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Artist of the Month
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May 2016
Residuels
"Love Songs
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Philly rock ‘n’ rollers Justin Pittney, Mike Cammarata, and Kyle Garvey (a.k.a. Residuels) revamp essential garage cuts on their latest release Love Songs. Available now via Suicide Bong Tapes, the three-piece’s cassette kick-starts with a full-throttle rendition of Rich Berry’s “Have Love, Will Travel.” The power trio’s frenetic take on the song that put bands like Thee Headcoatees and Paul Revere & the Raiders on the map is far from derivative. From the very first lick of guitar, Pittney and his bandmates tap into the original fury at the center of “Have Love Will Travel,” using crashing riffs and uninhibited vocals reminiscent of The Gories.
 
Residuels’ take on The Damned’s debut single “New Rose” is similarly inventive, giving listeners an unadulterated taste of the original song’s rhythm and fuzz. Pittney channels Dave Vanian with ease, mimicking the legendary Londoner’s punk-as-fuck diction as if he wrote the track himself. Clocking in at a few seconds shy of three minutes, the second track on Love Songs is arguably one of the best renditions of the ‘76 single.
 
The same could be said for “You’re Gonna Miss Me.” Opening with a guttural scream, the group’s tribute to psych-rock icons The 13th Floor Elevators is perfectly executed, with each chord and clash of cymbal adding to the instrumented intensity of the already well-loved garage classic. “You’re Gonna Miss Me” feels like a stubborn tantrum, the sonic manifestation of the sort of longing that is borne of desperation and pure desire that is mirrored in the album’s closer “It Girl.” Residuels’ jangly styling of one the most lovelorn (and heart-wrenching) tracks on The Brian Jonestown Massacre's fifth LP is equally captivating, despite being one of Love Song’s quietest tracks, leaving listeners smitten. For die-hard fans of garage rock and newcomers alike, Love Songs doesn’t just pay homage to the genre’s past; it celebrates its vibrant present. - Dianca London

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!


Drop what you're doing and listen to these demos from Teddy & the Rough Riders

Way back in the mids of April, I saw a previously unknown band set the stage for Natural Child at a VFW Post in town, of all places. "These guys are great!" I said. "I sure hope there's some music online so I can share it with folks!" There wasn't. So imagine my excitement finding out today that at some point in the interim, Teddy & the Rough Riders got some demos together and oh boy, do they ever hold up in comparison to the live experience. There are only six tracks on display, but they all showcase what this band does best—sophisticated country tunes held tight by an accomplished band and lifted into orbit by some truly incredible pedal steel (the ever-magnificent Luke Schneider), let loose to wander by way of the frayed, croaking vocals on top of it all. It only took one live show to convince me that these guys are headed in exactly the right direction. Give 'em that same chance next time you can, yeah? -Austin Phy

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Taco Dreams delivers on new wave punk irreverence with "John Cougar Watermelon Camp Counselor"

John Cougar Watermelon Camp Counselor, the tape-ready debut from Taco Dreams, is relentlessly energetic throughout without being exhausting. There are notes of The Smiths, Echo and the Bunnymen, and Stone Roses, only with a great deal mopre levity than any of those new wave forebears. It's not a brand new sound per se, but between Taco Dreams and several other new-on-the-scene groups, it's incredibly exciting to see the Nuggetsy-garage vibe that overtook East Nasty for the longest effetively exploring some other sounds. -Austin Phy

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The forecast calls for warmth and a strong chance of sunshine pop on Father Tribe's self-titled EP

This one slipped by my radar when it first came out, but Bandcamp's search likes to make up its own rules sometimes. Occasionally, that causes a gem to surface, such as Father Tribe's self-titled EP. All the hallmarks of summertime listening are there—the 'verb, the lilting vocal sustains, the laid back tempo. Of course, these things can get a little one-dimensional. Fortunately it isn't all sunshine and rainbows; it's got that modern beach pop shimmer for sure, but it's balanced out with the sense of urgency of 1980s synthpop. Give it a spin if you're so inclined. We'd recommend it. -Austin Phy

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Boom Forest explores all different faces of electronica and folk on "Post Knight Errant"

Post Knight Errant, the latest from ex-Wisconsinite John Paul Roney's Boom Forest project, explores a range of folk and electronica influences, deftly using the natural ebb and flow of that exploration to cover the entire spectrum of emotional experience. There's a current of tenderness running through the album, but it proves to be tonally versatile and adapts to the highs and lows from song to song and within a single track. It's a polished effort, and you ought to give the video a watch below and then go check out the entire album. -Austin Phy

Boom Forest "33" (We Are All One & Holy Ghost) from Elder on Vimeo.

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