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Artist of the Month
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July 2015
Ecstatic Vision
"Sonic Praise
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Heavy-psych three-piece Ecstatic Vision conjures cosmic soundscapes with their debut LP Sonic Praise (Relapse Records). Self-ordained as “primal,” the group’s orchestration is undeniably gripping and visceral, altering the embodied state of its listener at an instant. Pressing past the tropes of genre, Sonic Praise is a hypnotic example of the outfit’s versatility. The release of Ecstatic Vision’s tripped-out LP is hopefully the first of many.
 
Beginning with the well-titled “Journey,” Sonic Praise’s opening track unfolds like a swirling chant that gradually builds to bawdy, passionate dirge filled with buzzing riffs and drums. The song’s lyricism is straightforward yet amplified by the unrelenting progression of its instrumentation. The declaration of “Journey” is unapologetic. It’s not a conversation; it’s an invitation. At its climax, the resonance of the recording brings to mind similarly transcendent tracks like Moon Duo’s “Free The Skull” or Ty Segall’s “I Wear Black.”
 
“Astral Plane” is a tentative tip of the hat to the iconic Sun Ra’s masterpiece Space Is the Place, unfolding with driving riffs and drumbeats that elicit the sensation of being transported into the ether. By the two-minute mark, “Astral Plane” is in full swing, impressive guitar work resounding as the track’s earlier established foundation persists. Each component of the song’s structure expands as frontman Doug Sabolick’s vocals urge listeners to “Look in the mirror and tell yourself/this is the place to be.” Undoubtedly indicative of the cosmos (metaphorically or literally), “Astral Plane” is trancelike, with its instrumentation possessing the power to cast a psychedelic spell that lingers well past the song’s end. Nearly thirty seconds shy of thirteen minutes of length, the temporal duration of the recording is as well warranted as it is executed. “Don’t Kill The Vibe” is equally shamanistic, with riffage that feels psychotropic. The LP’s title track, “Sonic Praise,” begins with primeval distortion comprised of oscillating tempos and forlorn chants. The effect of its prelude is mesmerizing, dark, and strangely beautiful. Thematically cult like, “Sonic Praise” is satisfyingly otherworldly, seducing its listener to give in to Ecstatic Vision’s melodic ethos without hesitation. 
 
Sonic Praise’s final anthem “Cross the Divide” extends the mysticism of the album’s narrative, ending Ecstatic Vision’s debut on a plane similar to where it began - one of enlightenment and pure rock 'n' roll. - Dianca London Potts

 

 

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The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!


Lysten Boston presents: Le Roxy Pro, Elison Jackson, Strangeways and Jack O'Brien @ TT the Bear's TONIGHT

TT the Bear's time in the local Boston/Cambridge music scene may be coming to an end, but there's still plenty of great shows to see before the doors close for good on July 25. Tonight, Lysten Boston presents a bill that will appeal to fans of upbeat, surf-inspired indie rock--just in time for the warm weather. Join Le Roxy Pro, Elison Jackson, Strangeways and Jack O'Brien in paying respects to a long-standing pilar of the Cambridge music community. Show starts at 8:30 PM. $10 cover, 21+ with proper ID.

For more info about the show, check out the Facebook event.

-Dan McMahon (@dmcmhn)


The Life Electric: Q&A about gear and creative process

Active since 2011, Boston's The Life Electric play rather aggressive but always melodic rock'n'roll, with psych and disco influences. Their personal guitar sound is crafted through carefully chosen stompboxes, so we decided to ask them a few questions about their gear and creative process - check out the interview on Delicious Audio.

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Gracie and Rachel open for Porcelain Raft + work on debut release

A mountainous piece of shrill piano presses, thick string plucks, and violins that skitter only to soar... “Go” by Gracie and Rachel is simply beautiful. Apparently a song off a forthcoming album of the same name by the Berkeley-raised, Brooklyn-based duo, “Go” awes in its ability to make technical mastery into something moving and potentially transcendent. “It’s okay, it’s okay/To let your heart race, heart race,” goes a silky-voiced lyric, wondrous assurance sliding through. Gracie and Rachel will open for Porcelain Raft this Thursday (6.25) at TT The Bear’s Place Inc. in Cambridge, Massachussetts and will perform at Rockwood Music Hall on Monday, 6.29. In the meantime, listen to “Go,” and watch its ponderous black-and-white music video, below.

We added this song to The Deli's playlist of Best mellow songs by emerging NYC artists - check it out!

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The Foresters (CT) Release New Single: "Machines"

Today, Bethany, CT's (yes, I had to look it up on Google Maps too) The Foresters released their latest single, "Machines", off of their upcoming record Sun Songs. The track starts off with a guitar riff reminiscent of Queens of the Stone Age, before launching into more of a dance-rock tune for the remainder of the song. "Machines" carries an intense energy thorughout its duration, compelling the listener to grab a tambourine and join in the dance party. The group have a string of dates booked throughout July (mostly in CT), but hopefully they'll consider a couple of shows further north.

For more info about the band, click here.

-Dan McMahon (@dmcmhn)


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