Artist of the Month

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November 2015
Alex G
"Beach Music
Amid increasingly high/steep expectations, Alex Giannascoli, a.k.a. Alex G, released his latest full-length album Beach Music via Domino. After a jarring, noise-laden percussive “Intro,” “Bug” crawls under your skin and skillfully into your head as its crisp guitar lays the foundation for the song’s mesmerizing tone, stripping down temporarily instrumentally - “and when you go there/you stay there/bug in the crosshair/you stay there.” A momentary electric guitar swell marks the return to movement.
The scratch of acoustic guitar chord changes, and a gloomy organ develops the rained-in, haunting sound of “Thorns.” Conversely, to the weathered weary sound of its predecessor, “Kicker” immediately jumps into action as advancing percussion/guitar dictates a forward blitz of lyrically rhymed oppositions - “White bird in a black cloud… big fight for a small right.” Wrapping tightly woven imagery into a steady downhill stomper, the track sits smooth, whilst retaining a gritty after bite.
“Salt” returns to that head-in-the-clouds, daydreaming ethereal bedroom vibe. Soaked in keys and accented by electronic percussion, the scene is set. “Into my big cloud, I’m flying all the time.” As he watches, opposing deep and child-esque soft vocals stir in a chanting manner, Alex questioningly reemerges - “Did you hear what I said? I’ve got salt in my head,” resolving his issue in a calm yet despairing manner. “Today I washed my hands, I want to be alone, I want to fry.” “Brite Boy” lifts with light-as-a-feather percussion, and its innocent beach-strolling instrumentation is underscored by a playful call-and-return vocal dialogue. Ushered in by the tandem of dashing trumpet and dreary keys, the artist tears himself open, and is left emotionally exposed. “Crying I’m running in love/losing in love/scratching in love/wired in love.”
Alex G continues to evolve, creating songs that aren’t afraid to expose life’s knack for pulling one individual simultaneously in multiple directions. That’s why Beach Music thrives in its ability to paint grey clouds within a sunny landscape or a ray of light bursting through a downpour. His honest, hypnotic melodies and its murkiness pull you in. - Michael Colavita

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.

Go to the old Top 300 charts


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ATTENTION! If you signed up for the year end polls between 11.20 and 11.23, sign up again!

We had a loss of data, sorry for the inconvenience!

The Deli's folks


Emerging Bands and Artists,

The Deli's Regional Year End Polls for Emerging Artists are back!



Ugh, do you REALLY want to know? The process to determine these lists is rather complicated, and occurred to The Deli's fouding fathers during a collective nightmare back in 2006 - if you want to try and get your head around it be our guest and go here. But if all you are interested in is to be part of it and get some free exposure, then STAY AWAY FROM THAT PAGE!!!

Eligibility: To be eligible, your band needs to 
1. be based in one of the scenes we cover (list here), 
2. have music available online
3. have played live at least once in 2013
4. Have less than 15k Facebook friends. By the way, fake Facebook friends make us angry. 

The first phase of this poll allows ANY BAND OR SOLO ARTIST to submit their music for a minimum of 3 spots in the pool of the Best of your city nominees. This phase starts right now! 


The Deli Peeps

The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!

Album review: Rev Gusto - Burnt Out Friends

“Goodnight Laura. It’s nice to know ya. But it’s better if I just fade away. So goodnight Laura. Know I adore ya. But, you’ll never be happy if I stay.” This lyric pierces my heart a bit. While this sad, easy let-down story is charming and catchy, I do want Jerry Frederick to stay. I really do. This lyric from “Goodnight Laura” is just some of the simple brilliance found on Burnt Out Friends, the debut full-length from the very original and talented Kansas City based Rev Gusto.
Burnt Out Friends, the 10-track record, released July 28 on High Dive Records, is on heavy rotation in my house. The super rad red cassette is in even heavier rotation in my car. I have seen them countless times. Danced like a crazy person until my legs no longer worked. Forced everyone I know to listen and join in. You could call me a fan.
This album is lighthearted and lyrically brilliant. We should expect no less from the gifted mind behind the project: Jerry Frederick. “We wanted to capture a raw sound with the album, so we recorded the entire LP live in studio to do so,” he explains. He might know what he is doing. He studied in England under Ray Davies of The Kinks. Spoiler: you can hear that in this album—every track. Jerry’s vocals are almost Britpop. Imagine early Beach Boys had a baby with The Kinks and Spoon and raised it in a dark, sarcastic, romantic comedy. Burnt Out Friends is full of simple, raw surf garage glam pop magic.
The brilliant musicians who can be heard on this album are Quinn Hernandez (drums), Shaun Crowley (guitar and trumpet), Peter Beatty (guitar and keys), Sam Frederick (bass) and of course, Jerry Frederick on guitar and vocals. Fun fact about Rev Gusto: after a restaff, they are now a three-piece. This includes Sam, still on bass, and Matt Wargin on drums. I heard this rumor but have not taken in a live show with the new lineup yet. “I loved playing with the dudes from the old lineup, but a stripped-down sound lets me get in touch with my song’s pop roots; more of a focus on vocals and harmonies,” was Jerry’s response when I quizzed him about the shake-up.
Burnt out Friends opens with “The Boys Are at It Again,” a great pick for an opening track. It’s light, sugary, and catchy. Jerry’s vocals and Shaun Crowley’s guitar with a perfect salty surf sound makes you dance like an awkward Peanuts’ character. My favorite track on the record is “Blood in a Bag.” This song about a crush is lyrically like none I’ve ever heard. In true Jerry fashion, it tells an obscure story of a boy, crushing on a girl while he has his blood drawn. Awkward, simple, like it were straight out of a dark indie romantic comedy. “Surf City/Mind in a Cage” is the most interesting on the album. The two short songs smashed together are a perfect combination. The first of the two are just as you imagine. The title is a spoiler. The second feels like a dance-it-out garage pop anthem. I put this track on in my living room, listen to Shaun play me that salty surf sound, jump around (usually after too many beers) and scream, “Let it go, let it go, let it go, let it go,” along with Jerry.  
This pristine, simple, raw surf garage glam pop magic is such an unlikely sound to come out of Kansas City. I am full on Thanksgiving turkey thankful for it. And if you get the opportunity catch a show, do it.
--Jess Barrett
Haver of sweet dance moves and stealer of t-shirts.

You can check out the new Rev Gusto lineup at Revolution Records next First Friday—they’ll be playing therewith Black Stacey and Coyote. Show starts at 7 pm. Facebook event page. Or if you’re in Warrensburg on Saturday, they’ll be at The Bay.  

An interview with Jessica Paige

Jessica Paige recently released her new album Sweet Nothings in September, and it is definitely worth the listen. Her sound combines the intimate tunes you hear in coffee shops with great storytelling in her lyrics that can be enjoyed in the warmth of your cozy home.  
Paige always knew that she needed to be a singer/songwriter. She started writing songs in 5th grade with her friends, and performed her first written song at the age of 14. She began dabbling in guitar in her hometown, and learned to sharpen her skills after high school in Ireland.
“Your gut to learn guitar is smart—it will lead you to incredible places,” Paige says. And that it did. She later honed in on her songwriting skills. One of the main aspects that she has learned from her peers is to be minimal with her songs, not overbearing. She took to heart the words of a peer in Ireland: “You don’t need fancy guitar technique; your voice is the main instrument. That is it.” Her voice is the key that helps get her point across. She learned that if she does any complicated guitar shenanigans, it may distract from her voice and the general idea of the song. When you hear one of her songs or see her live, you’ll understand the power of her voice—it can either be soft and intimate or powerful and soulful.
Now, songs can come from anywhere. Sometimes she gets melody ideas in her car and records them to her phone. “There are a lot of bad ones, but a few keepers,” she says. There are times when she writes with lit candles around her, a glass of wine, and a guitar to help create a calming environment around her. When writing lyrics, it is always with a pen and paper. “It is always satisfying when I write on paper rather than typing. It just feels right and real.”
Paige’s songs are based on her personal life. “In order to write well, you have to dig deeper on that feeling in order to articulate the feeling.” She feels vulnerable writing songs that are personal to her, noting that it recently “feels like standing naked.”
Usually, songwriters write to and for their audience. Paige, on the other hand, writes for herself. “I write what I’m feeling, with the intent to be honest.” On her new album, she describes her feelings about love, heartache, or loss; each song describes a moment from a past relationship. One of my favorite songs, “Sweet Nothings,” describes a significant other in his vulnerable state resting his head in her bed while she appreciates every single detail of this particular moment in their relationship. “Good Grief,” one of the only songs not about a relationship, describes how she handled a family member’s passing. Lastly, “The Fall”, describes a moment where she was letting a significant other go and saying farewell. With each song, rather than describing what she feels, she allows you to go ahead and experience the feeling for yourself.
Right now, Paige is currently promoting Sweet Nothings, with a single, “Beautiful Life,” that has radio airplay. For the future, she talks about playing with the idea of writing about situations she’s encountered through others or brand-new stories. Jessica Paige is a unique and rare Kansas City songwriter. Take a listen to her lyrics; it may change your perspective on life and its beauty.
--Mica-Elgin Vi
Mica-Elgin Vi is a singer songwriter. He is the lead vocalist and guitarist for a Kansas City based band called Modern Day Fitzgerald.

You’ll have a couple chances to see Jessica Paige this week. She’ll be playing some tunes on Thanksgiving night at recordBar with Vi Tran and friends, and will take the stage at Mills Record Company the following evening for Black Friday/Record Store Day. Her set starts at 7:00 p.m., followed by Pink Royal. Facebook event page. 


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