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April 2014
Creepoid
"Creepoid
"
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The perfect solace for winter’s passing, Creepoid’s second full-length self-titled LP combines the zeitgeist of 90's grunge with pristine dissonance and somber lyricism. Released earlier this month by No Idea Records, Creepoid is eerie, melodic and stirring from beginning to end. 

The record’s introductory track “Nauda” opens with a singular note that swells into a melody, aligning itself with the listener in a way that feels confessional yet synonymous. A well-wrought continuation of the earnest diction reminiscent of Horse Heaven, “Nauda” is as bittersweet as its vocals, informed by the paradox of loneliness and longing. Expanding into a cinematically moody soundscape, guitars wail like sirens, beckoning chords to crash and settle into a fading ricochet - a premonition of “Sunday.” Coupled with acoustic strums and crisp vocal croons, a solemn request, “take my light and pull it out,” is beautifully melodic with perfectly placed tambourine that brings to mind the memorable mood concentrated. Exploring the affect and consequence of relational presence and its subsequent absence, the orchestration of “Sunday” renders a relatable narrative evocatively raw and sincere. 

“Yellow Wallpaper” ignites with driving bass and swirling riffs. As if resurrecting the perfection of Jeremy Enigk (ex-Sunny Day Real Estate), a la “Killed By An Angel” meets “Pillars,” the song evokes an eerie all consuming sense of the sublime that centers the track’s duration. Like an extension of Horse Heaven’s “Hollow Doubt,” the contextual weight of “Yellow Wallpaper” is harmonically haunting and intentionally poignant. “Baptism” washes over its listener in waves of riffs and echoed vocals that occupy an emotive territory similar to lesser-known tracks by Sonic Youth, subverted and painted darker by the brooding buzz reminiscent of shoegaze greats like My Bloody Valentine. 

In its decline, “Baptism” casts a feeling of transcendent submersion, befitting its namesake. With a crystallized aggression, “Gout” does the same - urgent and arresting with visceral shouts and screams. “Stay Inside” is considerably more subdued than the album’s preceding tracks but equally mesmerizing, unfolding “Tired Eyes,” a hypnotic chant of a fatigued psychedelic. “Golden String” feels slightly optimistic, while “Acrimony” blossoms then retracts into a reserved yet deliberate ballad that demands its audience’s attention like a gloomy lullaby with teeth. “Vulgar,” warm and sunlit, is lush and arresting, setting the stage for the album’s closer “Old Tree,” a jubilant ending to yet another epic compilation of clairvoyant anthems evoked by Creepoid. - Dianca Potts 


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The Stone Foxes

The Stone Foxes Play The Fillmore on May 4th to Promote New Album and to Raise Awareness About Homelessness

San Francisco based super group, The Stone Foxes are playing a concert at The Fillmore on May 4th in San Fran to promote their new album, Small Fires, and to highlight their partnership with the healthy hunger relief charitable organization, Super Food Drive. The band created a humorous youtube video to express their elation about their upcoming show.

The Stone Foxes new album, Small Fires, is laced political undertones while the song Goodnight, Moon specifically faces the reality of homelessness. This show  has the band teaming up with the SF Food Bank as the band has worked to connect with every local food bank along their tour route. For more information about The Stone Foxes' partnership with Super Food Drive, click here.

The Deli Magazine San Francisco is happy to support The Stone Foxes and their selfless contributions in the Bay Area and wherever they roam! Make sure you don't miss their live performance on May 4th at The Fillmore. It will be an epic show!

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San Francisco's The Stone Foxes Headline The Deli Magazine's UN/OFF Party in Austin

Popular SF based blues rock band, The Stone Foxes are set to headline The Deli Magazine's UN/OFF party in Austin, Texes this year. The event is completely FREE, and will be held on March 15, 2013 at Rusty's. Don't miss The Stone Foxes tear the house down along with the amazing line up that will precede them!

THE DELI'S UN/OFF PARTY TWO STAGES

LOTS OF AWESOME BANDS 8pm-2am, Rusty's 405 E 7th St Austin.

NO BADGE REQUIRED, RSVP HERE

The Stone Foxes (SF)
Pearl and The Beard (NYC)
The Couch (Austin)
Friend Roulette (NYC)
André Obin (Boston)
Borrisokane (Austin)
Cultfever (NYC)
Old Blood Club (NYC)
Fan Tan (NYC)

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The Deli UN/OFF show in Austin: The Stone Foxes, Pearl & The Beards, Andre Obin, Avan Lava, Friend Roulette + more!

Music fans heading South,

The Deli will be in Austin on March 15 with a two stage night party hosted at Austin's legendary gay bar Rusty's. Great lineup of artists and even greater list of Special Guests who will be announced shortly. See here for more info + band links!

Mark your calendars!

The Deli's Staff


The Stone Foxes Release New Album February 12th, Rock SXSW March 15th

Like contemporaries The Black Keys, The Steepwater Band, and The Black Angels, SF’s The Stone Foxes summon the days of hard-driven blues-rock.

Their full-length album Small Fires, set to release February 12th, is suffused with fuzzy guitar riffs, heavy, seductive vocals and dark, simple choruses. Their single “Everybody Knows” alludes to Edgar Allan Poe’s “The Tell-Tale Heart,” weaving a sinister theme into a hard-hitting, disconsolate song. Small Fires delivers as pure a dose of rock as can be found today—gritty, spacious, and to-the-point.

Check them out at Amoeba Records on the 12th or in Oakland at the New Parish Music Hall on the 13th. - Tina Aita

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