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August 2015
LOUDS
"If More People Bought Art More People Would Buy Art
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With their debut EP If More People Bought Art More People Would Buy Art, LOUDS hits the nail on the head with its appealing out of the gates energy. Released via Color Theory Records, the Brett Boucher-produced EP instantly grabs a hold of the body’s desire to let loose. 
 
The group leads with its best foot forward with its debut single and album opener, “Ways.” The standout track has a warm, vamping synth and those dare-you-to-keep-your-hands-still claps, which are melded with the sugary, chiptune sonic blasts. That bubbly, dance-inspiring vibe is cut through and juxtaposed by lyrics that form the picture of a hot and cold relationship. “The love you’ve known sailed from you one evening, months have gone now you don’t feel the same.”
 
Wisps of light guitar, keys, and gentle percussion converge in the narrative of  “Lying in the Middle” with its upbeat Paul Simon-Graceland vibes. The rolling hills that are ready to break out with exasperations chronicling the fickle courtship. “It’s the wrong way to approach it, but I know that your heartaches after months of feeling kind of confused. One day I’ll be lying in the middle with you.” The song concludes whimsically with Beatles-esque harmonies:  “My arms are tired, I’m half awake, but finally there with you.”
 
From the alarm bell, to the to the approaching bass and organ tone leading into those sinister strings, anticipation rapidly builds in “Driving Us Together.”Once again, the band dives into the complexity of relationships. Amid that layered fluid instrumentation, which creeps and momentarily bursts, underlies a sincere thought: “I’ve been trying to forget you but I don’t know how. Driving us together don’t erase your doubt.” The song simplifies down to a strumming guitar as echoes of “goodbye” come through before meeting up with the heartbroken chorus.
 
Strumming sets off into the echo of menacing tumbling keys in the chest-thumping, never-tell tale “It Takes Two.” “We’re alone in your best friend’s basement. You’re the one who brought me down... As we talking my hearts raising, I hope you don’t figure out” leading into the smoothed chorus: “Cause everybody knows it takes two…” That weaving in and out creates a lively yet personal sense.
 
If More People Bought Art More People Would Buy Art threads a layered vibrant in-motion musicality with a relatable multifaceted tug and pull aspect of intimacy, zooming in on all sides while never sitting still. The EP is an impressive debut from the fledgling electropop outfit that ends way sooner than you’d like it to conclude. - Michael Colavita

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Black Pyramid to Release Sophomore Album Next Month

New England doom rock trio Black Pyramid will release its long awaited sophomore album Black Pyramid II on Jan. 31, 2012 via MeteorCity Records.

Recorded at Black Coffee Sound and mixed by Justin Pizzoferrato (Sonic Youth / Witch / Dinosaur Jr), the record features nine tracks of the band's self-titled "galloping war metal". Known for its dynamic sound that blends towering riff cosmos with magnetic psychedelic rock, Black Pyramid has been turning heads in the underground music scene since its formation in late 2007.

Black Pyramid II is available for advance purchase here.

--The Deli Staff


Big Mess -- Mold

Lowell trio Big Mess put out two new songs in October to follow up their self-titled release this past January. MOLD is twelve minutes of ominous, instrumental doom metal marching through a downpour of sludge. As opposed to their first album, which mixed in bluesy rock parts, MOLD adheres to a slow and straightforward brand of hardcore. Heaviness builds up in the desolate Side A and then trudges off to the dirge’s conclusion, and crunchy guitar distortion bookend Drone Bee.

--Sarah Ruggiero


New Holiday Single from The Hush Now

It's no secret that The Hush Now love the holidays. The Boston-based rock outfit treats its fans to a song for pretty much every major holiday. This season is no exception. Deciding that New Year's was a lonely holiday when it came to songs, they sat down and penned their latest gift to us all: Happy New Year, Dear.

Take a listen to the track below and head over to their Bandcamp to download it for free.

--Chrissy Prisco


28 Degrees Taurus Start 5-night East Coast Tour Tonight with Gospel Gossip (MN)

Tonight kicks off a 5-night east coast tour from local psych/shoegaze band 28 Degrees Taurus. Having recently come back from two midwestern tours (the last of which was with their Midwestern "sister band" Gospel Gossip) this marks the first area performance from 28DT in several months.

Minneapolis' Gospel Gossip will be accompanying the band on this tour. Some folks might remember Gospel Gossip from their last New England appearance in August at Deep Heaven Now. Combining energy, intensity and raw, emotionally-charged vocals from Sarah Nienaber, this band's shoegaze will leave you completely spellbound.

Do yourself a favor and make it to at least one, if not all, of these shows.

Wed, Nov. 30 -- w/ MAAR, Secret LoverRalph's Diner, Worcester MA
Thurs, Dec. 1 -- w/ Guillermo Sexo, Ghost Box Orchestra @ Great Scott, Allston MA
Fri, Dec. 2 -- w/ The New Highway Hymnal, Friendship @ The Ant Cellar, Lowell MA
Sat, Dec. 3 -- w/ Autochrome, ClouderThe Charleston, Brooklyn NY
Sun, Dec. 4 -- w/ The Josh Drews, Washerwoman @ The Velvet Lounge, Washington D.C.

--Chrissy Prisco


The Prefab Messiahs -- Peace Love & Alienation

When I first listened to Peace Love & Alienation, without knowing a thing about The Prefab Messiahs, I thought I had downloaded the wrong album by mistake. This was real garage-pop from the 80’s. After a brief peruse of the internet, I came to the conclusion that these guys are the longest-lived band to last only two years (1981-1983). Three ambitious Clark U. undergrads with barebones rigs, no money, and a lot to say combined punk, surf-rock, and garage-pop to create an unaccredited style of lo-fi pop-rock that is still relevant 30 years later,

Peace Love & Alienation brings together 8 newly remastered tracks, including both tracks produced by Bobb Trimble, that show the versatility Prefab Messiahs had in their heyday. With a strong influence from post-punk innovators “Swell Maps,” Prefab Messiahs coin a sound of their own. It’s as if the Ramones teamed up with Joy Division, took some LSD, listened to The Beach Boys' Pet Sounds, and then decided to write an album. The Album starts off with two of my favorite songs Beyond All That and Cousin Artie. In each of these songs we hear everything from surf-rock guitar licks, analog synth, punk chord progressions, and psychedelic refrains and bridges.

Then comes Prefab Messiahs’ most “famous” song, Desperately Happy. Catchy and fun reverb-soaked vocals over a simple but grooving, slightly out of tune, guitar line make this song an instant classic for any and every Prefab fan. Their creativity is certainly showcased in the next 50-second track, Prefab Dub. What was an eclectic instrumental grooving heady dub song doing in the middle of a post-punk compilation album? I’m not sure, but I listened to this short track three times in a row as any doubts that I had about this band being way ahead of their time vanished.

I suggest all music fans buy or at least check out this album. Especially for all those lo-fi, modern garage-punkers out there (fans of Wavves, Ariel Pink’s Haunted Graffiti, etc.) who might find some satisfaction in listening to the roots, this is a must-have album.

--Michael Giordano


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