Artist of the Month

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February 2016
Jo Kusy
"You Break Me
Jo Kusy (Far-Out Fangtooth, The Whips) cultivates an eclectic, lo-fi daydream on his new full-length album, You Break Me. The record is currently available for purchase/download, and will be found on limited cassette on February 12 via Kusy’s own imprint Kooze Kontrol.
The album’s opener “Long Gone Angel” establishes the LP’s loose-moving atmosphere, as guitar trickles into a percussive/bass-oriented roll. The instrumentation briefly drops out, giving way to an a cappella moment and then a sax solo, before falling back into form. The bass-forward nature of “Only a Night,” coupled with its synth, thrusts one into a danceable framework. Background vocals soften the lead. In the insta-funky “All Go To Heaven,” Kusy proclaims, “Get down, hear the sound, boogie-woogie shake your claim…”
“Before You Opened Your Mouth” shifts into a light youthful disposition, reflected in its humorous lyrics - “Old people acting young, it’s ok cause its only fun/young people acting old, they sound stupid…” “Ghost Funk Lesson” drops into a sly island vibration - reminiscent of The Police, while “1st Place (But They Told Me 5th) develops a eerie tone with its heavy-footed thump and the mysterious whisper of the vocals. “All the creeps come out from the woodwork, as the sun begins to rise.”
With its sinister stir, “New Devil Beat” perpetuates a throbbing pulse, and “Cherry Pickin’ Baby” rides a thick bass-line to accentuate its heavier playful spin on rockabilly. Shedding some weight, “Silk Paradise” gently glides, paced by the clean snap of drums and unobtrusive guitar runs. Closing with its title-track “You Break Me,” the tail end of the LP rides a steady, floating wave; a heady trip punctuated by a stealthy stretch of guitar work, throwing some fire into the meditative calm.
You Break Me is a fun, unpretentious album that easily gets the head bobbing and toes tapping with its minimalist approach. It’s a sleeper that you definitely shouldn’t sleep on. - Michael Colavita

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.

Go to the old Top 300 charts


scene blog


2015 Year End Polls For Emerging Artists: Results Scene by Scene

The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!

XO Jasen shares "Kiss Me Dark Destroyer" music video and debut album

If you've been around Portland for a little while you may remember the electronic rap duo Serious Business. If not, that's okay. You can still appreciate the new music made by 1/2 of Serious B. by way of Jason Mampel. His solo endeavor, titled XO Jasen, brings fun and danceable beats in the same vein, yet takes on more important issues like sexual and gender identity. XO Jason's first video from his debut album Four Love Songs, "Kiss Me Dark Destroyer" is a visually intriguing interpretation of issues that many can relate to. The album also features guitar work from Nate Wey of the dreamy Souvenir Driver. Watch the video below!

-Cervante Pope


Portland Best of 2015 Poll Results Are In!

A few days ago marked the end of the Deli Portland's Best of 2015 Poll, spotlighting our varied amount of local talent. It's after a rigorous effort that we can now announce the Top 5 emerging Portland acts as picked by you, the readers. Enjoy! 

1. LiquidLight

Alternative rock outfit LiquidLight catapulted to the top of the charts with not only their easily lovable songs, but also with their fervent ability to get themselves heard! Tinges of everything from psych rock to early 2000's pop punk can be found their songs. Some only in small elements, but enough to make LiquidLight's sound specific to them. Say hello to Portland's best band of 2015.


2. Foxy Lemon

Sensually bluesy and devotedly oozing classical rock qualities, Foxy Lemon have crooned their way into the hearts of many of us, playing electrifying shows to a diverse crowds and immediately turning them into fans. There's a certain allure to Foxy Lemon that other can't be ignored, an obvious one that got them up to our #2 slot.


3. Coco Columbia

She's animated and delightfully pleasant, jamming out through her huge hair and eclectic style, making music that's just as colossally interesting. It's equal parts dreamy, electronic, indie and jazzy, the perfect blend for well rounded pop. 


4. The Cabin Project

The Cabin Project take a symphonic approach to indie rock, with their songs seeming to sweep over you like a leaves in a light wind. Harmonies and string sections flirt playfully, with weighty choruses and orchestral effects that elevate their songs to a whole other level.


5. Space Shark

Space Shark is an interesting band of sorts, taking the best of heady space rock and jam band minutia to manifest a low key heaviness. Their standout track, "Now Is We" off their latest release Ghosts, has been receiving much deserved praise for its perfect representation of Space Shark's forte.


Let's also give a shout out to Dirty Revival, Consumer, Rod, The Ghost Ease and White Bear Polar Tundra for rounding out the rest of our Top 10. A big thanks also goes out to all the bands that participated, promoted and worked their damn hardest to get their music heard. Also, a thank you to everyone that voted. We do this for all you guys. If you'd like to dive into the deep with the vote counts, you can find the results, based on genre, by clicking the links below.


-Cervante Pope, the Deli Portland Editor

Guest post: Daniel Barkness of Dad Works Hard talks Manx

    After spending the majority of my 34 years on this planet listening to a strange variety music, I sometimes feel like rock and roll is, in fact, dead. I don't really even listen to much music these days due to the fact that I'm simply not interested. When I do listen, I'm usually listening from the perspective of a producer, an engineer and a fellow musician, hearing all of the technical nuances that tend to destroy the blissfulness of just plain enjoying the fuck out of rock music like I could when I was 13 years old with no responsibilities or worries. 

    A few years ago I met a guy whose band took me back to that summer in the early 90's when "Black Hole Sun" was played on MTV every 20 minutes, of when I got my first Nirvana bootleg CD and would blast it on repeat until falling asleep in my twin bed back in the south hills of Pittsburgh, PA. The man who took me back to that wonderful place in time is none other than Oregon native John Barnaby who fronts the Portland based band Manx. I invited John into my house a few Saturdays ago to drink some shitty beer, talk about his band, their self titled record, his record label, the new record that's in the works, and the raw energy that he exudes on stage. Before we got very far into the interview, John was roasting cron flakes and dancing in my studio apartment wearing a pair of platforms studded with plastic gemstones. And...well...I guess that this is all you really need to know. That is Manx and Manx rocks. Fucking hard. Their raw and punchy, high-energy live set makes you want to repeatedly smash your face against a wall in the best possible way. While watching them perform, you can expect to see a crowd of loyal and intoxicated fans going ape shit while Barnaby drops to his knees nailing some sort of wild bass solo - sweat pouring down his face soaking into his denim jacket - attempting to put out the fire in his stomach from the last shot he took. There's no irony here. Manx is no frills rock n' roll at its finest. 
    Manx usually plays around town and there is typically little if any cover. You can't afford not to check these guys (and girl) out. Giant bass-wielding front man who has more stage presence than 90% of other local acts combined? Check. Foxy chick on guitar who rips 16 bar solos through an old NYC big muff? Check. Hard hitting, raw-as-all-hell drummer pounding on a set of tequila sunrise Vista-Lites that may or may not have once belonged to the late John Bonham? Check. Next time Manx is playing around town, go check them out. Trust me. Totally. Fucking. Worth it.



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