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April 2014
Creepoid
"Creepoid
"
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The perfect solace for winter’s passing, Creepoid’s second full-length self-titled LP combines the zeitgeist of 90's grunge with pristine dissonance and somber lyricism. Released earlier this month by No Idea Records, Creepoid is eerie, melodic and stirring from beginning to end. 

The record’s introductory track “Nauda” opens with a singular note that swells into a melody, aligning itself with the listener in a way that feels confessional yet synonymous. A well-wrought continuation of the earnest diction reminiscent of Horse Heaven, “Nauda” is as bittersweet as its vocals, informed by the paradox of loneliness and longing. Expanding into a cinematically moody soundscape, guitars wail like sirens, beckoning chords to crash and settle into a fading ricochet - a premonition of “Sunday.” Coupled with acoustic strums and crisp vocal croons, a solemn request, “take my light and pull it out,” is beautifully melodic with perfectly placed tambourine that brings to mind the memorable mood concentrated. Exploring the affect and consequence of relational presence and its subsequent absence, the orchestration of “Sunday” renders a relatable narrative evocatively raw and sincere. 

“Yellow Wallpaper” ignites with driving bass and swirling riffs. As if resurrecting the perfection of Jeremy Enigk (ex-Sunny Day Real Estate), a la “Killed By An Angel” meets “Pillars,” the song evokes an eerie all consuming sense of the sublime that centers the track’s duration. Like an extension of Horse Heaven’s “Hollow Doubt,” the contextual weight of “Yellow Wallpaper” is harmonically haunting and intentionally poignant. “Baptism” washes over its listener in waves of riffs and echoed vocals that occupy an emotive territory similar to lesser-known tracks by Sonic Youth, subverted and painted darker by the brooding buzz reminiscent of shoegaze greats like My Bloody Valentine. 

In its decline, “Baptism” casts a feeling of transcendent submersion, befitting its namesake. With a crystallized aggression, “Gout” does the same - urgent and arresting with visceral shouts and screams. “Stay Inside” is considerably more subdued than the album’s preceding tracks but equally mesmerizing, unfolding “Tired Eyes,” a hypnotic chant of a fatigued psychedelic. “Golden String” feels slightly optimistic, while “Acrimony” blossoms then retracts into a reserved yet deliberate ballad that demands its audience’s attention like a gloomy lullaby with teeth. “Vulgar,” warm and sunlit, is lush and arresting, setting the stage for the album’s closer “Old Tree,” a jubilant ending to yet another epic compilation of clairvoyant anthems evoked by Creepoid. - Dianca Potts 


This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!




Austin 2014 issue (SXSW)
Read it here

 


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Winter 2013. NYC Issue #37 (CMJ)
Read it here


2013 Year End Polls For Emerging Artists: Results Scene by Scene

LATEST NEWS: NYC FINAL RESULTS! - PHILLY FINAL RESULTS! -  SF BAY AREA FINAL RESULTS! - NEW ENGLAND FINAL RESULTS! - NYC Jurors' Votes - PORTLAND FINAL RESULTS! - NYC Readers' Poll is over! NASHVILLE FINAL RESULTS! - CHICAGO FINAL RESULTS! - LOS ANGELES FINAL RESULTS! - KANSAS CITY FINAL RESULTS! - DC AREA FINAL RESULTS!AUSTIN FINAL RESULTS! 

For the full summary click...

HERE


Susy Sun releases video for "Forward Backward"

Susy Sun is a classically-trained pianist and​ singer/songwriter from the Pacific Northwest. She performs piano compositions with a sweet voice which contradicts her e​dgy, honest lyrics. Often accompanied by a full band, the result is a strong, sultry ​sound that​ demands your attention and makes for playful live shows that mesmerize audiences everywhere.

Her childhood was filled with music lessons. By her teens she was already an accomplished classical pianist, writing her own lyrics to accompany her original compositions. Infused with honest accounts of her personal experiences, the combination of her piano sounds and lyrics demonstrate a deep connection to the earth, and a playful, free spirit that loves to roam it.

Aside from exploring her own N​ative A​merican and Swedish culture, Susy Sun has taught music in London, worked at a farm in Greece, and studied Spanish in Spain. Her travels confirmed that she would never be content brushing off her musical dreams, and after a few years of cubicle life, she dropped the corporate world to pursue her biggest passion.

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Fall 2013. NYC Issue #36 (CMJ)
Read it here

 


Deli Issue #36 is out! CMJ 2013, Wilsen, Drowners + more!

Oy musical people!

The Deli NYC's 36th issue infested the streets of NYC yesterday (Wed 10.09), look for a physical copy in venues/rehearsal studios/music instrument stores, or read it online HERE!

The Deli's Staff


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