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April 2014
Creepoid
"Creepoid
"
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The perfect solace for winter’s passing, Creepoid’s second full-length self-titled LP combines the zeitgeist of 90's grunge with pristine dissonance and somber lyricism. Released earlier this month by No Idea Records, Creepoid is eerie, melodic and stirring from beginning to end. 

The record’s introductory track “Nauda” opens with a singular note that swells into a melody, aligning itself with the listener in a way that feels confessional yet synonymous. A well-wrought continuation of the earnest diction reminiscent of Horse Heaven, “Nauda” is as bittersweet as its vocals, informed by the paradox of loneliness and longing. Expanding into a cinematically moody soundscape, guitars wail like sirens, beckoning chords to crash and settle into a fading ricochet - a premonition of “Sunday.” Coupled with acoustic strums and crisp vocal croons, a solemn request, “take my light and pull it out,” is beautifully melodic with perfectly placed tambourine that brings to mind the memorable mood concentrated. Exploring the affect and consequence of relational presence and its subsequent absence, the orchestration of “Sunday” renders a relatable narrative evocatively raw and sincere. 

“Yellow Wallpaper” ignites with driving bass and swirling riffs. As if resurrecting the perfection of Jeremy Enigk (ex-Sunny Day Real Estate), a la “Killed By An Angel” meets “Pillars,” the song evokes an eerie all consuming sense of the sublime that centers the track’s duration. Like an extension of Horse Heaven’s “Hollow Doubt,” the contextual weight of “Yellow Wallpaper” is harmonically haunting and intentionally poignant. “Baptism” washes over its listener in waves of riffs and echoed vocals that occupy an emotive territory similar to lesser-known tracks by Sonic Youth, subverted and painted darker by the brooding buzz reminiscent of shoegaze greats like My Bloody Valentine. 

In its decline, “Baptism” casts a feeling of transcendent submersion, befitting its namesake. With a crystallized aggression, “Gout” does the same - urgent and arresting with visceral shouts and screams. “Stay Inside” is considerably more subdued than the album’s preceding tracks but equally mesmerizing, unfolding “Tired Eyes,” a hypnotic chant of a fatigued psychedelic. “Golden String” feels slightly optimistic, while “Acrimony” blossoms then retracts into a reserved yet deliberate ballad that demands its audience’s attention like a gloomy lullaby with teeth. “Vulgar,” warm and sunlit, is lush and arresting, setting the stage for the album’s closer “Old Tree,” a jubilant ending to yet another epic compilation of clairvoyant anthems evoked by Creepoid. - Dianca Potts 


This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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Streetwalkers

Free Download: "Song Twenty-Four" - Streetwalkers

Streetwalkers recently announced that they have started to work on a new album. The band also shared a new track available for free download called "Song Twenty-Four," which will not be on the upcoming record.

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Free Download: "Song Twenty-Two" - Streetwalkers

Below is the latest track from lo-fi, scuzz-pop outfit Streetwalkers called "Song Twenty-Two." We hear a mixture of fellow Philadelphians Creepoid and Nirvana in it, which is obviously a good thing in our book. You can download the song for free below.

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Free Download: “Song Twenty-Two” - Streetwalkers

Streetwalkers just released a new scuzzy, lo-fi track called “Song Twenty-Two” yesterday. You can listen to and download it for free below. They’ll be performing next in Philly on October 9 at Johnny Brenda’s opening for recent Dead Oceans signee and heavily buzzed-about Night Beds.

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Montreal vs. Philly w/Streetwalkers and More at House Show April 27

Some bands attempt to play up their sound by adding pieces that just don’t fit, in a word overproducing. Philly’s Streetwalkers don’t over dress for the occasion. It’s simply jeans and t-shirt indie rock. The guitar riffs are simple and slightly raw, but that rawness is a technique meant to demonstrate the band’s style. Streetwalkers are comfortable in their own skin and the slightly worn appearance. The straightforward “we are what we are” approach gives an air of natural authenticity. The bass guitar thumps along in a slightly irritated manner that matches the six-string while the drums come along for the trip.  When the guitar decides to step to the front, the sound is heavy yet controlled pushing up to the edge, but not over it. They’re a band that can play the clean-cut rock ‘n’ roll. But they prefer to be themselves rather than dressing the part - frayed edges and worn boots take it or leave it. Tonight Streetwalkers will be performing in South Philly at a DIY house show as part of a Montreal vs. Philly showcase with Satellite Hearts, Alpha Wavez, Crabe and Leamers. House Show, (Please contact one of the acts for more details.), 7pm, $6, All Ages - Michael Colavita

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