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April 2014
The perfect solace for winter’s passing, Creepoid’s second full-length self-titled LP combines the zeitgeist of 90's grunge with pristine dissonance and somber lyricism. Released earlier this month by No Idea Records, Creepoid is eerie, melodic and stirring from beginning to end. 

The record’s introductory track “Nauda” opens with a singular note that swells into a melody, aligning itself with the listener in a way that feels confessional yet synonymous. A well-wrought continuation of the earnest diction reminiscent of Horse Heaven, “Nauda” is as bittersweet as its vocals, informed by the paradox of loneliness and longing. Expanding into a cinematically moody soundscape, guitars wail like sirens, beckoning chords to crash and settle into a fading ricochet - a premonition of “Sunday.” Coupled with acoustic strums and crisp vocal croons, a solemn request, “take my light and pull it out,” is beautifully melodic with perfectly placed tambourine that brings to mind the memorable mood concentrated. Exploring the affect and consequence of relational presence and its subsequent absence, the orchestration of “Sunday” renders a relatable narrative evocatively raw and sincere. 

“Yellow Wallpaper” ignites with driving bass and swirling riffs. As if resurrecting the perfection of Jeremy Enigk (ex-Sunny Day Real Estate), a la “Killed By An Angel” meets “Pillars,” the song evokes an eerie all consuming sense of the sublime that centers the track’s duration. Like an extension of Horse Heaven’s “Hollow Doubt,” the contextual weight of “Yellow Wallpaper” is harmonically haunting and intentionally poignant. “Baptism” washes over its listener in waves of riffs and echoed vocals that occupy an emotive territory similar to lesser-known tracks by Sonic Youth, subverted and painted darker by the brooding buzz reminiscent of shoegaze greats like My Bloody Valentine. 

In its decline, “Baptism” casts a feeling of transcendent submersion, befitting its namesake. With a crystallized aggression, “Gout” does the same - urgent and arresting with visceral shouts and screams. “Stay Inside” is considerably more subdued than the album’s preceding tracks but equally mesmerizing, unfolding “Tired Eyes,” a hypnotic chant of a fatigued psychedelic. “Golden String” feels slightly optimistic, while “Acrimony” blossoms then retracts into a reserved yet deliberate ballad that demands its audience’s attention like a gloomy lullaby with teeth. “Vulgar,” warm and sunlit, is lush and arresting, setting the stage for the album’s closer “Old Tree,” a jubilant ending to yet another epic compilation of clairvoyant anthems evoked by Creepoid. - Dianca Potts 

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.

Go to the old Top 300 charts


scene blog


Fever Charm's Upcoming Album and Release Show

I was just chatting with a friend about how, once in a while, we’ll come across those people whose futures we’d want to invest in. I think it’s just a matter of time before the teens in Oakland’s Fever Charm wind up on the charts, and it’d really rev my hipster sensibilities to say, “I knew them when.” 

Fever Charm’s infectious music is a collage of early 60’s rock ‘n’ roll, pop punk, and modern alt rock. If you’re not bopping your head within the first 30 seconds of any song, you’re almost certainly the Grinch.
Stream their newest single, “Recognize Me,” off upcoming full-length, West Coast Rock And Roll, for a sock hop swooner, or listen to their last EP, Sail Away, for nostalgic high school goodbyes and youthful ambivalence. I am convinced that “I Won’t Sleep Tonight” could overtake mainstream airwaves as the next big rock anthem.
Fever Charm drops their new album and performs at Bottom of the Hill on January 5th. They will share the stage with Rin Tin TigerEveryone Is Dirty, and False Priest, who are releasing their own album, Uncanny Valley, that night. 
Read our interview with Fever Charm, and definitely make sure to check out the description of their best live show.

Preview: Neck of the Woods Opening Night on December 1st

There’s a new venue in town. Neck of the Woods, formerly known as Rockit Room, will be throwing an opening party on December 1st, featuring six top notch bands, two DJs, two stages, and an after party. Here’s the lineup and all the info you need to have a great Saturday night. No, I won’t pay for your cab fare.

Debbie Neigher

DJ Aaron Axelson (Live 105, Popscene)

Doe Eye

The Hundred Days

Mister Loveless

New Diplomat

Nova Albion

Seeking Empire

After Party (1am) @ Downstairs Stage with DJ Huffy (Death Valley High, Minushead Records)

You can buy tickets at the door for $12, or you can buy some here for $10, and put those two smackaroos toward one fearsome bar tab.

Mahgeetah's Full-Length Album and Upcoming Show at The Night Light, Dec. 7

Let’s start by saying Mahgeetah’s first full-length album Heavy Baby doesn’t qualify as your typical SF indie scene staple. 

Beginning with a single interval on a B3 organ—or a B3 imposter—and ending with a classic blues-rock jam, the album is truck stop music’s sensitive cousin who went off to college, but still gets nostalgic for his blues and folk rock roots. It would gladly trade your Bay Area reverb for a little distortion any day.

Heavy Baby uses influences like Dr. Dog and Wilco as a compass, but ventures into territory of its own. It is constructed of propulsive rhythms with easy riding guitars, and furnished with Cat Stevens-like electric piano riffs with soulful, staccato vocals that call to mind Arcade Fire’s Win Butler and Wolf Parade’s Spencer Krug.

Listen to the album all the way through; this is much more than a catchy road trip playlist.  

Here's the only track from the album I could find for free download, but you can stream it on major streaming platforms like Rdio, and buy it on major buying platforms like iTunes. 

Get convinced you want to buy or stream Mahgeetah's album by watching their show at The Night Light, December 7, with T.V. Mike and Scarecrows. 


Evil Eyes' Dreamy Singles and Impending Album Release

Evil Eyes’ musical adventure begins with a bro jam in a shabby motel room in a mysterious, suntanned land called Florida. Four years, three new members, two singles, and one EP later, the band is preparing to release their first full-length album here in Palesville (okay, San Francisco), CA.

Their gauzy, glazed pop lives in a similar zip code as Real Estate, Beach House, and Youth Lagoon. Heavy on janglitude, guitar pedals, and pentatonicism, they should have no issue packing out a space in the prolific West Coast shoegaze scene. 

Listen to their stuff here, and look forward to their album release early next year.


November 2012
Jessica Pratt
"Jessica Pratt

Do yourself a favor and dig up your old home movies—before the illness, accident, or divorce—turn down the lights, and play Jessica Pratt's self-titled album. Her music is neither rooted in the past nor the present, but somewhere visceral and in-between, like the memories you bothered to keep. Don’t expect hooks and fanfare. This quiet, unadorned album is fingerstyle guitar, timeless vocals, and meandering melodies. It could just as easily live on a cassette tape as it could a lossless file.

Listen to Jessica Pratt's Self-Titled Album

Happy Thanksgiving, everyone. 

Do yourself a favor and dig up your old home movies—before the illness, accident, or divorce—turn down the lights, and play Jessica Pratt’s self-titled album.

Her music is neither rooted in the past nor the present, but somewhere visceral and in-between, like the memories you bothered to keep. Don’t expect hooks and fanfare. This quiet, unadorned album is fingerstyle guitar, timeless vocals, and meandering melodies. It could just as easily live on a cassette tape as it could a lossless file.

Stream it here (courtesy of The FADER). 


November 2012
Big Tree
"Little EP

When Big Tree got around to recording Little EP, they didn’t each condemn themselves to anechoic solitary confinement; instead, they took a more organic approach and recorded all three songs together in one hyper-productive, ten-hour session onto a reel of 2” tape. Onto the result, they added three more songs, recorded live at San Francisco’s Rickshaw Stop.

The result is a warm, ecstatic album, human to its very core. Infused with relentlessly singable mantras, raw and emotive vocals, and soul-bolstering instrumentals, the album is a barefoot walk on warm soil where so many others are trips to IKEA. If there is one argument against the over-tinkered immaculacy that pervades so much pop music, Little EP is it.


Free Tickets: French Cassettes, Black Cobra Vipers, and Brolly at Elbo Room on November 28

I’ve got some free tickets coming your way for a show at Elbo Room on Nov. 28 featuring French Cassettes, Black Cobra Vipers, and the SF debut of Brolly.

The lineup has something for everyone—Brolly cools you down with introspective melody-centric pop (think Coldplay and Death Cab); French Cassettes warms you up with impossibly infectious, sunny grooves; and Black Cobra Vipers shakes you around with swooning vocals, and art funk flavors.

The two pairs of tickets are courtesy of Bourgeois Productions and event sponsors Faultline Studios. If you want them, send me an email at, and I’ll draw the winners at random. Hint: dates are expensive, and this is some prime, date-worthy real estate. 



Which of these local acts should be The Deli Philly's featured artist(s)?

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