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Blood Sound
Blood Sound’s post-punk tracks are informed by an audible nostalgia for the dance floors and goth clubs of the latter ‘80s. Their latest LP Nightclub is a hybrid of dark wave and dream pop. Marrying synth-drenched harmonies with emotively vibrant lyricism, the subtle romantics of the band’s debut full-length fit seamlessly with the buzzing percussive backbeats of earlier cuts by Cold Cave (circa Love Comes Close) or The Cure’s “Primary” stripped bare to its core.
“TV Synth 1” sets the tone for Nightclub’s narrative with a brief yet textured prelude to “I Don’t Want.” Relatable like an antithesis of The Smiths’ “There Is A Light That Never Goes Out,” Blood Sound’s “I Don’t Want” personifies the complexities of yearning, desire, and loneliness. As frontman Chris Jordan croons “I don’t want the city’s lights to go down/I don’t want to find home,” guitar riffs magnify the weight of his words without casting them melodramatic. The track is a fitting anthem for the passing of youth, failed love, and transition.
The buzzing start of “L.A. Punk” explores that thin line between authenticity and commoditization, the song’s instrumentation paying homage in its own way to the early underground and its subsequent subcultures. As if channeling a sedated rendition of Peter Murphy’s tone and diction, “L.A. Punk” is as memorable as it is brooding. “Acid Summer” gives an inward glimpse at the intimate nature of grief, mortality, and memory. When Jordan sings, “The 1980s died that day,” the listener feels it in their gut. It’s undeniable. The connection between what is experienced and how that experience is remembered is amplified by the track’s thumping tempo.
“Empty” plays out like the perfect soundtrack to an inevitable breakup, coupling affection with exhaustion, with the synth framing the heart-wrenching truth of lines like “I was too in love to say/that your story was a bore/Now I gave up on bad dreams and endings/beginnings and beginnings.” It offers a viable catharsis for jilted lovers with a penchant for fuzzed-out refrains.
“TV Synth 2” precedes the lyrically minimal yet heavy “Embrace” which serves as Nightclub’s melodic memento mori. “Almost” is subdued yet gripping, slowing the momentum of the record in advanced of “TV Synth 3,” which unfolds like a VHS fever dream. “Fake Blood” is evocative, with reverb and a pulsating backbeat that swells as the song progresses. Arguably the darkest track on the album, Jordan’s diction is hypnotic, “Kill your dreams and wait for/the fake blood to pour out.”
Ending with the well-placed “Catacombs,” Nightclub’s final track encapsulates the thrill of beginnings and the way one remembers them. Set to a beat reminiscent of Joy Division’s quintessential single “Love Will Tear Us Apart,” “Catacombs,” much like the songs that precede it, is reason alone to return to Nightclub. - Dianca London Potts

Welcome to the new Deli Charts, organized by genre and scene.

To rank the artists with the star system go to the Top 50.


scene blog

Multifaceted local Israeli artist Tamar Dart, a.k.a. Little Strike, is a one-woman show. With guitar, keys, and electronics, she builds bittersweet, textured soundscapes that play off the sultry intimacy of her vocals. It's easy to see how one could get transfixed on the doe-eyed enchantress. Little Strike will be at MilkBoy Philly this evening opening for avant-pop Toronto outfit Grounders. MilkBoy Philly, 1100 Chetsnut St., 8pm, $10, 21+ - H.M. Kauffman  

March 29, 2015

DRGN King dishes out groove-oriented pop-rock that seeps under your skin, bubbling below the surface and then breaking loose with shards of guitar as Dominic Angelella clear vocals ease you into a comfortably chill space, cruising along until the moment of aggression reaches a tipping point and kicks into a high gear. Tonight, at the batting cages better known as Everybody Hits, DRGN King will be home from tour and joined by the percussive/key combination of Dream Safari, whose vibrant island vibes create a loose continually moving sensation that you’ll succumb to without a fuss, momentarily transporting yourself to a warmer climate in the process. The ceaselessly engaging honesty of Vermont transplants Hello Shark get you caught in a mesmerizing net of folkish rock with modern twists and turns. It's a stacked local bill this evening! Everybody Hits, 529 W. Girard Ave., 8pm, $5, All Ages - Michael Colavita

March 28, 2015

Heavy shoegaze quartet Nothing returns to Philly this evening at Underground Arts. The band has been on a nearly month-long tour obliterating music venues with noisy Miami stoner metal provocateurs Torche and Spanish black metal crew Wrong. Hopefully this time home will be a good chance for Nothing to work on the follow-up to last year’s beloved breakout album Guilty of Everything (Relapse). Come out, and celebrate the boys surviving another journey! Underground Arts, 1200 Callowhill St., 8pm, $18, 21+ - Alexis V.
More places to rock this weekend…
Johnny Brenda’s (1201 N. Frankford Ave.) FRI Belgrade
The Boot & Saddle (1131 S. Broad St.) FRI You You Dark Forest, SUN Dying
Kung Fu Necktie (1250 N. Front St.) FRI Gondola, Beer Breakfast Dungeness Crab/Dogs on Acid, Clique/Flyherder, SAT (3pm) The Virus, Anti-Suburbians, Glory Dole/Disco Machine Gun/Good Company, SUN Fight Amp, The Company Corvette
Underground Arts (1200 Callowhill St.) FRI Nothing
Bourbon and Branch (705 N. 2nd St.) FRI Creem Circus (CD Release), Jukebox Zeroes, Souldiers of Soul, Candy Volcano, SAT Foreverinmotion, Wild North, SUN Todd Fausnacht, Spelling Reform
The Trocadero (1003 Arch St.) SUN (Balcony) Cute Girl From English, The Phonies, Electric Who?
TLA (334 South St.) SUN Motionless in White
Tower Theater (69th & Ludlow, Upper Darby, PA) FRI The War on Drugs
Franky Bradley’s (1320 Chancellor St.) FRI Northern Arms
World Café Live (3025 Walnut St.)  FRI (Upstairs) Come + Talk 2 Me: A Soulidified Tribute
The Fire (412 W. Girard Ave.) FRI Jesus’ Older Brother, HighKick, The Wondershop Showdown, SAT Dirty Soap Blues Band, SUN RAD Benefit Concert: Pat (From Spraynard), Brian (From Victory In Numbers)
MilkBoy Philly (1100 Chestnut St.) FRI Mock Suns, SAT Foxtrot and the Get Down, Lou, Big Terrible, SUN The Yetis, Little Strike
Ortlieb’s Lounge (847 N. 3rd St.) FRI Davey and The Chains, A Locomotive, SAT The Improbables, SUN Husky Bundles, St. James & The Apostles
North Star Bar (2639 Poplar St.) FRI Poor Yorick, A Victim Of Good Times, SAT Railroad Fever, Johnny Miles
Tin Angel (20 S. 2nd St) FRI Blair Bodine, Victoria Spaeth, Rachel Eve
Fergie’s (1214 Sansom St.) SAT Mr. Charlie, SUN Rusty Cadillac
The Legendary Dobbs (304 South St.) FRI Uphevil, Scars Like These, Graces Downfall/Soraia, The Quixote Project, Megan Knight, SAT Moka , Paulette Branson & Mixed People, Garnika/Eric Reavey, Angela Burns, Taylor Ash, SUN (2pm) Bluebond Kids/Infused Miscreation, Lightning Arms
Connie’s Ric Rac (1132 S. 9th St) FRI The Late Greats, Warbirds, Lamme, SAT Radio Eris, SUN Solus Rex, Magnificent Birds of Prey, Inconsiderate Bastards
Voltage Lounge (421 N. 7th St.) SAT First of Autumn, The Casual, Under This Fire, Rasan Allbritton, Memories of March
XO Lounge (1437 South St.) FRI Blue Coal, Generation Empty, Shithawks
The Grape Room (105 Grape St) FRI Justin Phillippi, Gavilán, Jahwula, SAT The Beta Phase, Stellar Belly, The Good Mess, Grand Strangers
Ardmore Music Hall FRI Billy Mungus Big Band, SAT David Uosikkinen's In The Pocket, SUN Psych-A-Billy, Goose Creek Pioneers, Lovers League, Black Horse Motel
The Pharmacy (1300 S. 18th St.) SUN Legs Like Tree Trunks, Robins
Everybody Hits (529 W. Girard Ave.) SAT DRGN King, Dream Safari, Hello Shark
Creep Record (1050 N. Hancock St., Suite 76) FRI Seeing Snakes, Evening River Band, Mt. Billions, The Cats
Baker Bowl (Please contact one of the acts or venue for more info.) FRI Christopher Walking, Tribute, Languid Pennsylvania, Frontyards
Mile High House (Please contact one of the acts or venue for more info.) FRI Snoozer, Pill Friends, Buster
Lavender Town (Please contact one of the acts or venue for more info.) FRI Ghost Gum, The Retinas, SAT Mumblr, Marietta, Fake Boyfriend, Blue Smiley
Red Barns (Please contact one of the acts or venue for more info.) SAT Repellers, Incisor
Beaumont Warehouse (Please contact one of the acts or venue for more info.) FRI Dridge, The Brood
Motel Hell (Please contact one of the acts or venue for more info.) FRI Boroughs, +HIRS+, Knife Hits, Constraint
Mihouse  (Please contact one of the acts or venue for more info.) FRI Uncle/Father Oscar, Second Marriage
2nd Empire  (Please contact one of the acts or venue for more info.) SAT Dronez
LAVA Space  (Please contact one of the acts or venue for more info.) FRI Trophy Wife, Moor Mother Goddess, Rasheedah Phillips
The Sound Hole (Please contact one of the acts or venue for more info.) SUN Whoosy Daisy
March 27, 2015

Mt. Billions builds up like a volcano on the verge of eruption. Gradually churning swells of ominous tone with earth rattling pulses of bass reinforced by advancing percussion and guitars that distortedly ring through like sirens, and the vocals offer distressing echoes amid the impending disaster, developing a potent enveloping atmosphere that surrounds you in a layer of smoke unable to see the path, while using the slivers of guitar to cut through the haze and the bass lines as a homing device. Tonight, Mt. Billions is featured on a free billing, which also includes the steep sprinting pop-punk charge of Seeing Snakes. Evening River Band casts dense grey clouds overhead with their downtrodden folk that manifests serious storms lay ahead as electric guitar buzzes like lightning and backend rumbles. Lo-fi punk rockers The Cats' simple stampeding sound brings a transferable energy you’ll naturally consume, completing the lineup. Creep Records, 1050 N. Hancock St., Suite 76, 7pm, Free, All Ages - Michael Colavita

March 27, 2015

Found on their EP Divorce Year, which will be released on cassette on May 5 via Seagreen Records, Thin Lips' latest single, “Nothing Weird,” is jumpstarted by a momentous riff as Chrissy Tashijan depicts a definitive tale of a relationship ending. It’s a song that hits an emotional note, while occupying a tough POV as Tashijan pushes through the discord and moves forward. You can stream the track over at Stereogum. Thin Lips will be touring with Hop Along, making a stop on May 9 at Union Transfer.

March 27, 2015

Ex-Placeholder frontman Brandon Gepfer has teamed up with former members of screamo crew We Were Skeletons to form Spill. The new project just premiered its debut single "Sucks Either Way," via Brooklyn Vegan. They also have plans to release an EP, and have already booked a few shows in their hometown of Lancaster, PA with Diarrhea Planet, Spraynard, NAH and more. 

March 26, 2015

Which of these local acts should be The Deli Philly's featured artist(s)?

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