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April 2014
Creepoid
"Creepoid
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The perfect solace for winter’s passing, Creepoid’s second full-length self-titled LP combines the zeitgeist of 90's grunge with pristine dissonance and somber lyricism. Released earlier this month by No Idea Records, Creepoid is eerie, melodic and stirring from beginning to end. 

The record’s introductory track “Nauda” opens with a singular note that swells into a melody, aligning itself with the listener in a way that feels confessional yet synonymous. A well-wrought continuation of the earnest diction reminiscent of Horse Heaven, “Nauda” is as bittersweet as its vocals, informed by the paradox of loneliness and longing. Expanding into a cinematically moody soundscape, guitars wail like sirens, beckoning chords to crash and settle into a fading ricochet - a premonition of “Sunday.” Coupled with acoustic strums and crisp vocal croons, a solemn request, “take my light and pull it out,” is beautifully melodic with perfectly placed tambourine that brings to mind the memorable mood concentrated. Exploring the affect and consequence of relational presence and its subsequent absence, the orchestration of “Sunday” renders a relatable narrative evocatively raw and sincere. 

“Yellow Wallpaper” ignites with driving bass and swirling riffs. As if resurrecting the perfection of Jeremy Enigk (ex-Sunny Day Real Estate), a la “Killed By An Angel” meets “Pillars,” the song evokes an eerie all consuming sense of the sublime that centers the track’s duration. Like an extension of Horse Heaven’s “Hollow Doubt,” the contextual weight of “Yellow Wallpaper” is harmonically haunting and intentionally poignant. “Baptism” washes over its listener in waves of riffs and echoed vocals that occupy an emotive territory similar to lesser-known tracks by Sonic Youth, subverted and painted darker by the brooding buzz reminiscent of shoegaze greats like My Bloody Valentine. 

In its decline, “Baptism” casts a feeling of transcendent submersion, befitting its namesake. With a crystallized aggression, “Gout” does the same - urgent and arresting with visceral shouts and screams. “Stay Inside” is considerably more subdued than the album’s preceding tracks but equally mesmerizing, unfolding “Tired Eyes,” a hypnotic chant of a fatigued psychedelic. “Golden String” feels slightly optimistic, while “Acrimony” blossoms then retracts into a reserved yet deliberate ballad that demands its audience’s attention like a gloomy lullaby with teeth. “Vulgar,” warm and sunlit, is lush and arresting, setting the stage for the album’s closer “Old Tree,” a jubilant ending to yet another epic compilation of clairvoyant anthems evoked by Creepoid. - Dianca Potts 


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The Spinning Leaves

The Spinning Leaves 7” Release Party at Underground Arts April 27

For their latest album Head Aglow, the Spinning Leaves recorded with Henry Hirsch (Lenny Kravitz, Madonna) from Waterfront Studios inside a 19th century church in Hudson NY. If you’ve tuned into the bands website over the past few days, then you’ve most likely already streamed the soulful acoustic melodies of their latest 7”, which is being released today on vinyl (digital May 1) by Drexel’s Mad Dragon Records. And when James Michael Baker and Barbara Gettes play at Underground Arts tonight they’ll be backed by the likes of Ross Bellenoit, Jonas Osterle, Phil D’Agostino and an array of special guests. Just 2 months ago Lightninging celebrated the release of their EP in the very same building, so they’ll be right at home when they open the evening. The album release celebration will also feature the latest project from The Weeds' Emily Ana Zeitlyn called Divers and the humorous storytelling of Juliet Hope Wayne. Underground Arts, 1200 Callowhill St., 9pm, $10, All Ages - Bill McThrill

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The Spinning Leaves New 7” Available for Streaming

The Spinning Leaves are releasing a new 7” record entitled Head Aglow on April 27 (digitally May 1) via Mad Dragon Records. You can stream the album HERE. They’ll also be celebrating its release this Friday at Underground Arts with Lightninging, Divers and Juliet Hope Wayne.

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