x
Artist of the Month
the_deli_magazine

 
deli cover

March 2015
Blood Sound
"Nightclub
"
mp3
Blood Sound’s post-punk tracks are informed by an audible nostalgia for the dance floors and goth clubs of the latter ‘80s. Their latest LP Nightclub is a hybrid of dark wave and dream pop. Marrying synth-drenched harmonies with emotively vibrant lyricism, the subtle romantics of the band’s debut full-length fit seamlessly with the buzzing percussive backbeats of earlier cuts by Cold Cave (circa Love Comes Close) or The Cure’s “Primary” stripped bare to its core.
 
“TV Synth 1” sets the tone for Nightclub’s narrative with a brief yet textured prelude to “I Don’t Want.” Relatable like an antithesis of The Smiths’ “There Is A Light That Never Goes Out,” Blood Sound’s “I Don’t Want” personifies the complexities of yearning, desire, and loneliness. As frontman Chris Jordan croons “I don’t want the city’s lights to go down/I don’t want to find home,” guitar riffs magnify the weight of his words without casting them melodramatic. The track is a fitting anthem for the passing of youth, failed love, and transition.
 
The buzzing start of “L.A. Punk” explores that thin line between authenticity and commoditization, the song’s instrumentation paying homage in its own way to the early underground and its subsequent subcultures. As if channeling a sedated rendition of Peter Murphy’s tone and diction, “L.A. Punk” is as memorable as it is brooding. “Acid Summer” gives an inward glimpse at the intimate nature of grief, mortality, and memory. When Jordan sings, “The 1980s died that day,” the listener feels it in their gut. It’s undeniable. The connection between what is experienced and how that experience is remembered is amplified by the track’s thumping tempo.
 
“Empty” plays out like the perfect soundtrack to an inevitable breakup, coupling affection with exhaustion, with the synth framing the heart-wrenching truth of lines like “I was too in love to say/that your story was a bore/Now I gave up on bad dreams and endings/beginnings and beginnings.” It offers a viable catharsis for jilted lovers with a penchant for fuzzed-out refrains.
 
“TV Synth 2” precedes the lyrically minimal yet heavy “Embrace” which serves as Nightclub’s melodic memento mori. “Almost” is subdued yet gripping, slowing the momentum of the record in advanced of “TV Synth 3,” which unfolds like a VHS fever dream. “Fake Blood” is evocative, with reverb and a pulsating backbeat that swells as the song progresses. Arguably the darkest track on the album, Jordan’s diction is hypnotic, “Kill your dreams and wait for/the fake blood to pour out.”
 
Ending with the well-placed “Catacombs,” Nightclub’s final track encapsulates the thrill of beginnings and the way one remembers them. Set to a beat reminiscent of Joy Division’s quintessential single “Love Will Tear Us Apart,” “Catacombs,” much like the songs that precede it, is reason alone to return to Nightclub. - Dianca London Potts

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


Go to the old Top 300 charts

Cancel

scene blog

    about      
 
 
 
 
FOR LOCAL ARTISTS


Sign Up to enter The Deli's Charts HERE (free)


The Deli Charts (see example on the left column) are a database of artists organized by region, genre and, of course, popularity.

Rather than just a popularity contest, our charts are thought as a service to allow bands, live show promoters and also music fans to find new promising acts. In this DIY musical era, the Deli's Charts provide an easy and fun way for emerging artists to find like-minded bands to network with.

Unlike similar charts implemented by other websites, The Deli's ones are extremely reliable in terms of rankings, which are calculated using data from the outside world - not internal artist profile counting. Also, they include not only subscribers but also bigger acts, therefore reflecting the local scenes in its entirety.

Sign Up here.


FOR MUSIC FANS (and also artists!)


1. Subscribe to our Email Newsletter (free):

To subscribe to the Deli Philadelphia Newsletter please go here.

You'll get one email per month with updates about the Austin emerging artists and bands.

Oh and no! We don't sell or exchange email addresses!!!

--------------
Questions? email us:
infoatthedelimagazinedotcom


 
 
 
 
 
 
 
 
         
|
|

aom
Which of these local acts should be The Deli Philly's featured artist(s)?

[sponsored by]


aps
stompbox exhibit


- news for musician and music industry peeps -