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Artist of the Month
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May 2016
Residuels
"Love Songs
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Philly rock ‘n’ rollers Justin Pittney, Mike Cammarata, and Kyle Garvey (a.k.a. Residuels) revamp essential garage cuts on their latest release Love Songs. Available now via Suicide Bong Tapes, the three-piece’s cassette kick-starts with a full-throttle rendition of Rich Berry’s “Have Love, Will Travel.” The power trio’s frenetic take on the song that put bands like Thee Headcoatees and Paul Revere & the Raiders on the map is far from derivative. From the very first lick of guitar, Pittney and his bandmates tap into the original fury at the center of “Have Love Will Travel,” using crashing riffs and uninhibited vocals reminiscent of The Gories.
 
Residuels’ take on The Damned’s debut single “New Rose” is similarly inventive, giving listeners an unadulterated taste of the original song’s rhythm and fuzz. Pittney channels Dave Vanian with ease, mimicking the legendary Londoner’s punk-as-fuck diction as if he wrote the track himself. Clocking in at a few seconds shy of three minutes, the second track on Love Songs is arguably one of the best renditions of the ‘76 single.
 
The same could be said for “You’re Gonna Miss Me.” Opening with a guttural scream, the group’s tribute to psych-rock icons The 13th Floor Elevators is perfectly executed, with each chord and clash of cymbal adding to the instrumented intensity of the already well-loved garage classic. “You’re Gonna Miss Me” feels like a stubborn tantrum, the sonic manifestation of the sort of longing that is borne of desperation and pure desire that is mirrored in the album’s closer “It Girl.” Residuels’ jangly styling of one the most lovelorn (and heart-wrenching) tracks on The Brian Jonestown Massacre's fifth LP is equally captivating, despite being one of Love Song’s quietest tracks, leaving listeners smitten. For die-hard fans of garage rock and newcomers alike, Love Songs doesn’t just pay homage to the genre’s past; it celebrates its vibrant present. - Dianca London

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Exclusive Premiere: Sexy Girls spends a day "At The Beach Alone"

Following the video for “I Don’t Care,” Sexy Girls has unveiled a second song from the upcoming Satan’s Hands. Set for release on July 1, the set is the band’s first proper album, following The Collection’s roundup of odds and ends written by lead singer Alex Whitelaw – but like The Collection, Whitelaw’s bandmates were absent in the writing process of Satan’s Hands. (It’s something he hopes to change on the band’s third release.)

“At The Beach Alone” carries on Sexy Girls’ tradition of nonchalant surf rock with funky syncopation – but let’s talk about the beautiful, wavy chords on the song’s chorus. The single’s gloss and greater attention to detail bodes well for Satan’s Hands, while its lyrics promise further exploration into the "dark side of [Whitelaw's] mind."

If you can’t get enough Sexy Girls, come see the band play a cover-free show at Two Boots in Bridgeport, CT, this Friday at 8 p.m. – Jake Reed (@jakejreed)

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Loom creates "Echoes" on new single

If you remember d’s house sounds, you’ll want to check out the latest single from Loom – a band that consists of d, or Danielle Capalbo, alongside Willis Touri, Jared Thompson and Ashley Kenney. “Echoes” trades in the foggy vocals of house sounds for a catchy melody that sounds like Gwen Stefani tackling dreamy indie pop. On its B-side, “Every Crime,” the New Haven quartet gets even dreamier, with guitars and chimed “ooh”s that reverberate through brazen chords. Peep the songs on Soundcloud now and keep your eye out for a full-length release in the near future. – Jake Reed, @jakejreed

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New to NYC: Verdigirls debut video + play Rock Shop on 04.24

Self described "sad-grl-electro-pop-sister-duo" Verdigirl recently relocated from CT to Chelsea, Manhattan to pursue their electro-pop dream. Considering the theme of single "Feeling Nervous" (video streaming below) the ladies actually seem born to live in the Big Apple, since they obvsouly have an inclination for being overly self analytical and a little neurotic - which by the way is probably one of the reasons why this city is so prolific artistically. The tune is a well produced, melancholic, mid tempo synth-pop ballad full of tasteful blippy textures and recurring layers of violin and cello (the sisters' main instruments). If you are feeling too happy, or just want to check out a new interesting local band, go to the Rock Shop tomorrow 04.24 to see them live.

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Sneak Peek: Ladyhips – "Live at Farmtone" EP

After releasing the videos for "In The Ballroom" and "What's That Racket," Ladyhips is ready to unleash its full Live at Farmtone EP on April 22 – but The Deli New England got a first listen of the four-song set. You've already heard the triumphant brass hook of "Ballroom" and the psychedelic crunch of "Racket." On "Westmoreland," the guys slow things down and turn off the wah-wah pedals, eventually culminating the ballad-of-sorts with a two-plus minute guitar solo. "Our Consience" ends things on a high note, opting for another washed-out guitar solo after lamenting "I'm sorry for your loss" on the song's hook. 

The Deli New England chatted with Sean Rubin, the band's bassist, to learn more about the band and what went into the making of Live at Farmtone. To read the interview, click here.

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Exclusive Premiere: Ladyhips – "What's That Racket"

After previously unveiling the video for “In the Ballroom,” Ladyhips is ready to release its next clip, “What’s That Racket” – and The Deli New England has its exclusive premiere. Both cuts are from the band’s upcoming Live at Farmtone EP, set for release on April 22. For the funky “Racket,” the band returns to the Connecticut farm where they shot their previous clip, and once again the result is cinematic beauty. Check out “What’s That Racket” below. – Jake Reed, @jakejreed

What's That Racket from Ladyhips on Vimeo.

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