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Artist of the Month
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March 2015
Blood Sound
"Nightclub
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Blood Sound’s post-punk tracks are informed by an audible nostalgia for the dance floors and goth clubs of the latter ‘80s. Their latest LP Nightclub is a hybrid of dark wave and dream pop. Marrying synth-drenched harmonies with emotively vibrant lyricism, the subtle romantics of the band’s debut full-length fit seamlessly with the buzzing percussive backbeats of earlier cuts by Cold Cave (circa Love Comes Close) or The Cure’s “Primary” stripped bare to its core.
 
“TV Synth 1” sets the tone for Nightclub’s narrative with a brief yet textured prelude to “I Don’t Want.” Relatable like an antithesis of The Smiths’ “There Is A Light That Never Goes Out,” Blood Sound’s “I Don’t Want” personifies the complexities of yearning, desire, and loneliness. As frontman Chris Jordan croons “I don’t want the city’s lights to go down/I don’t want to find home,” guitar riffs magnify the weight of his words without casting them melodramatic. The track is a fitting anthem for the passing of youth, failed love, and transition.
 
The buzzing start of “L.A. Punk” explores that thin line between authenticity and commoditization, the song’s instrumentation paying homage in its own way to the early underground and its subsequent subcultures. As if channeling a sedated rendition of Peter Murphy’s tone and diction, “L.A. Punk” is as memorable as it is brooding. “Acid Summer” gives an inward glimpse at the intimate nature of grief, mortality, and memory. When Jordan sings, “The 1980s died that day,” the listener feels it in their gut. It’s undeniable. The connection between what is experienced and how that experience is remembered is amplified by the track’s thumping tempo.
 
“Empty” plays out like the perfect soundtrack to an inevitable breakup, coupling affection with exhaustion, with the synth framing the heart-wrenching truth of lines like “I was too in love to say/that your story was a bore/Now I gave up on bad dreams and endings/beginnings and beginnings.” It offers a viable catharsis for jilted lovers with a penchant for fuzzed-out refrains.
 
“TV Synth 2” precedes the lyrically minimal yet heavy “Embrace” which serves as Nightclub’s melodic memento mori. “Almost” is subdued yet gripping, slowing the momentum of the record in advanced of “TV Synth 3,” which unfolds like a VHS fever dream. “Fake Blood” is evocative, with reverb and a pulsating backbeat that swells as the song progresses. Arguably the darkest track on the album, Jordan’s diction is hypnotic, “Kill your dreams and wait for/the fake blood to pour out.”
 
Ending with the well-placed “Catacombs,” Nightclub’s final track encapsulates the thrill of beginnings and the way one remembers them. Set to a beat reminiscent of Joy Division’s quintessential single “Love Will Tear Us Apart,” “Catacombs,” much like the songs that precede it, is reason alone to return to Nightclub. - Dianca London Potts

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The Spinning Leaves

Lovers League Album Release Show at JB's June 26

Head on over to Johnny Brenda’s this evening to celebrate the debut release and witness the collaborative musical union of Reverend TJ McGlinchey and Dani Mari with Christopher Davis-Shannon and Dean Gorfti completing the quartet known as Lovers League. Melding their vocals, McGlinchey and Mari create a smooth yet earthy, enriching texture with a folk-oriented acoustic country-blues foundation that provides a natural heartfelt penetrating sound on their promising self-titled debut LP. However, the lineup tonight is chock full of excellent local talent. In fact, the Raph Cutrufello-led creative folk collaborative known as Hezekiah Jones will headline the bill, taking the concepts of folk and reshaping them via unexpected, slightly twisted maneuvers, generating an excitement and energy in the process. The Spinning Leaves, whose members share strong ties within the bill, help to make it a family & friends affair. Wilmington-based indie folk-rock five-piece New Sweden, whose latest EP Fabric Room is due out July 15, will kick off the festivities that is presented by the Philadelphia Folksong Society. Johnny Brenda’s, 1201 N. Frankford Ave., 8pm, $10, 21+ - Michael Colavita


The Spinning Leaves 7” Release Party at Underground Arts April 27

For their latest album Head Aglow, the Spinning Leaves recorded with Henry Hirsch (Lenny Kravitz, Madonna) from Waterfront Studios inside a 19th century church in Hudson NY. If you’ve tuned into the bands website over the past few days, then you’ve most likely already streamed the soulful acoustic melodies of their latest 7”, which is being released today on vinyl (digital May 1) by Drexel’s Mad Dragon Records. And when James Michael Baker and Barbara Gettes play at Underground Arts tonight they’ll be backed by the likes of Ross Bellenoit, Jonas Osterle, Phil D’Agostino and an array of special guests. Just 2 months ago Lightninging celebrated the release of their EP in the very same building, so they’ll be right at home when they open the evening. The album release celebration will also feature the latest project from The Weeds' Emily Ana Zeitlyn called Divers and the humorous storytelling of Juliet Hope Wayne. Underground Arts, 1200 Callowhill St., 9pm, $10, All Ages - Bill McThrill

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The Spinning Leaves New 7” Available for Streaming

The Spinning Leaves are releasing a new 7” record entitled Head Aglow on April 27 (digitally May 1) via Mad Dragon Records. You can stream the album HERE. They’ll also be celebrating its release this Friday at Underground Arts with Lightninging, Divers and Juliet Hope Wayne.

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