/producer John McGrath for airing a segment of our editor Michelle Bacon on their weekly show Arts Upload. It prominently features our website, along with Michelle’s bands The Philistines, Dolls on Fire, and Drew Black & Dirty Electric. Tune in to Arts Upload every Thursday night on KCPT! You can watch Michelle’s segment below.
 
 

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Barry Lee interviews Deli KC editor Michelle Bacon (Part 1 of 3)

Listen in as KKFI 90.1 station manager Barry Lee and The Deli KC editor and all-around musician Michelle Bacon converse about growing up in Kansas City, playing music, and the current local music scene in a special three-part audio verite series.
 

Click below to hear part one of the series.

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Show recap: Murder Ballad Ball 5 - The Verdict

(Photo by Sondra Freeman)
 
Another Murder Ballad Ball has come and gone, leaving a ghostly smile playing about the lips of those who attended that will be a source of puzzlement well in the coming week to those we come in contact who didn't attend.
 
Saturday night, The Verdict, was seven hours of music by some of Kansas City's best musicians performing at The Living Room Theater. The music got started at 6:00 with A.J. Gaither doing a one-man set playing his homemade cigar box guitars and a kick bass, doing mostly original material, except that gospel number he snuck in there because hey, the crucifixion is the most famous murder of 'em all, right?
 
Next up was perennial KC bluegrass favorite Loaded Goat, romping through a five-song set that had the crowd that was starting to trickle in and fill up the place on their feet and dancing from the first notes of “John Hardy” to the final notes of “Six Feet Down.”
 
Next up was David George and cellist Christine Gross doing a stripped-down six-song set of Crooked Mile tunes that had the crowd that was ready to ride off and rob the Glendale Train with Loaded Goat a few minutes before paying rapt attention so as not to miss any of his subtle turns of songwriting phrase.
 
The fourth act of the night was Damon Parker who did a solo-set—just him and his electric piano—reminiscent of Dr. John and New Orleans. His rendition of “Seven Spanish Angels” gave me goosebumps, and the strains of “Night Train” hung in the room long after he had left the stage and the next act was setting up.
 
Mikal Shapiro put together an all-star ensemble for her set, with the one-and-only Betse Ellis on bass, Amy Farrand on drums, and Chad Brothers on lead guitar. Her set opened with a version of “You Are My Sunshine” that my Nana never sang to me, moved into her original song “Technicolor,” followed by “Dublin Reds,”(her interpretation of Townes Van Zant's “Dublin Blues”) and they finished their set with the timeless Leonard Cohen classic “The Future.” Here's hoping we see more of this project in the new year—these musicians just jell when they come together. Each and every one of them is absolutely fabulous in their own right, but never has the phrase “the whole is greater than the sum of its parts” been more fitting.
 
 
Anthony Ladesich—Kansas City's answer to Steve Earle—was up next, and he played seven original songs, each one a narrative, and each one a true murder ballad. His set started with “To Vanish and Fade,” a haunting tale of a man who kills the banker who comes to foreclose on his home, then segued into the even more haunting “Down Bellfontaine,” about a serial killer stalking and murdering his first victim. The tune that stuck in my head was “In the Cut”: “we'll get in quick and get out quicker, we'll get high when we get done” about two guys who rob a liquor store, but it's a double cross, and one of them kills the other one—but he got high when he got done.
 
Kasey Rausch, who never disappoints, delivered a knock-out set with alternating supporting musicians. Her first song was “I Used to Love Her,” sang with her sister Kim Rausch McLaws; the sisters delivered some of the tightest harmonies you'll ever hear this side of the Ryman. She finished her set with the Rural Grit All-Stars doing another superb rendition of “Seven Spanish Angels.”
 
The Rural Grit All-Stars have been holding the fans of roots music in thrall for years. I worked for Roger Naber at the Grand Emporium when the Rural Grit Happy Hour got started, and when the news spread through the music community that he had sold the bar, the most common question I got was, “What's going to happen to Rural Grit?” (It has had a couple of homes since then, but it's still going strong, Monday nights from 6:00-9:00 at The Brick, and the cover is still only three bucks.) The All Stars performed their own set, and its various members performed with other acts throughout the night, especially Betse Ellis. She was, without a doubt, on the stage more than anyone else. It seemed like she played with more acts than she didn't; this is not a complaint, it is simply an observation, smug and self-satisfied in a my-town-is-better-than-your-town-for-live-music sort of way.
 
 
The Silver Maggies are always great, and always loud, and Saturday night was no exception. They brought their “A” game to the Ball and crushed it with a wall of sound.
 
 
The Philistines were the penultimate act, kicking their set off with the original number “Stygia,” then following it with a few covers, the first one ‘80s college-rock classic by Adam & The Ants, “Killer in the Home.” That was followed by Neil Young's “Revolution Blues. Cody Wyoming and Kimberly Queen, the couple that makes up the beating heart of The Philistines, are huge fans of ‘80s college rock, and they went back to that well for “Killing and Arab” by The Cure, and finished the set with “Para” by Calexico.
 
 
Since Murder Ballad Ball is the brainchild of Cadillac Flambe (pictured above) frontman Kristopher Bruders, they took the stage last and played until closing time, holding the rapt attention of the die-hards who were still hanging in there at 12:30. Once they got the technical issues with the piano resolved, they blew the roof off the joint. Havilah Bruders has a voice so powerful it can make the hair on the back of your neck stand up when she belts out a murder ballad, and no drummer has ever had more fun with a kit than Michael Payne, but bassist Dave Duly gives him a run for his money. For all intents and purposes, when they're playing, the Cadillac Flambe rhythm section is like kids at recess.
  
Much appreciation to The Living Room Theater for the use of the space and to their staff for putting up with a bunch of rowdy music fans, to the tireless efforts of both Rhonda Lyne and Sondra Freeman who work non-stop to make sure every Midwest Music Foundation event comes together seamlessly, to all the vendors who donated items for the raffles and silent auction, and to the talent for showing up and entertaining us and bringing us together for such a good cause...the health and well being of Kansas City musicians. As I like to say, before the country had Obamacare, KC's musicians had Abby Care.
 
--Tammy Booth
  
Tammy (AKA Blue Girl) also blogs for They Gave Us A Republic and Show Me Progress.
 

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