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September 2014
Seagulls
"Great Pine
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mp3
With spindly strings horning in the opening instrumental, “Dragoon” awakens Seagulls' debut LP Great Pine, seamlessly transitioning into “Swimmin’,” a song that is initially given a steady-footed beat around which a more intricate and illuminating composition is built generating a peaceful yet purposeful layered sound, setting the tone for what lies ahead. “You and Me” plays like a surf-folk love letter, developing a warm, earnest vocal confession, while fitting nicely with the tug and pull groove of the scratching guitar and persistent bass. The vocal harmonies provide a sweetness accompanied by reserved bursts of trumpet and accordion-like effects offer a tease of nostalgia.
 
“Love, Give” follows a similar theme as vocals, strings, and snap-percussion set a pleasant, pensive, strolling pace as echoing harmonies and backing vocals reinforce, “Love give your hands to me, for someday I’ll be on bended knee.” “Old Habits” maintains an up close lo-fi aesthetic and underlying 8-bit accents, but the perspective has changed, shining a light on the dark side of relationships and a groove that has a somewhat worn and dusty ascetic, enhancing the lyrics meaning - “Old habits, die hard or they never do/so keep lying til they all catch up to you.” A well-placed take on Big Star’s “Thirteen” incorporates the honest-loving sentiments of adolescence, falling neatly inline with the group’s heartfelt vocal honesty, while simultaneously acknowledging one of their potential influences.
 
The record’s title-track “Great Pine” serves as a breath-catching ambiance builder before the turbulent “Holy Smokes” emerges. Enlisting peaks of aggressive kick-in-the-door instrumentation - particularly percussion between smooth stretches of vocally dominant valleys - in essence, layering pieces of clear skies between moments of violent storms.
 
“Distracted” concludes Great Pine with an uplifting blanket of vocals, allowing the guitar to stretch its sea legs as the backend force steers the musical ship; holding the course. This album starts on the shore, and while there are moments where it seems destined to searchingly drift out there, Seagulls appropriately demonstrate an ability to reel it in, taking a beautiful inaugural voyage. - Michael Colavita

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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seattle

The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!


THE DELI'S 7 OFFICIAL CMJ 2014 STAGES

DELI OFFICIAL CMJ SHOWS ANNOUNCED, FULL SCHEDULE HERE 


THE DELI TORONTO IS ON!

Ladies and Gentlemen,

today's the day when The Deli goes international, eh! Please allow us to introduce you to... The Deli Toronto!




Summer 2014. NYC Issue #39
(10 Year Anniversary!)
Read it here


THE DELI NYC'S TEN YEAR ANNIVERSARY ISSUE IS OUT!

On a Friday night of December 2004, at Manhattan venue Sin-e' in Attorney Street, an emerging NYC band with a home recorded debut album played The Deli's launch party. It was a packed crowd and everyone was holding the first issue of The Deli, whose cover these upstarts were gracing. That band was Grizzly Bear. It remains one of the most exciting nights of my life, the night I understood that this magazine had a shot at being here to stay.

Now, this ten-year anniversary issue hopes to be a(nother) celebration of this great scene, in a less cluttered, more narratorial and visually appealing form thanks to art critic Brian Chidester's work as a guest editor. This issue also comes with my deep hope for NYC to keep churning out exceptional music of all kinds for the foreseeable future.

FIND THE PAPER ISSUE OF THE DELI IN MANHATTAN AND BROOKLYN, READ IT IN PDF HERE, OR BUY IT HERE FOR JUST $5.

Paolo De Gregorio,
Editor-in-Chief and Publisher

The cover of the 1st Issue of The Deli (December 2004)


Punk rock from Seattle: Dead Bars release new tracks

Raspy punk rock has a very important place in every punk rocker's heart.  Dead Bars seem to occupy that space.  Formed in 2013 and hailing from New Jersey,  Dead Bars are not only raw, grungy, bloodied and ragged, but they seem to also have a surprisingly talent for melody.  They could easily be confused with most bands on the Fat Wreck Chords punk label.  The band just released two new tracks via No Idea Records, one called 'Los Marineros,' which will appear on their self-titled EP and one called 'Just Fine' that will appear on a split with Sunshine State.   You can listen to the latter below. - Michael Haskoor (@Tweetskoor)

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Austin 2014 issue (SXSW)
Read it here

 


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