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Artist of the Month
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May 2016
Residuels
"Love Songs
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Philly rock ‘n’ rollers Justin Pittney, Mike Cammarata, and Kyle Garvey (a.k.a. Residuels) revamp essential garage cuts on their latest release Love Songs. Available now via Suicide Bong Tapes, the three-piece’s cassette kick-starts with a full-throttle rendition of Rich Berry’s “Have Love, Will Travel.” The power trio’s frenetic take on the song that put bands like Thee Headcoatees and Paul Revere & the Raiders on the map is far from derivative. From the very first lick of guitar, Pittney and his bandmates tap into the original fury at the center of “Have Love Will Travel,” using crashing riffs and uninhibited vocals reminiscent of The Gories.
 
Residuels’ take on The Damned’s debut single “New Rose” is similarly inventive, giving listeners an unadulterated taste of the original song’s rhythm and fuzz. Pittney channels Dave Vanian with ease, mimicking the legendary Londoner’s punk-as-fuck diction as if he wrote the track himself. Clocking in at a few seconds shy of three minutes, the second track on Love Songs is arguably one of the best renditions of the ‘76 single.
 
The same could be said for “You’re Gonna Miss Me.” Opening with a guttural scream, the group’s tribute to psych-rock icons The 13th Floor Elevators is perfectly executed, with each chord and clash of cymbal adding to the instrumented intensity of the already well-loved garage classic. “You’re Gonna Miss Me” feels like a stubborn tantrum, the sonic manifestation of the sort of longing that is borne of desperation and pure desire that is mirrored in the album’s closer “It Girl.” Residuels’ jangly styling of one the most lovelorn (and heart-wrenching) tracks on The Brian Jonestown Massacre's fifth LP is equally captivating, despite being one of Love Song’s quietest tracks, leaving listeners smitten. For die-hard fans of garage rock and newcomers alike, Love Songs doesn’t just pay homage to the genre’s past; it celebrates its vibrant present. - Dianca London

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!


Chill Witch gets wild and wonderful on debut

Chill With is a group made up of people who sure know how to put together an album, and it shows on the collective's debut full-length. Primitive in its use of modern instrumentation, the mood is like one day we all bombed our civilizations out and the descendants of the few survivors found our synthesizers buried in the dirt. You can dance to it, sure, but any dance to Chill Witch has to involve some sudden shaking and convulsing, so you'd best commit to it. -Austin Phy

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Thin Veil's self-titled EP is a foreboding offering

Thin Veil, the new moniker for the music of James Vincent Oblon, is as close as an album can be to metal without being metal. Make no mistake: despite a lack of roaring solos and crash cymbal freakouts, the album is heavy and foreboding in the most laid-back way, like a wise old demon lounging on a throne of skulls. Oblon chugs and drones, hisses and wails, and creates a pervasive atmosphere of unease from start to finish.  -Austin Phy

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ELEL gets pumped up with "Animal," see them May 21 at East Nash Crawfish Bash

Known mostly for their sweet as hell bootyshakin' party anthems, "Animal" shows off a far more in-your-face side of ELEL. Yet another diamond from the minds of this 7-or-so member collective, a group of songwriting animals themselves, this track holds to band's roots in grandiose love bangers but adds a pumped-up element that'll make you want to find your troubles and kick them right over the moon.

If you happen to fall in the Venn diagram overlap of "people who like crawfish boils" and "people who don't mind cutting a rug or two," you can catch ELEL at the East Nashville Crawfish Bash (5.21) with tons of other killer bands, beer from Yazoo, and did we mention it's a crawfish boil? -Austin Phy

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Maddie Medley releases dark, beautiful "Garland EP"

Good folk music must be one of those "you know it when you hear it" things. There's sure no set criteria. Is it the lyrics, the music, the mood? One thing is certain—you'll know you're hearing it when you listen to Maddie Medley's Garland EP. It's is an all-too-short collection of barebones folk tunes, no bells or whistles in sight. Despite her low, resonant voice and the melancholy throughout (you can only be so peppy when discussing the life of Judy Garland), Medley's register remains agile and bouncy. Check out the stream below. -Austin Phy

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