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April 2014
The perfect solace for winter’s passing, Creepoid’s second full-length self-titled LP combines the zeitgeist of 90's grunge with pristine dissonance and somber lyricism. Released earlier this month by No Idea Records, Creepoid is eerie, melodic and stirring from beginning to end. 

The record’s introductory track “Nauda” opens with a singular note that swells into a melody, aligning itself with the listener in a way that feels confessional yet synonymous. A well-wrought continuation of the earnest diction reminiscent of Horse Heaven, “Nauda” is as bittersweet as its vocals, informed by the paradox of loneliness and longing. Expanding into a cinematically moody soundscape, guitars wail like sirens, beckoning chords to crash and settle into a fading ricochet - a premonition of “Sunday.” Coupled with acoustic strums and crisp vocal croons, a solemn request, “take my light and pull it out,” is beautifully melodic with perfectly placed tambourine that brings to mind the memorable mood concentrated. Exploring the affect and consequence of relational presence and its subsequent absence, the orchestration of “Sunday” renders a relatable narrative evocatively raw and sincere. 

“Yellow Wallpaper” ignites with driving bass and swirling riffs. As if resurrecting the perfection of Jeremy Enigk (ex-Sunny Day Real Estate), a la “Killed By An Angel” meets “Pillars,” the song evokes an eerie all consuming sense of the sublime that centers the track’s duration. Like an extension of Horse Heaven’s “Hollow Doubt,” the contextual weight of “Yellow Wallpaper” is harmonically haunting and intentionally poignant. “Baptism” washes over its listener in waves of riffs and echoed vocals that occupy an emotive territory similar to lesser-known tracks by Sonic Youth, subverted and painted darker by the brooding buzz reminiscent of shoegaze greats like My Bloody Valentine. 

In its decline, “Baptism” casts a feeling of transcendent submersion, befitting its namesake. With a crystallized aggression, “Gout” does the same - urgent and arresting with visceral shouts and screams. “Stay Inside” is considerably more subdued than the album’s preceding tracks but equally mesmerizing, unfolding “Tired Eyes,” a hypnotic chant of a fatigued psychedelic. “Golden String” feels slightly optimistic, while “Acrimony” blossoms then retracts into a reserved yet deliberate ballad that demands its audience’s attention like a gloomy lullaby with teeth. “Vulgar,” warm and sunlit, is lush and arresting, setting the stage for the album’s closer “Old Tree,” a jubilant ending to yet another epic compilation of clairvoyant anthems evoked by Creepoid. - Dianca Potts 

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Mount Sharp begins May Pianos Residency on Tuesday 6th

Keep an ear out for Gowanus fuzz rock trio, Mount Sharp, who just announced a residency at Pianos, playing every Tuesday in May at 10pm. The band has been together for nearly two years, creating what they call “songs about science and bad decisions,” perfecting their sound as they go. A mixture of distant and echoed vocals drift in and out of ghostly, sometimes eerie pop guitar, displaying a plethora of influences, and making for an uncomfortably enjoyable (or enjoyably uncomfortable) listening experience. THey are also about to announce a summer release, so stay tuned. – JP Basileo

We added this song to The Deli's playlist of Best guitar rock songs by emerging NYC artists - check it out!


From the NYC submissions: Penrose plays Marlin Room at Webster on 04.26

"I don't believe in demons but sometimes I think I should." (Apples From Your Tree) Ok, so maybe new Brooklyn residents (via Philly) Penrose is just a tad scary. And yes, they can get very loud and insane when they want to... but more often than not, they're just as likely to bask in a snaking classical guitar every bit as eerie as any music referred to by the words 'screaming' or 'core.'

Latest record 'Circe' goes from heavy blues ('Every River Goes to Hell'), to piano ballads ('The Murder of Basin Street') and even calliope! ('Hades'). But it's not as heavy as it sounds.'Circe' is a concept album full of innuendo and mystery (and quite a bit of murder), but it's also easy to groove out to and perfect for any road trip... especially if that road trip brings you to hell. See them when they play The Marlin Room at Webster Hall on Sat, April 26th and listen below to 'Every River Goes to Hell,' a song reminiscent of one of the most underrated desert rock bands of the 90s, Thin White Rope. - Mike Levine (@Goldnuggets)

This band submitted their music for coverage here.


Debut Tangiers EP Available for Streaming & Download

Take a listen to the fuzzed-out, melodically enticing five-song debut EP End of the World from Tangiers! Comprised of Gabriel Simone (vocals, guitar), Lulu Cadillac (vocals, bass), Cameron Alexander (lead guitar), and Ethan Weiss (drums), you'll find some serious too-cool-for-school swagger from each charming lo-fi pop ditty. Dig into it!


Free Download: "In Metal" (Low Cover) - Nothing

Nothing released a free download for their cover of Low's "In Metal," the closer to 2001's Things We Lost in the Fire, to coincide with this year's Record Store Day. Providing welcomed subtle sonic tectures to their rendition, you can stream and download the track below. The band will be back at The Boot & Saddle on Saturday, June 8. Enjoy!


New Music Video: "Goshen '97" - Strand of Oaks

A contemplative Timothy Showalter (a.k.a. Strand of Oaks) appears in the latest video for his J Mascis guitar-assisted track, "Goshen '97." It's the initial offering from his forthcoming album HEAL, due out on June 24 via Dead Oceans. The video was directed by Rick Alverson, and features some local music community pals doing a bit of rollerskating for the cameras.


Justin Kalk Orchestra Releases Video for "Dirty Thing"

The Justin Kalk Orchestra has tossed out this nugget in hopes of calming fans foaming at the mouth for the summer release of their second album, “Volcano.” “Dirty Thing” utilizes Gonzo artist Ralph Steadman (Christ, the cover. Give it to me.) and gets the band involved in the claymation on this new video. The result is fun, yet oddly nostalgic and unsettling at the same time. And rest assured, the giraffes make it in the video, and the band hits just as hard in this new single, and their accompanying haze of blues and psychedelic is just as impenetrable. Of course, hell is more likely to freeze over than Kalk walking into a project at anything less than a breakneck swagger. -Terra James-Jura


Church Bar's One Year Anniversary with The Lower 48

A good way to get yourself back on salvation’s path the Monday after 4.20 (and Easter in case you forgot) is to visit one of Portland’s churches. And fortunately, you won't feel out of place if you go to Church Bar's one-year anniversary party this Monday. Portland’s rock and roll supernovas known as the Lower 48 will be ringing in the celebration. This band has been evolving their sound for many years and has come to give themselves a defined sound consisting of vintage pop, folk, with a grunge overtone. Their vocal harmonies and exploding bass lines reel in the listener and then they hit you with a secret weapon as Nick (the drummer) overhauls the music with a trumpet. So, there’s one way to start your week on the right track. - Colin Hudson


Moon Bounce Getting Down at Silk City April 20th

Local knob-turning maestro Moon Bounce is having a 4/20 blowout tonight at Silk City.  Moon Bounce has been creating warped, multi-faceted and finely tuned electronic music for a couple years now.  The R&B informed producer has released a series of increasingly impressive EP’s leading up to his most recent, Dress Rehearsal, out now on his own label Grind Select. This rare show will also include mind-bending visuals by Jason Hsu, making the trippy set that much more trippy. Joining Moon Bounce is the chill, spacey electronic artist Telequanta, who is prepping his newest release, Metaverse, which is slated to come out on Data Garden next month.  Filling out the bill is synthwaver Lapses.  Come get down and work all that food off. Silk City, 435 Spring Garden St., 8pm, $7, 21+ - Adam G. 



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