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April 2014
Creepoid
"Creepoid
"
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The perfect solace for winter’s passing, Creepoid’s second full-length self-titled LP combines the zeitgeist of 90's grunge with pristine dissonance and somber lyricism. Released earlier this month by No Idea Records, Creepoid is eerie, melodic and stirring from beginning to end. 

The record’s introductory track “Nauda” opens with a singular note that swells into a melody, aligning itself with the listener in a way that feels confessional yet synonymous. A well-wrought continuation of the earnest diction reminiscent of Horse Heaven, “Nauda” is as bittersweet as its vocals, informed by the paradox of loneliness and longing. Expanding into a cinematically moody soundscape, guitars wail like sirens, beckoning chords to crash and settle into a fading ricochet - a premonition of “Sunday.” Coupled with acoustic strums and crisp vocal croons, a solemn request, “take my light and pull it out,” is beautifully melodic with perfectly placed tambourine that brings to mind the memorable mood concentrated. Exploring the affect and consequence of relational presence and its subsequent absence, the orchestration of “Sunday” renders a relatable narrative evocatively raw and sincere. 

“Yellow Wallpaper” ignites with driving bass and swirling riffs. As if resurrecting the perfection of Jeremy Enigk (ex-Sunny Day Real Estate), a la “Killed By An Angel” meets “Pillars,” the song evokes an eerie all consuming sense of the sublime that centers the track’s duration. Like an extension of Horse Heaven’s “Hollow Doubt,” the contextual weight of “Yellow Wallpaper” is harmonically haunting and intentionally poignant. “Baptism” washes over its listener in waves of riffs and echoed vocals that occupy an emotive territory similar to lesser-known tracks by Sonic Youth, subverted and painted darker by the brooding buzz reminiscent of shoegaze greats like My Bloody Valentine. 

In its decline, “Baptism” casts a feeling of transcendent submersion, befitting its namesake. With a crystallized aggression, “Gout” does the same - urgent and arresting with visceral shouts and screams. “Stay Inside” is considerably more subdued than the album’s preceding tracks but equally mesmerizing, unfolding “Tired Eyes,” a hypnotic chant of a fatigued psychedelic. “Golden String” feels slightly optimistic, while “Acrimony” blossoms then retracts into a reserved yet deliberate ballad that demands its audience’s attention like a gloomy lullaby with teeth. “Vulgar,” warm and sunlit, is lush and arresting, setting the stage for the album’s closer “Old Tree,” a jubilant ending to yet another epic compilation of clairvoyant anthems evoked by Creepoid. - Dianca Potts 


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scene blog

Shorty Boy-Boy

Benefit for Boston w/shorty boy-boy, The National Rifle & Cruiser at North Star Bar June 27

Tonight North Star Bar is hosting Benefit for Boston, a show whose admission will go to the One Fund for Boston Marathon victims. The bombing that occurred this year during the marathon on April 15 killed 3 and injured hundreds. So to show some brotherly love for Beantown while enjoying some fine local music at the same time head on over to the Art Museum area where the tri-fold bill will include shorty boy-boy the moniker of Joshua Pannepacker intertwining humorously twisted lyrics that tends to escalate toward powerful rockers with fire-starting guitar licks and a casual grooves that are easy to slip into. The National Rifle approach their tunes with a bright pop-rock appeal founded in clear vocals and a backend that continually pops. Embracing a combination of percussion/bass/synth that instills a natural dance sensation with an interstellar space nod. Speaking of smooth, the breezy Cali-cool pop of Cruiser rounds out the night touching notes of surf rock including natural vocal harmonies, memorably crisp guitar lines and a tumbling backbeat. We highly suggest that you get there early because the first hour gets you free beer and specials on well drinks. All that and a good cause - you really can’t go wrong! North Star Bar, 2639 Poplar St., 8pm, $10, 21+ - Michael Colavita


New Music Video: "Closer" - Shorty boy-boy

Below is a new feel-good track called "Closer" and music video from Shorty boy-boy to help bring you into the weekend. It was filmed at South Philly's Studio A and around the city, and was produced by RGB Video Production. They'll be performing live on Saturday, February 9 at MilkBoy Philly.

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New Music Video: “Candy Man” - Shorty boy-boy

Below is a new music video from Shorty boy-boy for the track “Candy Man,” the A-side to his latest 7”. It was produced by BITBY and directed by Jon Applebaum & Steve Perrong.

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Shorty Boy-Boy 7” Release Party at JB’s March 17

If you caught glimpses of Shorty Boy-Boy early on, you might have been mystified by the guitar toting wonder who mimicked Terminator and played checkers during shows until he ultimately jumped onto an air mattress for a pumped up guitar solo. But since then, Joshua Pannepacker and company have been winning people over with their humorous music video and song Smoking Tea. They have also been working on a new 7” that will be the first release from BITBY’s new record label (Pannepacker and Kyle Costill are bandmates in Streetwalkers). Shorty Boy-Boy will be returning from SXSW early, and taking a break from their “Candy Man” video shoot in order to celebrate the albums release at Johnny Brenda’s tonight. They’ll be joined by Mountjoy, who recently dropped their latest EP Squam Lake Tapes and are already gearing up to release a new one, and Brian Langan’s latest project Langor. Johnny Brenda’s, 1201 N. Frankford Ave., 9pm, $10, 21+ (Photo by Grace Dickinson) - Bill McThrill

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