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Artist of the Month
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March 2015
Blood Sound
"Nightclub
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Blood Sound’s post-punk tracks are informed by an audible nostalgia for the dance floors and goth clubs of the latter ‘80s. Their latest LP Nightclub is a hybrid of dark wave and dream pop. Marrying synth-drenched harmonies with emotively vibrant lyricism, the subtle romantics of the band’s debut full-length fit seamlessly with the buzzing percussive backbeats of earlier cuts by Cold Cave (circa Love Comes Close) or The Cure’s “Primary” stripped bare to its core.
 
“TV Synth 1” sets the tone for Nightclub’s narrative with a brief yet textured prelude to “I Don’t Want.” Relatable like an antithesis of The Smiths’ “There Is A Light That Never Goes Out,” Blood Sound’s “I Don’t Want” personifies the complexities of yearning, desire, and loneliness. As frontman Chris Jordan croons “I don’t want the city’s lights to go down/I don’t want to find home,” guitar riffs magnify the weight of his words without casting them melodramatic. The track is a fitting anthem for the passing of youth, failed love, and transition.
 
The buzzing start of “L.A. Punk” explores that thin line between authenticity and commoditization, the song’s instrumentation paying homage in its own way to the early underground and its subsequent subcultures. As if channeling a sedated rendition of Peter Murphy’s tone and diction, “L.A. Punk” is as memorable as it is brooding. “Acid Summer” gives an inward glimpse at the intimate nature of grief, mortality, and memory. When Jordan sings, “The 1980s died that day,” the listener feels it in their gut. It’s undeniable. The connection between what is experienced and how that experience is remembered is amplified by the track’s thumping tempo.
 
“Empty” plays out like the perfect soundtrack to an inevitable breakup, coupling affection with exhaustion, with the synth framing the heart-wrenching truth of lines like “I was too in love to say/that your story was a bore/Now I gave up on bad dreams and endings/beginnings and beginnings.” It offers a viable catharsis for jilted lovers with a penchant for fuzzed-out refrains.
 
“TV Synth 2” precedes the lyrically minimal yet heavy “Embrace” which serves as Nightclub’s melodic memento mori. “Almost” is subdued yet gripping, slowing the momentum of the record in advanced of “TV Synth 3,” which unfolds like a VHS fever dream. “Fake Blood” is evocative, with reverb and a pulsating backbeat that swells as the song progresses. Arguably the darkest track on the album, Jordan’s diction is hypnotic, “Kill your dreams and wait for/the fake blood to pour out.”
 
Ending with the well-placed “Catacombs,” Nightclub’s final track encapsulates the thrill of beginnings and the way one remembers them. Set to a beat reminiscent of Joy Division’s quintessential single “Love Will Tear Us Apart,” “Catacombs,” much like the songs that precede it, is reason alone to return to Nightclub. - Dianca London Potts

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!


2015 Treefort Music Festival Preview: Portland Artist Highlight

The fourth annual Treefort Music Festival is proving to be the biggest one yet. Not only is it their first year as a licensed LLC, but this year’s lineup is larger than any previous year with over 400 musical acts, not to mention whole mini-festivals dedicated to comedy, performance art, technology, yoga, skateboarding, beer, and then some.

With massive national musical acts headlining the festival like TV On The Radio, Built To Spill, Foxygen, Yacht, Viet Cong, Of Montreal and !!!, just to name a few, the $139 price of a full-weekend pass is pretty much already god damned steal, and that’s barely 1.5% of the full 2015 lineup. Adding to the glory of this year’s festival, the vast array of amazing Portland bands making the trip to Boise makes Portland one of the most represented cities of the festival. Think of it as a huge rager with all your favorite Portland bands and friends, just in a new, way more fun location.

To help you sort through all of the madness, here is a quick list of some of the Deli Portland’s favorite Portland bands who will be performing at this year’s Treefort Music Festival. Find out exactly where and when they will be playing during Treefort, here


Foxy Lemon + Cambrian Explosion to Release Split EP 3.14

Foxy Lemon and Cambrian Explosion, two distinguished bands in the Portland music scene, will release a split Joint EP, on Saturday, March 14th. In support of the release, the two bands headline Kelly's Olympian Saturday night along with Moon By You and Spirit Lake.

What sets Foxy Lemon and Cambrian Explosion apart from other active bands in the Pacific Northwest? They're honest and genuinely alternative. There aren't any hidden motives. Pop lullabies won't sneak around the corner. Though the two share the broad genre in common and indulge in their own specifics, that common thread is evident. Foxy Lemon introduce the split release with four songs that ebb and flow on a high tide. Keishi Ihara's vocals might be clouded by reminders of Jack White and Black Keys, but Ihara projects a certain type of rawness when he sings. This is a good thing. Listen to "Just Because I Can". The song begins and ends with Ihara's isolated strain. Their half of the album isn't the kind of contribution to throw into your music player, plug in head phones and zone out to. These songs are definitely well-suited for a faster drive in and out of town, with that kind of sassy attitude that could get you into trouble.
 
Cambrian Explosion have had an intense career within the local independent scene already. Their three songs on the EP indulge in fuzzy complex guitar melodies and distant and gentle cooing. Though consistently and easily filed under "psychedelia", there's a strange science fiction aspect to their sound that can't be shaken. There's a struggle between the nods to 60s-70s reverb and drug-heavy rock and futuristic noise that spells out definite progression. There's an obvious lasting impression. This split leads the listener to ask, "what's next?"
 
- Colette Pomerleau

 

 

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GRANDPARENTS: New Music + Tour Kickoff 3.11

Last week Portland psychedelic sweethearts, Grandparents, debuted their brand new track "Kids In The Alley" on Vice's Noisey blog. Tomorow (3.11), they will play at Mississippi Studios along with local R&B sensation Natasha Kmeto and drone-psych lords Swahili, kicking off a 2+ week spring tour in support of a three-track cassingle release which will include stops at SXSW and Treefort Music Fests. "Kids In The Alley" showcases a dramatically matured level of production for the group, with heavily spaced out Tame Impala inspired synth trances eloquently placed between playful pop infused verses. I couldn't be more stoked for their forthcoming debut full length due out later this year. It's been a long time coming, but Grandparents are sure to be Portland's next huge deal.

- Travis Leipzig 

Photo Courtesy of Todd Walberg

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The Deli's SXSW 2015 Issue is out digitally!

Ladies and Gents,

The SXSW 2015 issue of The Deli can be now read online here. 10k copies of this baby will flood the streets of Austin during SXSW Music Week.

It will be a busy time for us as usual, with the madness of the Stompbox Exhibit in full swing, joined this year by a sister expo called Synth Space!

So yeah... if you are attracted to nerds, come and see us at the SXSW Music Gear Expo inside the Austin Convention Center from March 19 to March 21 (11am-6pm)!

We'll also have a small live showcase, here are the details:

THE DELI'S SXSW 2015 SHOWCASE

FACEBOOK EVENT
WHEN: Friday 03.20, 4pm
WHERE: FLatstock Stage (Austin Convention Center)

4.00 Prinze George (DC Area)
4.45 Lazyeyes (Brooklyn, NY)
5.30 Roger Sellers (Austin)

See y'all in Austin!

The Deli's Staff


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