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Mumblr
"Full Of Snakes
"
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The major takeaway for Mumblr’s new album Full Of Snakes (Fleeting Youth Records) is that it really takes balls to write songs that truly say nothing. As counter intuitive as it may sound, there really is something admirable in using music to not really express all that much. Any jerk with a voice and a few chords can say a whole lot about how their ex is horrible; what really matters is how much of that content is actually worth hearing. And brother, Mumblr has found a way to make saying nothing profound.

On the surface, the album initially sounds like some sort of early 2000’s generic pop-punk; the first song “Got It” opens with that familiar sense of vague, safe anger. It’s very “high school” reminiscent, right off the bat, with lines like “I got it if you want it” and “I’ll invite you to my room.” But as the song closes and we drift into “Sober,” the tone very gradually starts to feel off. It starts to feel a bit weirder, with this sense of reckless abandon that you only hear in a Violent Femmes song. And it’s not that one is true, and the others is not; this album is walking a razor’s edge between the most self-aware of indie post-punk and the obliviousness of adolescent guilty pleasures.

And while that may sound like a chaotic mess, the seventeen-track full-length really is the having-and-eating of one's cake. We get the indulgence of grandiose guitar riffs and over the top shrieks, but with just enough originality in the composition to give it a sense of being slick and even avant-garde. Don’t let the outward sense of crazy abandon fool you - this thing is airtight. And a lot of that can be chalked up to Nick Morrison’s vocals; he brings a real sense of cleverness to the whole thing, in no small part to the fact that he can turn his voice on a dime.

One endlessly fascinating reoccurring theme is the use of repetition in their lyrics, with phrases like the aforementioned “I got it” and “someone’s been sitting in my chair” echoed over and over again, beyond the point of simple parody. It’s that old artistic trope of repeating something until it becomes meaninglessly applied to lyrics, and it’s interesting to hear expressions of youthful angst to become so alien and meaningless.

They take these universal touchstones of adolescences, including the use of “shock” lyrics such as “if God is a woman I’m going to hell” and gleefully drive them into the ground while enjoying the ride. It’s fun, it’s cool, and will leave you thinking more than any other post-punk album in months. And it does so while still being a genuinely fun throwback to a sort of music that you don’t really hear in earnest these days. - Daniel Ludwig


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DRGN KING has released Baltimore Crush the follow-up to their 2013 debut Paragraph Nights, via Bar None Records. Its sound much-like the lineup of the Dominic Angelella-fronted group has evolved. Baltimore Crush echoes of its predecessor, while taking steps forward, delivering personal heartfelt emotions and high-voltage instrumentation, blended with danceable, more casual grooves and surf-rock aesthetics. It’s that calm endearing honesty and sensitivity that allows you to lay back and ride the wave or go full-throttle at any moment. You can now stream the LP in its entirety at AllMusic.com.

October 29, 2014
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Teen Men is the charming pop project from the Spinto Band's Nick Krill and Joe Hobson. They joined forces with visual artists Catherine Maloney (photographer) and Albert Birney (filmmamker), mixing the modalities and creating a live performance synced to a video projection that encourages interaction between the band members and its audience. What happens? You get a unique concert experience that you might not want to miss when they open this evening at Johnny Brenda's for Montreal ambient-pop outfit Seoul. Johnny Brenda's, 1201 N. Frankford Ave., 9pm, $12, 21+ - H.M. Kauffman

October 29, 2014
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ANTI- recording artist Son Little, a.k.a. Aaron Livingston, is having a remix contest for his track "The River." He recently shared its stems over at Indaba Music. The Grand Prize Winner will receive an Ableton Live 9 Suite and Push controller, V-Moda Crossfade M-100 headphones, and a chance for an official release of the remix on Spotify. The top 3 Popular Vote Winners will also get a 1-year Pro membership to Indaba Music. The deadline for submissions is at 5pm on November 20, 2014. Good luck!

October 29, 2014
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Below is the debut single, "Ugly One," from LABRYYYNtH, a new project from Dr. Dog multi-instrumentalist Dimitri Manos. He has once again teamed up with his other bandmates from Golden Boots. It's off their first self-titled album, which is due out on November 4 via People In Positions To Know. The band currently has plans to tour "Nowhere, Ever." Enjoy!

October 28, 2014
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Yes - as the months flash by and the end of another year stands starkly in the distance, one can't help wonder: Will GrandeMarshall's official label album ever see the light of day? Hope continues to glimmer in my eyes and rattle in my ears with his latest video for "Burning Rubber Freestyle," another single off his long-awaited My Brother's Keeper, which still hasn't received a drop date from Fool's Gold. I guess that we'll just have to hear some of the tracks live tonight at Underground Arts, along with hopefully others from his brilliant 800 and Mugga Man mixtapes, when he opens for hard-livin', Gary, Indiana badass Freddie Gibbs. This one-two combination is a welcomed pummelling for hip-hop fans, and I'm guessing that the venue's backstage will surely be filled with a hazy cloud of blunt smoke so don't expect to get out of the basement at a reasonable hour for work the next day. I suggest that you already start coughing or mentioning that you're feelin' some sort of way if you haven't taken tomorrow off yet. That's my protip for ya; you can take it or leave it. Underground Arts, 1200 Callowhill St., 8pm, $18, 21+ - Alexis V.

October 28, 2014
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Chris Forsyth & The Solar Motel have shared the second single, "The Ballad Of Freer Hollow," from their new album Intesity Ghost. Well, it's definitely not what you'd consider a typical single in the traditional sense, clocking in at over 11 minutes with a drone-y feedback segment. The record is available today via No Quarter Records, and their Philly release show will take place on Wednesday, November 5 at Boot & Saddle.

October 28, 2014
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