The track sounds “a lot like electronic and indie pop, but not” describes Tigers Are Bad For Horses pianist, Lyell Evans Roeder. When his rock and classical roots paired up with Mellen (Mary-Ellen) Funke’s folk-vocals, the duo created a sound all their own. Influenced by Bonobo, Alt-J, and Daft Punk, “Recovery” is a beautiful blend of Funke’s sultry voice and Roeder’s relaxing electro-jazz melodies.

Tigers Are Bad For Horses, a name created by Roeder’s "crazy-but-brilliant" Russian college roomie, have only been working together since April 2014, but already have a lot in the works. They are currently producing a second single, which they plan to release before the drop of their EP; both are expected this fall. The pair say they are dreaming big, but for now, they are looking forward to performing in the D.C. area in the next few months. If you haven’t already heard “Recovery” on Sirius XM Chill, take a listen below. --Sade A. Spence

 Pree's new single, "Two Feet Shy," is their best yet. The lead single off their new record, Rima (Paper Garden Records), "Two Feet Shy" is a delightful and bright jumble of nerves and hope. The off-kilter arrangements of chiming guitars and ringing keys swirl around May Tabol's sweet warbling jazzy vocals. A thick kick-drum in the opening section beats like the heart of a nervous lover, creating as much anticipation in the listener as the narrator. It's a moving song, with glistening tones and splashes of color, perfect for a walk with headphones on through the cool breezes and dancing leaves of the approaching autumn. Rima is set to drop in February of 2015. For now, we eagerly look forward o more singles and you can catch Pree on tour across the country. --Natan Press
 

The DC Area Deli caught up with Artist of the Month Various Eggs to find out more about the inspiration and process behind the creation of their first album Don't Expect Much From Others. As it turns out, an album full of songs about disappointment is anything but disappointing, for both the listener and the artist. 

"I deliberately made a scattered and ornery record with a lot of unfriendly choices. The simple piano ballad blows apart into a cacophony. The prettier songs are paired next to harsh avant-garde instrumental interludes. Imperfections were left in the performance to keep it human. The subject matter is consistently dark. I expected people to respond well to the songs on which Julie sings lead. And they have; I get overwhelming;y good feedback on those songs. But it has also been a pleasant surprise that people have listened to and liked the rest of the record. When I started getting feedback from strangers about the record’s sense of purpose, it felt pretty great to know it was understood."

Read more here, and check out the album below. --Natan Press

Noleac Yahsin’s recently released music video, “Back In Five”, utilizes simplistic yet clever videography directed by Devyn Young and Alvin Daughtrey to complement Noleac Yahson's incredibly diverse sound. Beautiful vocals compliment the beat as she manages to blend rock, hip hop, R&B, trance and pop into a tightly wound electronica brand package.

You can find Noleac Yahsin on Facebook and YouTube. --Hannah Brady

The Almond Butters' debut EP, From The Grave, is my new favorite thing in local music (they're from Williamsburg, VA). I'm a really big fan of psych-rock, and roots music, and crazy psychedelic rootsy music. Captain Beefheart's Safe As Milk. I'm trying to think of other good examples, but my mind is busy being blown by this new EP I finally got around to listening to. If you know how amazing Safe As Milk is, then you know why I'm so mesmerized by From The Grave. I'm so happy this exists. I'm so sad that this was released on July 8th and I only got around to it now. I'm truly sorry that I'm a month late sharing this, and that we haven't all been enjoying it from the second it came out. 

Every track is a different idea. There's blues, and rock, and jazz but in a super psych-rock kinda way, and rap (yes, rap--Crackbilly, dude. Hell Yes). All kinds of fuzziness and echo and electricity and them changes coming at you from all directions. But it's not messy. This is not some Trout Mask Replica bullshit. Every song is a tight and forceful statement. It's a bit lo-fi, which is cool, but I'd love to hear what these guys put together in a serious analog studio. I can't find any upcoming live dates and this makes me sad. For now we'll have to settle for these 6 songs streaming below (and a bunch of other worthwhile stuff on their soundcloud). --Natan Press