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September 2014
Seagulls
"Great Pine
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With spindly strings horning in the opening instrumental, “Dragoon” awakens Seagulls' debut LP Great Pine, seamlessly transitioning into “Swimmin’,” a song that is initially given a steady-footed beat around which a more intricate and illuminating composition is built generating a peaceful yet purposeful layered sound, setting the tone for what lies ahead. “You and Me” plays like a surf-folk love letter, developing a warm, earnest vocal confession, while fitting nicely with the tug and pull groove of the scratching guitar and persistent bass. The vocal harmonies provide a sweetness accompanied by reserved bursts of trumpet and accordion-like effects offer a tease of nostalgia.
 
“Love, Give” follows a similar theme as vocals, strings, and snap-percussion set a pleasant, pensive, strolling pace as echoing harmonies and backing vocals reinforce, “Love give your hands to me, for someday I’ll be on bended knee.” “Old Habits” maintains an up close lo-fi aesthetic and underlying 8-bit accents, but the perspective has changed, shining a light on the dark side of relationships and a groove that has a somewhat worn and dusty ascetic, enhancing the lyrics meaning - “Old habits, die hard or they never do/so keep lying til they all catch up to you.” A well-placed take on Big Star’s “Thirteen” incorporates the honest-loving sentiments of adolescence, falling neatly inline with the group’s heartfelt vocal honesty, while simultaneously acknowledging one of their potential influences.
 
The record’s title-track “Great Pine” serves as a breath-catching ambiance builder before the turbulent “Holy Smokes” emerges. Enlisting peaks of aggressive kick-in-the-door instrumentation - particularly percussion between smooth stretches of vocally dominant valleys - in essence, layering pieces of clear skies between moments of violent storms.
 
“Distracted” concludes Great Pine with an uplifting blanket of vocals, allowing the guitar to stretch its sea legs as the backend force steers the musical ship; holding the course. This album starts on the shore, and while there are moments where it seems destined to searchingly drift out there, Seagulls appropriately demonstrate an ability to reel it in, taking a beautiful inaugural voyage. - Michael Colavita

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!


THE DELI TORONTO IS ON!

Ladies and Gentlemen,

today's the day when The Deli goes international, eh! Please allow us to introduce you to... The Deli Toronto!


Nightmom departs on August tour

Forget the dads of the day. Nightmom is heading out on an extensive tour following the release of the double single “Domino/Girlswamp” last month – but before you see them live, make sure to download the Providence duo's trippy new singles on Bandcamp for a foggy foray in experimental psychedelic rock. The tour begins and ends in the band’s hometown, but will take them as far as Texas and British Colombia, Canada. Tour dates are still being confirmed, so keep tabs on their Bandcamp page or Facebook for the latest updates. – Jake Reed (@jakejreed) 

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Summer 2014. NYC Issue #39
(10 Year Anniversary!)
Read it here


THE DELI NYC'S TEN YEAR ANNIVERSARY ISSUE IS OUT!

On a Friday night of December 2004, at Manhattan venue Sin-e' in Attorney Street, an emerging NYC band with a home recorded debut album played The Deli's launch party. It was a packed crowd and everyone was holding the first issue of The Deli, whose cover these upstarts were gracing. That band was Grizzly Bear. It remains one of the most exciting nights of my life, the night I understood that this magazine had a shot at being here to stay.

Now, this ten-year anniversary issue hopes to be a(nother) celebration of this great scene, in a less cluttered, more narratorial and visually appealing form thanks to art critic Brian Chidester's work as a guest editor. This issue also comes with my deep hope for NYC to keep churning out exceptional music of all kinds for the foreseeable future.

FIND THE PAPER ISSUE OF THE DELI IN MANHATTAN AND BROOKLYN, READ IT IN PDF HERE, OR BUY IT HERE FOR JUST $5.

Paolo De Gregorio,
Editor-in-Chief and Publisher

The cover of the 1st Issue of The Deli (December 2004)


The Deli's playlist of songs by emerging New England bands is updated!

Check it out HERE - it's basically the best of our New England blog in music! You can always access this playlist by clicking on "LOCAL CHANNEL" on the Navigation bar.

P.S. We couldn't add some bands because we didn't find their music on Soundcloud.


Willow releases "Slumlord" EP, previews upcoming full-length "BlueLung"

Willow's Slumlord EP has finally been unleashed after recording delays held back its December release date. The four-song collection begins with the muffled vocals and layered guitars of “Fixtures," and things get even trippier on “Colors,” where warbling vocals and whistles fade in and out as guitars bounce off the walls of the nearly percussion-less production. The set closes with the sleepy “Breathe Water,” which also acts as the first release from BlueLung, the band's upcoming full-length debut. While a release date for the album has yet to be announced, you can keep tabs on the Providence rockers’ Facebook page to find out more about the band’s music and upcoming shows. – Jake Reed

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Providence's The Range heads to SXSW

Providence's The Range (aka James Hinton) released his latest album, Nonfiction, on the UK label Donky Pitch last October, gaining him recognition both in the States and across the pond. The album's weirdest moments are its best: check out the dialogue that acts as a rap on "Metal Swing" and the slow ascent from spacious introduction to full-on electro jam. On March 25, he will release the EP Panasonic, but not before he makes the most out of a four-day stay in Austin for SXSW. Check out the full list of The Range’s SXSW stops above.  – Jake Reed

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