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Interview with The Deli’s Label of the Year: Punk Rock Payroll

 

 
We figured since the city was basically shut down we might as well join the rest of the crazies yesterday at the bar for a little social lubrication and random body-sledding on the way home. Well, we’re back with The Deli’s Label of the Year, Punk Rock Payroll. We had a chance to catch up with PRP’s godfather Frede Zimmer to toss him a few questions that you should definitely check out.
 
Frede Zimmer: First of all, everyone involved with Punk Rock Payroll would like to thank everyone who voted for PRP, it is truly an honor to be voted The Deli’s Label of the Year in Philadelphia.
 
The Deli: What are your feelings about the Philly music scene?
 
FZ: I love it! I think that at this point we have all the right components to become bigger and better. Recently I was tour manager for The Extraordinaires for a few dates with Gogol Bordello, and everyone we met on the road was telling us how much they love bands from Philly and how nice everyone from Philly is. It made me realize that the reputation Philadelphia bands are carving out for themselves outside of Philly is a very positive and innovative one, and I'm happy to be a part of it.  
 
TD: Will your headquarters always remain in South Philly?
 
FZ: I can't say that it will always remain in South Philly. After 5 years of Punk Rock Payroll functioning out of a cramped two bedroom apartment at 9th and Jackson, we just moved in to our new, much more spacious headquarters at 18th and Moore about a year ago, and we have no intentions of going anywhere. Now we're located in a section of South Philly called Newbold that's South of Washington and West of Broad. Everyone at the label, and the bands that are signed to the label, pretty much live around this area now, so we definitely feel a sense of community. The area south of Washington is completely malleable right now. It's a new frontier for artists and musicians to start to shape into a brand new area that's not already defined by established venues and pre-conceived notions about what kind of music or art comes from the area.     
 
TD: We love your innovative packaging/marketing ideas. Any cool things that we should be looking out for? Any releases that you are excited about, or new artists that you have or are planning to sign?
 
FZ: Thank you. There are definitely some new packaging designs and new artists and releases that we are very excited about at the moment, but it would be a bit premature to let the cat out of the bag at this point. We'll be making a few big announcements on the Punk Rock Payroll website very soon.
 
TD: Your history is well-documented on your website. What’s been your proudest moment so far?
 
FZ: I'm constantly proud of Punk Rock Payroll and all of the people behind the scenes who keep it running: the interns, the people who work at the label and of course the bands on the label. I feel really lucky to be surrounded by so many gifted people. It feels like I have a "proudest moment" just about every other day.
 
TD: Besides artists on Punk Rock Payroll, what local performers do you enjoy listening to?
 
FZ: I have to admit I am generally listening to the bands on the label, but I really enjoy The Armchairs, Sweatheart, Need New Body, Sun Ra, and a few more that we currently have our eyes on.
 
TD: What national/international acts do you currently listen to now?
 
FZ: The Roots, Against Me, Gogol Bordello.
 
TD: What’s your favorite thing about Philly?
 
FZ: The energy you feel just from walking down the street. Philadelphia is the birthplace of America, and I truly believe it lends itself to be the birthplace for many new and groundbreaking artistic undertakings. 
 
TD: What annoys you the most about Philly?
 
FZ: The disrespect for the city some people voice by throwing their trash all over the streets and the violence, especially the gun violence...we really shouldn't have to watch our backs when we're walking or riding over to a friend’s house to hang out. At some point, this behavior became the norm, and that definitely annoys me.   
 
TD: What’s your poison?
 
FZ: BRUNIC'S ! It's my favorite diner hang out, and it happens to be at 17th and McKean, which is only a few blocks from our new spot. It seems to be the underground hub for all things South Philly.
 
TD: What’s your favorite thing to get at the deli?
 
FZ: Hmm…it definitely changes from day to day, but today I would have to say veggie/cheese hoagie. 
 
- The Deli Staff

 


 
 
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Which of these acts was your favorite Emerging Philly Artist of 2011?
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Prefix Mag: The Roots: Undun


January 2012
Work Drugs
Aurora Lies

mp3

A quick listen to Work Drugs’ official debut label full-length Aurora Lies (Bobby Cahn Records) yields sweet, sedate pop music great for, as the band would say, “dancing, boating, yachting, sexting and living.” However, a closer listen reveals a wandering, albeit smoothly executed take on the uncertainty and disconnection that must accompany being briefly marooned at sea - which as the folklore goes is when Thomas Crystal and Benjamin Louisiana had written all of the songs for Aurora Lies. The duo, who have known each other since kindergarten and began making music together in sailing school (more tales from the fanciful crew that are not yet truly verified), seem versed in the art of poring over the sketchy intermingling of open horizons, longing and melancholia without dwelling too much or too heavily. On “Catalina Wine Mixer,” much like other tracks on the album, Tears For Fears-era vocals and MGMT-esque production are blended together and soft-lit, highlighting Work Drugs’ tendency to keep it simple while avoiding saccharine. Peppy synths and drum machinations accompany the lighthearted lyrics on tracks such as “Daddy Bear,” and with lines like “Can’t keep my paws off you/These hives all look the same,” it is evident that the group are not prepared to take themselves too seriously, which is a good thing when it comes to such seductively sexified tunes. The LP’s title track, “Aurora Lies,” slows it down and offers up a somber dose of introspection that seems characteristic of the album on a whole. “Tell me what you want from me/Show me that the best of days/Won’t end up behind me,” and then added to clear up any question of the band’s carefree intent, “Hold on (we were just having fun).”  

 
Work Drugs manages to veil end-of-summer melancholia under a much-needed dose of high-quality dream pop. Their timing could not be more impeccable. While boating and yachting are probably out of season in this neck of the woods, Aurora Lies may prove to be the best soundtrack for winter’s best leisure activities - namely dancing, sexting and living. You can purchase the album HERE. - Leslie Burnette

 

listings
JANUARY
01.27Kung Fu Necktie
8pm Market East
01.27Le Grand Fromage
9pm Hannah Schweke
10pm Darkmatter
11pm Abilities
01.27North Star Bar
9pm Whitewater Pass
01.27The Legendary Dobbs
8pm Katie Barbato
8pm Daniel Collins
9pm Michael Ronstadt
9pm The Way Home
10pm Early Ape
11pm The Discount Heroes
01.28 The Blockley Pourhouse
9pm Splintered Sunlight
01.28Le Grand Fromage
1am S.p.e.n.t
12am Foreign Object
01.28The Fire
7pm Luther/grey Area/owc
01.29The Fire
6pm City Hall Collective
FEBRUARY
02.01 The Blockley Pourhouse
11pm Emancipator
02.01Silk City
9pm Dirty Toms
02.02HeadHouse Cafe
8pm Avataria
02.03Johnny Brenda's
11pm Snowmine
02.03M Room
9pm The Gut Strings
02.03The Legendary Dobbs
9pm James Suit
02.04PhilaMOCA
9pm Josiah Wise Godbodi
10pm Blayer&rockers Galore
11pm Kuf Knotz
12pm The Philadelphia Slick
02.04The Fire
9pm Saturday Astrology
02.08The Grape Room
11pm Dawns Red
02.09 The Blockley Pourhouse
10pm Tab Benoit
02.09Grape Room
8pm Glim Dropper
02.09Johnny Brenda's
8pm Howlin Rain
02.10MilkBoy
8pm Vintage Kicks
02.10The Grape Room
11pm Kalob Griffin Band
02.11Electric Factory
8pm Work Drugs
02.11First Unitarian Church (Side Chapel)
8pm The Water
8pm Endor Endor
8pm Northern Valentine
02.11The Grape Room
8pm Boog
02.17Connie's Ric Rac
8pm Calico Fields
02.17The Grape Room
8pm Mary Jennings
02.17Underground Arts
9pm Tulie
10pm Faux Slang
11pm Lightninging
02.18 The Blockley Pourhouse
9pm Otis Day & The Knights
02.23Kung Fu Necktie
8pm Cranes Are Flying
9pm Pearl And The Beard
02.23LEGENDARY DOBBS
10pm Silverqueen
02.24Grape Room
9pm Two Lights
02.25Grape Room
9pm The Gut Strings
02.25Kung Fu Necktie
10pm Little Big League
02.25The Grape Room
11pm The Beta Phase
11pm Phantasm
02.25The Level Room
10pm Blayer&rockers Galore
12pm Faux Slang
02.28North Star Bar
8pm Glim Dropper
02.29The Grape Room
9pm Killshot
MARCH
03.01The Grape Room
10pm El Malito
11pm Blayer Pointdujour
03.02The Grape Room
9pm Sunshine Superman
03.07The Grape Room
9pm Your Ghost
03.08The Grape Room
8pm Nick Young
9pm Tom Christopher
03.09The Grape Room
8pm Justin Levinson
03.10The Grape Room
9pm Camp Dracula
10pm Winston's Dog
03.15The Grape Room
9pm Dot Square
10pm The Folkadelics
03.16LEGENDARY DOBBS
8pm The J. Cooper Band
03.17Johnny Brenda's
8pm Shorty Boy-boy
03.17MilkBoy
9pm New Motels
03.17The Grape Room
10pm The Fractals
11pm Dynagroove
03.24The Grape Room
9pm Big Fat Marker
03.29The Grape Room
10pm Theory Of Noise
APRIL
04.06The Grape Room
8pm Joe Nicastro
9pm Frank Viele
10pm Viv Peyrat
04.07The Grape Room
9pm Bruce Torres
04.14The Grape Room
8pm Paige Allbritton
11pm Tj Mcglinchey
04.21The Grape Room
9pm Gavilan
10pm The Byways
04.26The Grape Room
9pm Waylon Speed