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Ecstatic Vision
"Sonic Praise
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Heavy-psych three-piece Ecstatic Vision conjures cosmic soundscapes with their debut LP Sonic Praise (Relapse Records). Self-ordained as “primal,” the group’s orchestration is undeniably gripping and visceral, altering the embodied state of its listener at an instant. Pressing past the tropes of genre, Sonic Praise is a hypnotic example of the outfit’s versatility. The release of Ecstatic Vision’s tripped-out LP is hopefully the first of many.
 
Beginning with the well-titled “Journey,” Sonic Praise’s opening track unfolds like a swirling chant that gradually builds to bawdy, passionate dirge filled with buzzing riffs and drums. The song’s lyricism is straightforward yet amplified by the unrelenting progression of its instrumentation. The declaration of “Journey” is unapologetic. It’s not a conversation; it’s an invitation. At its climax, the resonance of the recording brings to mind similarly transcendent tracks like Moon Duo’s “Free The Skull” or Ty Segall’s “I Wear Black.”
 
“Astral Plane” is a tentative tip of the hat to the iconic Sun Ra’s masterpiece Space Is the Place, unfolding with driving riffs and drumbeats that elicit the sensation of being transported into the ether. By the two-minute mark, “Astral Plane” is in full swing, impressive guitar work resounding as the track’s earlier established foundation persists. Each component of the song’s structure expands as frontman Doug Sabolick’s vocals urge listeners to “Look in the mirror and tell yourself/this is the place to be.” Undoubtedly indicative of the cosmos (metaphorically or literally), “Astral Plane” is trancelike, with its instrumentation possessing the power to cast a psychedelic spell that lingers well past the song’s end. Nearly thirty seconds shy of thirteen minutes of length, the temporal duration of the recording is as well warranted as it is executed. “Don’t Kill The Vibe” is equally shamanistic, with riffage that feels psychotropic. The LP’s title track, “Sonic Praise,” begins with primeval distortion comprised of oscillating tempos and forlorn chants. The effect of its prelude is mesmerizing, dark, and strangely beautiful. Thematically cult like, “Sonic Praise” is satisfyingly otherworldly, seducing its listener to give in to Ecstatic Vision’s melodic ethos without hesitation. 
 
Sonic Praise’s final anthem “Cross the Divide” extends the mysticism of the album’s narrative, ending Ecstatic Vision’s debut on a plane similar to where it began - one of enlightenment and pure rock 'n' roll. - Dianca London Potts

 

 

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Heavy-psych three-piece Ecstatic Vision conjures cosmic soundscapes with their debut LP Sonic Praise (Relapse Records). Self-ordained as “primal,” the group’s orchestration is undeniably gripping and visceral, altering the embodied state of its listener at an instant. Pressing past the tropes of genre, Sonic Praise is a hypnotic example of the outfit’s versatility. The release of Ecstatic Vision’s tripped-out LP is hopefully the first of many.
 
Beginning with the well-titled “Journey,” Sonic Praise’s opening track unfolds like a swirling chant that gradually builds to bawdy, passionate dirge filled with buzzing riffs and drums. The song’s lyricism is straightforward yet amplified by the unrelenting progression of its instrumentation. The declaration of “Journey” is unapologetic. It’s not a conversation; it’s an invitation. At its climax, the resonance of the recording brings to mind similarly transcendent tracks like Moon Duo’s “Free The Skull” or Ty Segall’s “I Wear Black.”
 
“Astral Plane” is a tentative tip of the hat to the iconic Sun Ra’s masterpiece Space Is the Place, unfolding with driving riffs and drumbeats that elicit the sensation of being transported into the ether. By the two-minute mark, “Astral Plane” is in full swing, impressive guitar work resounding as the track’s earlier established foundation persists. Each component of the song’s structure expands as frontman Doug Sabolick’s vocals urge listeners to “Look in the mirror and tell yourself/this is the place to be.” Undoubtedly indicative of the cosmos (metaphorically or literally), “Astral Plane” is trancelike, with its instrumentation possessing the power to cast a psychedelic spell that lingers well past the song’s end. Nearly thirty seconds shy of thirteen minutes of length, the temporal duration of the recording is as well warranted as it is executed. “Don’t Kill The Vibe” is equally shamanistic, with riffage that feels psychotropic. The LP’s title track, “Sonic Praise,” begins with primeval distortion comprised of oscillating tempos and forlorn chants. The effect of its prelude is mesmerizing, dark, and strangely beautiful. Thematically cult like, “Sonic Praise” is satisfyingly otherworldly, seducing its listener to give in to Ecstatic Vision’s melodic ethos without hesitation. 
 
Sonic Praise’s final anthem “Cross the Divide” extends the mysticism of the album’s narrative, ending Ecstatic Vision’s debut on a plane similar to where it began - one of enlightenment and pure rock ‘n’ roll. - Dianca London Potts

July 01, 2015
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Philly quartet Ghost Gum released a single on a four-way split earlier this year with locals Mumblr, Loose Tooth, and Clique, and only has a handful of promising demos available online. That is why the need to catch the shoegaze/post-punk outfit performing out live carries a heavier weight. The calming lead vocals of Carolyn Hayes combined with pressing yet spacious instrumentation finds you languidly strolling along, consumed by their sonic haze. Tonight at Boot & Saddle, you’ll have a chance to experience all that when they open for Baltimore noise-pop quintet Wildhoney and Mercury Girls, which also features Haynes, former Catnaps bandmate Adrianne Gold and Literature’s Kevin Attics and Chris Shackerman. Boot & Saddle, 1131 S. Broad St., 8pm, $10, 21+ - Alexis V.

July 01, 2015
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With Out Of Town Films' latest production featuring Chill Moody, the videographers create a cinematic sense of urgency. His producer Dilemma beautifully lays a stripped-down beat for "My Offering" as Chill comfortably steps to the mic, ready to spit his verse. The session was recorded on April 26, 2012 at Sigma Sound Studios.

July 01, 2015
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Directed by Miles Joris-Peyrafitte, Lithuania’s video for the title track off their forthcoming LP Hardcore Friends (which will available on August 14 via Lame-O Records on August 14) finds Eric Slick and Dominic Angelella oddly “hopping along” with a plant and ladder respectively, until they meet on a field and shake hands in a blood brothers union. The image is apropos given that Field Mouse’s Rachel Browne and Francis Quinlan (Hop Along) are featured on the song.

June 30, 2015
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Guitar maestro Chris Forsyth has been creating killer jams, and receiving some nice press with his group The Solar Motel Band. This evening at Johnny Brenda’s, he’ll be going back to his solo roots opening for Circuit des Yeux, the meditative project from Chicago/Thrill Jockey artist Haley Fohr, who is currently on tour in support of her latest album In Plain Speech. They’ll be joined by Jeff Zeigler, who will also be on his own tonight after recently coming back from a European tour with his musical partner, harpist Mary Lattimore. Come and embrace the vibes! Johnny Brenda’s, 1201 N. Frankford Ave., 8pm, $10 - H.M. Kauffman

June 30, 2015
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Post-punk outfit Haldol began in Nashville, Tennessee, and now calls Philly home like many up-and-coming artists these days. Their current lineup consists of Geoff Smith on guitar and vocals, Matt Martin on bass, and Aaron Muchanic on drums. Below is their screeching, guitar-heavy new self-titled album, which you can stream and purchase.

June 30, 2015
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