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The Weaks
"Bad Year
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On the heels of last year’s, debut EP The World Is A Terrible Place & I Hate Myself And Want To Die, The Weaks, led by a pair of former Dangerous Ponies Chris Baglivo and Evan Bernard, have released their full-length debut Bad Year via Lame-O Records.
 
The record wastes little time jumpstarting into the aptly titled “Kick It,” with its bass-thudding lines rolling into catchy, emotive power-pop mode, cleansed with a bit of synth before unleashing one of the album’s many blasts of guitar solos. “Nevermind” (an homage to Nirvana) reflectively takes the positive spin on a failed relationship, streamlining percolating instrumentation with stable yet aching vocals. The album’s title-track cracks through melancholy with a lyrical disposition harnessing polished twin guitar licks between trudging percussion-led transitions, destined for fiery flashes of solo prowess. With an aggressive, smashing instrumental storm, “Black Box” takes the ball and runs with its relatable crushing narrative, hooking you in as a silky synth slips in amid the treacherous landscape. 
 
“Dysania” is the cup of coffee that pushes the covers off. With its guitar-led jog, loosening into a bass-charging surge, it quickly reaches maximum speed. Tongue-in-cheek earnest yet humorous lyrical tones – “Too much blood for just two hands/and there’s so much shit we’re gonna need two vans” – set the mood whilst sprinkling in clean flares of guitar, maintaining that downhill thrust. The song contextually blends a pent up instrumental energy and memorable vocals to create a natural anthem feel. Turning a leaf, “I Don’t Wanna Be An Anarchist (Anymore)” melds percussion and synth, delivering a sincere yearning for change with that heart-throbbing, interwoven bass-drum combo, adding a real inside-looking-out perspective. 
 
Strumming acoustic guitar and a spacey synth serve as foils in “Welcome To Earth,” zooming in and then peering out in a battle of loneliness and self-exploration, once again enjoying a creative out there spin on a common searching topic. The closing track is another nod & wink to Nirvana and Hop Along frontwoman, “Francis Quinlan Will Have Her Revenge On Philadelphia,” embracing a snarky attitude with matching (rough around the edges) momentum-gathering guitar meets an avalanche of backend, delivering a mixed emotion-filled message “Who’s going to pull your weight if I leave you behind... Please stay with me. 
 
Bad Year embraces its Weezer power-pop influences, allowing listeners to join in on the emotionally personal ups and downs, while still coming away refreshed. It’s another great find for rising Philly indie label, Lame-O Records. - Michael Colavita

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scene blog

Girlpool captures the wonderment of adolescence on their debut full-length album Before The World Was Big, due out June 2 via Wichita Recordings. Harmony Tividad continues that exploration with her solo effort "Jungle Gym." It's the B-side of her new EP, aptly titled two songs. The duo will be on tour this summer in support of its forthcoming record. The group will be stopping back into Philly on Friday, August 14 at Everybody Hits.

May 27, 2015
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Slaughter Beach, Dog, a.k.a. Modern Baseball's Jake Ewald, has released a cover of LVL UP’s “I Feel Extra-Natural,” found on Hoodwink’d. The acoustic strumming pattern, subtle keys and softly interlaced vocals play into the song’s delicate, emotive nature. Tonight, Slaughter Beach, Dog will be performing at Hazel House on a bill presented by The Guild, which also includes Abi Reimold, Meridian, and Pinch Hitter. (Photo by Jessica Flynn)

May 26, 2015
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It's hard to believe that it has been a decade since Clap Your Hands Say Yeah dropped their debut self-titled album on the world. The groundbreaking LP sold tens of thousands of copies out of bassist Tyler Sargent's Brooklyn apartment at that time, which was unheard of in the music industry, and helped to alter the scope of what indie/DIY acts could accomplish without a record label. To celebrate the 10th anniversary of this generation-defining moment, the group is re-issuing its first release, and will be hitting the road performing the record in its entirety along with other favorites from the band's catalog. Clap Your Hands Say Yeah will be kicking the tour off this evening at Johnny Brenda's with Teen Men, who have been asked to support them during their travels across the U.S. and Canada. Johnny Brenda's, 1201 N. Frankford Ave., 9pm, $20, 21+ - H.M. Kauffman

May 26, 2015
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Daughn Gibson, a.k.a. Josh Martin, just premiered his third album Carnation over at NPR's First Listen. Gibson once again gives us a record that we were not expecting from the rugged-looking baritone, as his past country leanings lay further underneath his latest lacquered sheen of pop. The LP officially drops on June 2 via Sub Pop.

May 26, 2015
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Krust Toons: "#howtospotabigot" by Teddy Hazard - please feel free to drop him a line at teddandthehazards@gmail.com if you dig or have any funny ideas. You can also check out more of his illustrations and animation shorts HERE.

May 25, 2015
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The third and final day of the 5th annual Sundrop Music Festival (presented by Philadelphia Brewing Company & iRadio Philly) packs The Fire with an eclectic range of talent from the afternoon through the evening. Among those performing are the murky, dance-inspiring, electronic synth/percussion exploits of qqq, the chilled-out, gentle-swaying pop-rock of singer/songwriter Bryant Eugene Vazquez & The Songs, and the emotive alt-rock of Mumblr, whom have a propensity to shift those glum moments in combustible rockers. The sharp spun rhymes of The Bul Bey and the soul-filled electronic R&B Elegant Animals pave the way to a full day of enjoying that time off. The Fire, 412 W. Girard Ave., 2pm, Free, All Ages - Michael Colavita

May 24, 2015
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