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April 2014
The perfect solace for winter’s passing, Creepoid’s second full-length self-titled LP combines the zeitgeist of 90's grunge with pristine dissonance and somber lyricism. Released earlier this month by No Idea Records, Creepoid is eerie, melodic and stirring from beginning to end. 

The record’s introductory track “Nauda” opens with a singular note that swells into a melody, aligning itself with the listener in a way that feels confessional yet synonymous. A well-wrought continuation of the earnest diction reminiscent of Horse Heaven, “Nauda” is as bittersweet as its vocals, informed by the paradox of loneliness and longing. Expanding into a cinematically moody soundscape, guitars wail like sirens, beckoning chords to crash and settle into a fading ricochet - a premonition of “Sunday.” Coupled with acoustic strums and crisp vocal croons, a solemn request, “take my light and pull it out,” is beautifully melodic with perfectly placed tambourine that brings to mind the memorable mood concentrated. Exploring the affect and consequence of relational presence and its subsequent absence, the orchestration of “Sunday” renders a relatable narrative evocatively raw and sincere. 

“Yellow Wallpaper” ignites with driving bass and swirling riffs. As if resurrecting the perfection of Jeremy Enigk (ex-Sunny Day Real Estate), a la “Killed By An Angel” meets “Pillars,” the song evokes an eerie all consuming sense of the sublime that centers the track’s duration. Like an extension of Horse Heaven’s “Hollow Doubt,” the contextual weight of “Yellow Wallpaper” is harmonically haunting and intentionally poignant. “Baptism” washes over its listener in waves of riffs and echoed vocals that occupy an emotive territory similar to lesser-known tracks by Sonic Youth, subverted and painted darker by the brooding buzz reminiscent of shoegaze greats like My Bloody Valentine. 

In its decline, “Baptism” casts a feeling of transcendent submersion, befitting its namesake. With a crystallized aggression, “Gout” does the same - urgent and arresting with visceral shouts and screams. “Stay Inside” is considerably more subdued than the album’s preceding tracks but equally mesmerizing, unfolding “Tired Eyes,” a hypnotic chant of a fatigued psychedelic. “Golden String” feels slightly optimistic, while “Acrimony” blossoms then retracts into a reserved yet deliberate ballad that demands its audience’s attention like a gloomy lullaby with teeth. “Vulgar,” warm and sunlit, is lush and arresting, setting the stage for the album’s closer “Old Tree,” a jubilant ending to yet another epic compilation of clairvoyant anthems evoked by Creepoid. - Dianca Potts 

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.

Go to the old Top 300 charts


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Empires @ Township

Empires have released the first single, "How Good Does It Feel", from their forthcoming album Orphan. The album will be released via Chop Shop/Island Records later this year.

Empires are playing two shows at Township on Feb 28th and March 1st.


August Premier

Pop-Punk's not dead and August Premier have a new EP that will tell why. "Rebel Without Applause" is being released this month through Pacific Ridge Records and from the sounds of "Day Drinks & Daydreams" it will have you drinking away your blues in no time.

You can catch August Premier on Feb. 22nd at Township with White City, Hard Kiss and She's Alive.



The self-titled debut EP from Royale is pure bliss. Each track is a new and impressive exploration of guitar play. The band defines the sound as "Progressive Sci-Fi Yacht Metal" and there is no argument that this sound is progressive. With just three tracks on the EP, the band created a full picture of the beautiful melodies they can create. These track tracks make you want to consume something illegal and board a yacht.


The Vale

If you miss the warmth and waves of summer than you need to check out the new album from The Vale. This lo-fi duo recorded their album, From Another Room, in the hazy of last summer and it is a dreamy collection lo-fi folk ditties. The Vale is Marissa Deitz and Chace Wall and together they have produced a quiet and intimate album that needs to be heard.

You can catch The Vale at Hungry Brain on March 17th.


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Supreme Cuts "Envision"

Supreme Cuts have released a video for their track "Envision" which appears on their recent release Divine Ecstasy. The track features vocals from Channy of Polica.


Nick Van Horn "One Way Ticket"

"One Way Ticket" is the first single from the new album from Nick Van Horn. The track is quality, noisy, garage rock and shows a lot of promise for the March release.

You can catch Nick Van Horn at Reggie's with Mona Feel on March 9th.


Baby Baby

Baby Baby is a young band with a forceful garage pop sound. The band released their self-titled debut LP late last month shortly after making their stage debut.




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