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Artist of the Month
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April 2015
Sandcastle
"Skull Cauldron
"
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Skull Cauldron, Sandcastle’s latest LP, is a sojourn into a dimly lit wilderness. Recorded as a quartet (with the group moving forward without Micah Edwards) at West Philly’s Sex Dungeon, these songs pull you ever deeper into the thick of it with their hauntingly infectious sense of urgency and balance.
 
Album opener, “Atlantis Trance,” percolates as the guitar, bass, and drums tightly co-exist in a relaxed yet spring-loaded groove that is reminiscent to classic Talking Heads, while the quick-paced, tongue-twisting vocals run through a hypnotic, mythical tale. Continuing in a similar vain, “Wolf With No Eyes” is led by a spiraling guitar riff, reinforced with acoustic strums and low end that conjures ups an atmosphere of danger, climbing into the chorus: “Think I’m obsessive compulsive/I think I’ll think myself to death/Need a therapist or an alchemist to toxify my mind I guess.” This subtle searching of mental anguish grabs a hold of the listener, cautiously traversing the exploratory musical terrain. Casually, one slips into “Datura” as Sam Kassel’s secretively whispered vocals gain a foothold amid an up-tempo guitar-percussion combo that runs forward in fits and then lays back before a guitar burst leads you through the finish line.
 
“Wonder Where She Goes” has that catchy, restrained guitar plucking that lays down the foundation of its composition. As Kassel contemplates, “Am I too late for the ghost train? Am I too dumb for another plane?” The song appears on the cusp of breaking loose, but then steps back for a moment, until finally the pressure boils over. “And I can’t find, I can’t find the way/the way she walks when she walks away…”
 
“Evergreen” is a multifaceted tune that initially rides its acoustic guitar riff as Kassel prophesizes, “If I were a knight, I would be the Green Knight, I would be the Green Knight, and you’d be my Green Lady,” before it lands in a full stable of smoldering instrumentation. Then, the song transitions into a higher gear, led by the quickened pace of the guitar running anxiously ahead, while being propelled forward by the bass before falling back to that almost blues-rock zone with the thudding bass invigorating the track into an open-field mad dash. “Pterodactyls” sits in the shadows, marinating in an ominous tone of preparation for battle. It’s a clear yet heart-racing endeavor as bright injections of acoustic guitar serve as glimpses of daybreak.
 
“Medicine Song” creates a stir with its immediate fresh out of the blocks surge, dashing ahead for an abbreviated sprint, tempering off and then throwing caution to the wind when the final stretch is in sight. “Souls” puts the understated spoken vocals to prime use, developing a ghostly creeping self-aware vibe as the instruments tightly pulse around the unrelenting bass. The song takes turns jolting forward while refueling with reflective cool-down breaks as the song deals with the distance game of a relationship. “Yeah, sometimes she goes far away/Sometimes I get in her face/Yeah, even though we’re jaded/I still wanna play the game.”
 
The final chapter of the record, the adventurously forest-wandering instrumental “Drink Deep of the Skull Cauldron,” quixotically bookends the album. It’s an intoxicating concoction as Sandcastle marches forward as a four-piece beyond the menacing tree line. - Michael Colavita 

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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Dream Council @ Subt

Dream Council is primarily the work of Sean Michael who splits time between Brooklyn and Chicago. Earlier this summer Dream Council released an full-length LP called Mother Nature. The release blends electronics with noise, samples, and wandering voices. It is beautiful, haunting, and disturbing all at the same time.

You can catch Dream Council with Magicks and Super Hairy at Subt on August 28th.

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Advance Base @ Hungry Brain

Owen Ashworth (aka Advance Base) continues to amaze with his new EP The World Is In A Bad Fix Everywhere. The ep is a collection of covers of the early 20th century gospel music of Washington Phillips. A 7" was released by Orindal Records back in June, but an expanded CD edition is coming on Oct. 1st via Caldo Verde Records.

The collection shows how versatile Owen is when compared to his work as Casiotone For The Painfully Alone or his other work as Advance Base. For example, he recently did production for a track with Hannibal Buress ("Honda Civic") for the mixtape Charcuteries and Champagne Vol. 1 by Tony Trimm.

You can catch Advance Base at one of three exclusive solo electric piano show at Hungry Brain (2319 W Belmont Ave) on Sept. 9th.

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The Fruit Flies @ Lilly's

The Fruit Flies are Molly McCormick and Danni Parpan and together they harmonized folk-pop that reminds me of The Murmurs.

The duo has a string of demo on their soundcloud and a charming video for their single "I'm Sorry". You can catch The Fruit Flies at Lilly's (2515 N. Lincoln Ave) on Aug. 24th at 10pm.

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Names Divine "Thankful"

In the subject line of the email I received from Kendra Calhoun of Names Divine last were these six word: "art damaged drone pop warped blues". These words were attempting to describe the sounds I could expect when I began to listen to their new LP Thankful. The collection of words demonstrate how difficult it is to pin down the wonderful noise Kendra and her six band mates create.

Thankful has an official release date of August 29th and on that date you can catch Names Divine at Empty Bottle with Depth & Current, The Kremlin, and Esso Afrojam Funkbeat.

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The Ye-Ye's

Looking for something fun to spice up your Friday? How about '60's era pop sung in completely in French?

That is exactly what the local band The Ye-Ye's do and do very well. They've released two singles this year, "Gong" (below) and  "Reviens Vite et Oublie (Be My Baby)". Enjoy!

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