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Mumblr
"Full Of Snakes
"
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The major takeaway for Mumblr’s new album Full Of Snakes (Fleeting Youth Records) is that it really takes balls to write songs that truly say nothing. As counter intuitive as it may sound, there really is something admirable in using music to not really express all that much. Any jerk with a voice and a few chords can say a whole lot about how their ex is horrible; what really matters is how much of that content is actually worth hearing. And brother, Mumblr has found a way to make saying nothing profound.

On the surface, the album initially sounds like some sort of early 2000’s generic pop-punk; the first song “Got It” opens with that familiar sense of vague, safe anger. It’s very “high school” reminiscent, right off the bat, with lines like “I got it if you want it” and “I’ll invite you to my room.” But as the song closes and we drift into “Sober,” the tone very gradually starts to feel off. It starts to feel a bit weirder, with this sense of reckless abandon that you only hear in a Violent Femmes song. And it’s not that one is true, and the others is not; this album is walking a razor’s edge between the most self-aware of indie post-punk and the obliviousness of adolescent guilty pleasures.

And while that may sound like a chaotic mess, the seventeen-track full-length really is the having-and-eating of one's cake. We get the indulgence of grandiose guitar riffs and over the top shrieks, but with just enough originality in the composition to give it a sense of being slick and even avant-garde. Don’t let the outward sense of crazy abandon fool you - this thing is airtight. And a lot of that can be chalked up to Nick Morrison’s vocals; he brings a real sense of cleverness to the whole thing, in no small part to the fact that he can turn his voice on a dime.

One endlessly fascinating reoccurring theme is the use of repetition in their lyrics, with phrases like the aforementioned “I got it” and “someone’s been sitting in my chair” echoed over and over again, beyond the point of simple parody. It’s that old artistic trope of repeating something until it becomes meaninglessly applied to lyrics, and it’s interesting to hear expressions of youthful angst to become so alien and meaningless.

They take these universal touchstones of adolescences, including the use of “shock” lyrics such as “if God is a woman I’m going to hell” and gleefully drive them into the ground while enjoying the ride. It’s fun, it’s cool, and will leave you thinking more than any other post-punk album in months. And it does so while still being a genuinely fun throwback to a sort of music that you don’t really hear in earnest these days. - Daniel Ludwig


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scene blog
One of the bigger surprises of 2014 for us was discovering the band Seagulls’ debut LP Great Pine. That’s why when they took it down from their Bandcamp page, it was also a big disappointment. Well, the band will be releasing it on vinyl via Yellow K Records so if you slept on it the first time around when we made it The Deli Philly’s September Record of the Month, you’ll have a second opportunity to soak in its dreamy, delicate vocals and tastefully arrange mix of acoustic instrumentation and 8-bit flourishes. Until its re-release, you can read our interview with the group HERE from when they recently won our Featured Artist(s) Poll.
October 31, 2014
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It’s gonna be a punk Halloween tonight at Toby’s Purgatory, featuring locals only that represent a variety of sounds from the genre in the city. Adding a refreshing female voice to the scene is Cool Points’ Jill Mallon. She leads the noise-rock crew with a straightforward sass and aggression that will charm your pants off, but she’s definitely “not your bro”! Cool Points will be joined by headliners Mumblr, who are pulling double duty, warming up earlier in the night at TJ Kong’s Halloween Murder Show. You’ll also find antagonistic punks Cousin Brian stirring up trouble while we patiently wait for the follow-up to their debut LP First. Rounding out the bill will be hardcore outfit Disinterest and pop-punkers Cold Foamers. Get sweaty, and celebrate at the “Real Halloween Party” the right way - fast and loud. Toby’s Purgatory, (Please contact one of the acts or venue for more info.), 6pm, All Ages - Emily DiCicco
October 31, 2014
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The force has been strong with these guys and gal so it comes as no surprise that they've been signed to a bigger record label. Congrats to Hop Along whom are now part of the Saddle Creek Records roster! Their upcoming full-length album is slated for release in spring 2015. They'll also be celebrating New Year's Eve at Johnny Brenda's so make sure to grab your tix before they're all gone. Cheers, lady and gents!

October 30, 2014
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You can see Friday/Halloween in the near distance, and the collaboration between members of Commonwealth Choir and Big Tusk, known as Philly Tapes Philly, has a show this evening at Ortlieb’s. Not only will tonight's show be free, but the first 50 people in the door will also get a free split cassette of 2 original songs (Volume 7) featuring the night's performers Brian Dale Allen Strouse of The Lawsuits and producer Bij Lincs, 1/3 of the hip-hop trio Ground Up. Ease into your weekend by starting a day early as Philly Tapes Philly brings you 2 bands, 2 songs and 1 tape. Ortlieb’s, 847 N. Third St., 8pm, Free, 21+ (Photo by Wendy McCardle) - Michael Colavita

October 30, 2014
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Fledgling indie/folk rock outfit Church Girls takes a turn in an edgier direction in the vein of Courtney Barnett on the band's new track "Young Planes," which we highly encourage the group to push further. Led by Mariel Beaumont and Evan Anders, the five-piece tackle the growing pains that most of us eventually end up going through with age, while Beaumont's speak-singing verses play the standout roll in the song. They'll be performing next in Philly on Monday, November 3 at The Arts Bank Cabaret.

October 30, 2014
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DRGN KING has released Baltimore Crush the follow-up to their 2013 debut Paragraph Nights, via Bar None Records. Its sound much-like the lineup of the Dominic Angelella-fronted group has evolved. Baltimore Crush echoes of its predecessor, while taking steps forward, delivering personal heartfelt emotions and high-voltage instrumentation, blended with danceable, more casual grooves and surf-rock aesthetics. It’s that calm endearing honesty and sensitivity that allows you to lay back and ride the wave or go full-throttle at any moment. You can now stream the LP in its entirety at AllMusic.com.

October 29, 2014
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