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April 2014
Creepoid
"Creepoid
"
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The perfect solace for winter’s passing, Creepoid’s second full-length self-titled LP combines the zeitgeist of 90's grunge with pristine dissonance and somber lyricism. Released earlier this month by No Idea Records, Creepoid is eerie, melodic and stirring from beginning to end. 

The record’s introductory track “Nauda” opens with a singular note that swells into a melody, aligning itself with the listener in a way that feels confessional yet synonymous. A well-wrought continuation of the earnest diction reminiscent of Horse Heaven, “Nauda” is as bittersweet as its vocals, informed by the paradox of loneliness and longing. Expanding into a cinematically moody soundscape, guitars wail like sirens, beckoning chords to crash and settle into a fading ricochet - a premonition of “Sunday.” Coupled with acoustic strums and crisp vocal croons, a solemn request, “take my light and pull it out,” is beautifully melodic with perfectly placed tambourine that brings to mind the memorable mood concentrated. Exploring the affect and consequence of relational presence and its subsequent absence, the orchestration of “Sunday” renders a relatable narrative evocatively raw and sincere. 

“Yellow Wallpaper” ignites with driving bass and swirling riffs. As if resurrecting the perfection of Jeremy Enigk (ex-Sunny Day Real Estate), a la “Killed By An Angel” meets “Pillars,” the song evokes an eerie all consuming sense of the sublime that centers the track’s duration. Like an extension of Horse Heaven’s “Hollow Doubt,” the contextual weight of “Yellow Wallpaper” is harmonically haunting and intentionally poignant. “Baptism” washes over its listener in waves of riffs and echoed vocals that occupy an emotive territory similar to lesser-known tracks by Sonic Youth, subverted and painted darker by the brooding buzz reminiscent of shoegaze greats like My Bloody Valentine. 

In its decline, “Baptism” casts a feeling of transcendent submersion, befitting its namesake. With a crystallized aggression, “Gout” does the same - urgent and arresting with visceral shouts and screams. “Stay Inside” is considerably more subdued than the album’s preceding tracks but equally mesmerizing, unfolding “Tired Eyes,” a hypnotic chant of a fatigued psychedelic. “Golden String” feels slightly optimistic, while “Acrimony” blossoms then retracts into a reserved yet deliberate ballad that demands its audience’s attention like a gloomy lullaby with teeth. “Vulgar,” warm and sunlit, is lush and arresting, setting the stage for the album’s closer “Old Tree,” a jubilant ending to yet another epic compilation of clairvoyant anthems evoked by Creepoid. - Dianca Potts 


This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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sxsw

The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!


SXSW aftermath: Liquor Store hits Austin during US tour

Tough, rowdy, noisy and just plain raw, Liquor Store is New Jersey's punk rock pride. Their debut LP 'Yeah Buddy' was a gritty affair (with a debatable cover), but the band seems to have cleaned up the edges for the better in their recent sophomore album 'In The Garden.'  The first track "Satin Dollars" is reminiscent of Titus Andronicus with a soft touch of Blue Oyster Cult. They took their sonic noise punk to SXSW in Austin last week to play a bunch of shows (including two at Hotel Vegas Patio on 3/12 & 3/15), and they will keep touring the US until the end of the month. After that, look out for a show at their favorite Brooklyn spot: Shea Stadium of course! - Michael Haskoor (@Tweetskoor)

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Austin SXSW winners (without even trying): Sh*t-Kickers

Searching for coverage of truly emerging bands that played SXSW, we stumbled upon the Hitfix's "Band to watch at SXSW", where we were introduced to Austin's own Sh*t Kickers, who played five shows at this past SXSW fest. The band plays some kind of slacker punk with noise accents that will surely excite many local students (and us). Their music seems to be coherent with their personality: they slack so much they couldn't even get it together to create a Facebook profile for the band, not to mention a website. Press pictures, you say? Ha ha ha... Thankfully, Austin label Monofonus Press posted a couple of their songs on Soundcloud (even though they don't seem to be on their roster). Check out brief single "Living Alone" below, and don't miss their next live show for some loud slacking.

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Secret Colours "Heavy & Steady"

Secret Colours have released a new single, "Heavy & Steady", from their forthcoming EP Positive Distractions Part II. This is the band's second EP in 2014. The band made their way down SXSW this year and reportedly had some great sets.

Secret Colours will be heading at EvenFlow Music & Spirits in Gevena this Saturday, March 22nd.

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Angelina Lucero

Rooftop Sessions Chicago released their "Ugly Lamp" session with the amazing singer/songwriter Angelina Lucero late last week. Below is Lucero performing her song "Toothbrush".

Lucero is half of the duo Idyll along with Jojo Yang, and less than a month ago the two dropped a mind blowing singled called "Trouble". The duo attended SXSW over the weekend and continued to impress.

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Weekly Feature: Oh Honey after SXSW tours with James Blunt

Oh Honey, a phenomenal, NYC based rootsy duo we booked at the latest CMJ Marathon, played the Ascap official SXSW show last week and is in the midst of a three leg spring tour that will see them open for American Authors and James Blunt, among others. They'll be back in NYC on May 5 at Webster Hall.

LINKS: Sam Kogon's interview with Oh Honey

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Weekly Feature: Tei Shi had a busy SXSW

As you probably know, the number of SXSW shows played by a band is directly proportional to their "buzz." With six gigs (some for noteworthy publications and blogs like FILTER, Gorilla vs. Bear and The Wild Honey Pie), Brooklyn based mellowtronica trio Tei Shi definitely ranked among the most buzzed about emerging artists of this edition of the Austin live fest. We had the chance to interview them in our winter issue of The Deli NYC - see link below.

LINKS: Dean Van Nguyen's interview with Tei Shi

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New Track: "Asha" - Vita and the Woolf

Below is the latest single, "Asha," from West Chester duo Vita and the Woolf, comprised of Jen Pague and Joey Anderson. The band's name is derived "from the love relationship between writers, Vita Sack-ville West and Virginia Woolf." The track is off their upcoming album Fang Song, due out this spring. (Photo by Cameron Starr)

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