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Mumblr
"Full Of Snakes
"
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The major takeaway for Mumblr’s new album Full Of Snakes (Fleeting Youth Records) is that it really takes balls to write songs that truly say nothing. As counter intuitive as it may sound, there really is something admirable in using music to not really express all that much. Any jerk with a voice and a few chords can say a whole lot about how their ex is horrible; what really matters is how much of that content is actually worth hearing. And brother, Mumblr has found a way to make saying nothing profound.

On the surface, the album initially sounds like some sort of early 2000’s generic pop-punk; the first song “Got It” opens with that familiar sense of vague, safe anger. It’s very “high school” reminiscent, right off the bat, with lines like “I got it if you want it” and “I’ll invite you to my room.” But as the song closes and we drift into “Sober,” the tone very gradually starts to feel off. It starts to feel a bit weirder, with this sense of reckless abandon that you only hear in a Violent Femmes song. And it’s not that one is true, and the others is not; this album is walking a razor’s edge between the most self-aware of indie post-punk and the obliviousness of adolescent guilty pleasures.

And while that may sound like a chaotic mess, the seventeen-track full-length really is the having-and-eating of one's cake. We get the indulgence of grandiose guitar riffs and over the top shrieks, but with just enough originality in the composition to give it a sense of being slick and even avant-garde. Don’t let the outward sense of crazy abandon fool you - this thing is airtight. And a lot of that can be chalked up to Nick Morrison’s vocals; he brings a real sense of cleverness to the whole thing, in no small part to the fact that he can turn his voice on a dime.

One endlessly fascinating reoccurring theme is the use of repetition in their lyrics, with phrases like the aforementioned “I got it” and “someone’s been sitting in my chair” echoed over and over again, beyond the point of simple parody. It’s that old artistic trope of repeating something until it becomes meaninglessly applied to lyrics, and it’s interesting to hear expressions of youthful angst to become so alien and meaningless.

They take these universal touchstones of adolescences, including the use of “shock” lyrics such as “if God is a woman I’m going to hell” and gleefully drive them into the ground while enjoying the ride. It’s fun, it’s cool, and will leave you thinking more than any other post-punk album in months. And it does so while still being a genuinely fun throwback to a sort of music that you don’t really hear in earnest these days. - Daniel Ludwig


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There’s very little information to be found online about Philly garage rock outfit Shape Breaker. Instead, they let their guitar-shredding speak for itself. In 2011, they released their debut album, no fun., which featured the opening track, “Brotherly Love,” a fast-paced jam made for sweaty moshing and brotherly shoves. Shape Breaker’s latest album, Eyes Wide, was released last year and well-received by the blogosphere so it’s no surprise that they’ll opening for crude (in the best way) Austin garage-punks OBN IIIs, who are elusive about what information they give out as well. Their Facebook “About” section reads, “Our page is about fuck-all if not for the band. Come see us live. How's that for a long drescription, facebook?” Local acts Ruby Buff and The Pretty Greens will be rounding out the bill. Underground Arts, 1200 Callowhill St., 8pm, $10, 21+ - Emily DiCicco

October 22, 2014
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Cold Fronts has been rather dormant since signing to Sire Records. Well, they're gearing up to hit the road in support of their first label release. The four-song EP entitled Forever will be available on Novemeber 4, and the band just shared its first single "Hit Me." The track is also accompanied by a trippy lyric video, which was filmed and edited by Joe Lee and can be viewed below. They'll be performing next in Philly on November 9 at The Barbary opening for Empire.

October 22, 2014
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Young Statues dropped their new full-length album The Flatlands Are Your Friend today via Boston's Run For Cover Records. You can stream and purchase the album in its entirety below. The band will also be celebrating its release this Friday at Kung Fu Necktie with Mohican and Dryjacket.

October 21, 2014
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There’s something to be said for the ability to bridge a gap, and Ghost Gum, opening this evening at Johnny Brenda’s, finds a way to do just that. Merging a constant, driving, spatially aware, shoegaze-y instrumental setup, throbbing bass lines, smash-spreading percussion and those slithering guitar licks, all accented by Carolyn Hayes’ calm guiding vocals. The music absorbs into you, in a peacefully tenacious manner, moving at a high-end pace but finessing each turn with an experienced approaching, while cruising at full speed. The dance exciting new-wave nodding Royal Shoals, whose sound pulls pieces from across a wide board, serves as the filling of tonight's local musical sandwich with headlining act Literature's nonstop, jangly burst of power pop keeping you on your feet at JB's all night long. Johnny Brenda’s, 1201 N. Frankford Ave., 8pm, $10, 21+ - Michael Colavita

October 21, 2014
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While Khari Mateen's latest single "Best Time Ever" might have missed its opportunity to be your summertime anthem for 2014, it does reveal a more fun, lively side of the multi-dimensional artist than we've ever heard from him before. Now, we're kind of interested in hanging with him for an evening and seeing where the night takes us. You can stream the track below. And "kids, don't do drugs."

October 21, 2014
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We are doing a ticket giveaway for tomorrow night's show at Underground Arts with White Fence, King Gizzard & The Lizard Wizard, and Laser Background. To enter for a chance to win a pair of tix, just send an email to thedelimagazinephiladelphia@gmail.com with the subject line "Who Wants to Own a White Fence?" Please also include your cell number in the body of the message (in case of an emergency). Good luck! (Photo by Zoe Zag)

October 20, 2014
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