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Artist of the Month
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July 2015
Ecstatic Vision
"Sonic Praise
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Heavy-psych three-piece Ecstatic Vision conjures cosmic soundscapes with their debut LP Sonic Praise (Relapse Records). Self-ordained as “primal,” the group’s orchestration is undeniably gripping and visceral, altering the embodied state of its listener at an instant. Pressing past the tropes of genre, Sonic Praise is a hypnotic example of the outfit’s versatility. The release of Ecstatic Vision’s tripped-out LP is hopefully the first of many.
 
Beginning with the well-titled “Journey,” Sonic Praise’s opening track unfolds like a swirling chant that gradually builds to bawdy, passionate dirge filled with buzzing riffs and drums. The song’s lyricism is straightforward yet amplified by the unrelenting progression of its instrumentation. The declaration of “Journey” is unapologetic. It’s not a conversation; it’s an invitation. At its climax, the resonance of the recording brings to mind similarly transcendent tracks like Moon Duo’s “Free The Skull” or Ty Segall’s “I Wear Black.”
 
“Astral Plane” is a tentative tip of the hat to the iconic Sun Ra’s masterpiece Space Is the Place, unfolding with driving riffs and drumbeats that elicit the sensation of being transported into the ether. By the two-minute mark, “Astral Plane” is in full swing, impressive guitar work resounding as the track’s earlier established foundation persists. Each component of the song’s structure expands as frontman Doug Sabolick’s vocals urge listeners to “Look in the mirror and tell yourself/this is the place to be.” Undoubtedly indicative of the cosmos (metaphorically or literally), “Astral Plane” is trancelike, with its instrumentation possessing the power to cast a psychedelic spell that lingers well past the song’s end. Nearly thirty seconds shy of thirteen minutes of length, the temporal duration of the recording is as well warranted as it is executed. “Don’t Kill The Vibe” is equally shamanistic, with riffage that feels psychotropic. The LP’s title track, “Sonic Praise,” begins with primeval distortion comprised of oscillating tempos and forlorn chants. The effect of its prelude is mesmerizing, dark, and strangely beautiful. Thematically cult like, “Sonic Praise” is satisfyingly otherworldly, seducing its listener to give in to Ecstatic Vision’s melodic ethos without hesitation. 
 
Sonic Praise’s final anthem “Cross the Divide” extends the mysticism of the album’s narrative, ending Ecstatic Vision’s debut on a plane similar to where it began - one of enlightenment and pure rock 'n' roll. - Dianca London Potts

 

 

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Streetwalkers

Free Download: "Song Twenty-Four" - Streetwalkers

Streetwalkers recently announced that they have started to work on a new album. The band also shared a new track available for free download called "Song Twenty-Four," which will not be on the upcoming record.

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Free Download: "Song Twenty-Two" - Streetwalkers

Below is the latest track from lo-fi, scuzz-pop outfit Streetwalkers called "Song Twenty-Two." We hear a mixture of fellow Philadelphians Creepoid and Nirvana in it, which is obviously a good thing in our book. You can download the song for free below.

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Free Download: “Song Twenty-Two” - Streetwalkers

Streetwalkers just released a new scuzzy, lo-fi track called “Song Twenty-Two” yesterday. You can listen to and download it for free below. They’ll be performing next in Philly on October 9 at Johnny Brenda’s opening for recent Dead Oceans signee and heavily buzzed-about Night Beds.

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Montreal vs. Philly w/Streetwalkers and More at House Show April 27

Some bands attempt to play up their sound by adding pieces that just don’t fit, in a word overproducing. Philly’s Streetwalkers don’t over dress for the occasion. It’s simply jeans and t-shirt indie rock. The guitar riffs are simple and slightly raw, but that rawness is a technique meant to demonstrate the band’s style. Streetwalkers are comfortable in their own skin and the slightly worn appearance. The straightforward “we are what we are” approach gives an air of natural authenticity. The bass guitar thumps along in a slightly irritated manner that matches the six-string while the drums come along for the trip.  When the guitar decides to step to the front, the sound is heavy yet controlled pushing up to the edge, but not over it. They’re a band that can play the clean-cut rock ‘n’ roll. But they prefer to be themselves rather than dressing the part - frayed edges and worn boots take it or leave it. Tonight Streetwalkers will be performing in South Philly at a DIY house show as part of a Montreal vs. Philly showcase with Satellite Hearts, Alpha Wavez, Crabe and Leamers. House Show, (Please contact one of the acts for more details.), 7pm, $6, All Ages - Michael Colavita

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