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Artist of the Month
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April 2016
The Original Crooks and Nannies
"Ugly Laugh
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mp3
The Original Crooks and Nannies follow-up to 2015’s Soup For My Girlfriend begins with the sputtering staccato of “Call It Good.” The track’s rhythmic pulse collides flawlessly with Madeline Rafter’s vocals and buzzing synth, supported by a backbeat tailor-made for the dance floor. The album’s opener prepares its listener with ease for the pulsating energy of “Carry Me,” a heartfelt melody that brings to mind the romantics of Matt and Kim or the twee-drenched lyricism of Mates of State. The track’s sentiments are earnest, amplified simultaneously by urgent diction and humming chords. “Carry Me” is a living testament to The Original Crooks and Nannies’ ability to craft love songs so cathartic that it hurts.
 
Similarly, the unabashed desperation of “Throw Out” followed by the electro-hum of “Television” suitably precedes the tangibly raw frustration of “Dates.” For Rafter and her bandmate, Sam Huntington, drinking poison and having smashed teeth proves to be a more desirable fate than going on a date. Even in its state of exaggeration, the track is a potential artifact of our contemporary moment, depicting romance in the age of Tinder and the banality of #netflixandchill. It’s a critique with a memorable hook.
 
“Ghost” is suitably haunting with lines like “I can make you feel/I can make you feel much better” and crashing riffs and cymbals. The narrative of the song, like its namesake, will linger in your mind long after its heartfelt and nearly ethereal end. The intimacy of “Ghost” is transformed into a cinematic nostalgia in “Shake Hands.” Breathing to life an account of suburban antics and shared memories, Rafter and Huntington’s duet-esque ballad is irresistibly sweet, even for the most jaded listener, preparing its audience for the forthright emotives equally fervent in “Crying at the Dog Park.”
 
The woozy start of “Central Heating” and the narrative blends effortlessly into Ugly Laugh’s final track “Holy Wreck.” The album’s closer is an intimate confession paying homage to failures, flaws, and limitations. It’s a veneration of vulnerability and the beauty that can be found between fractures. “Holy Wreck,” much like the songs that precede it, is introspective, a melodic mirror reflecting the complexities of emotion and the adjacent irony of love, making Ugly Laugh the quintessential album that you didn’t know you were waiting for. It begs to be replayed again and again. - Dianca London

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Streetwalkers

Free Download: "Song Twenty-Four" - Streetwalkers

Streetwalkers recently announced that they have started to work on a new album. The band also shared a new track available for free download called "Song Twenty-Four," which will not be on the upcoming record.

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Free Download: "Song Twenty-Two" - Streetwalkers

Below is the latest track from lo-fi, scuzz-pop outfit Streetwalkers called "Song Twenty-Two." We hear a mixture of fellow Philadelphians Creepoid and Nirvana in it, which is obviously a good thing in our book. You can download the song for free below.

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Free Download: “Song Twenty-Two” - Streetwalkers

Streetwalkers just released a new scuzzy, lo-fi track called “Song Twenty-Two” yesterday. You can listen to and download it for free below. They’ll be performing next in Philly on October 9 at Johnny Brenda’s opening for recent Dead Oceans signee and heavily buzzed-about Night Beds.

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Montreal vs. Philly w/Streetwalkers and More at House Show April 27

Some bands attempt to play up their sound by adding pieces that just don’t fit, in a word overproducing. Philly’s Streetwalkers don’t over dress for the occasion. It’s simply jeans and t-shirt indie rock. The guitar riffs are simple and slightly raw, but that rawness is a technique meant to demonstrate the band’s style. Streetwalkers are comfortable in their own skin and the slightly worn appearance. The straightforward “we are what we are” approach gives an air of natural authenticity. The bass guitar thumps along in a slightly irritated manner that matches the six-string while the drums come along for the trip.  When the guitar decides to step to the front, the sound is heavy yet controlled pushing up to the edge, but not over it. They’re a band that can play the clean-cut rock ‘n’ roll. But they prefer to be themselves rather than dressing the part - frayed edges and worn boots take it or leave it. Tonight Streetwalkers will be performing in South Philly at a DIY house show as part of a Montreal vs. Philly showcase with Satellite Hearts, Alpha Wavez, Crabe and Leamers. House Show, (Please contact one of the acts for more details.), 7pm, $6, All Ages - Michael Colavita

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